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Víctor is in his last year of his Violin Studies and is about to perform his last recital. During his years as a student, he has put his family and friends aside to focus entirely on his true passion. Now that the first defining moment of his future professional career is approaching, he feels emotionally blocked, unable to play his piece well. Víctor will have to make amends with his close ones, those who have supported him and have been by his side, in order to feel at peace with himself. He will have to remember who he really is to find the right emotional balance that will allow him understand music and life in a much healthier and human way, and carry on with the concert.

Havana, a day in September 2000. Olympic Games are being held in Sydney and Mauricio's sixtieth birthday is here: a man alone and devastated by the unexpected death of his wife. The story is told through a review of passages that gave form to the last twelve years of his life, combining flashbacks with recent events encompassing the key moments that marked the path to that day. Individual dimensions combine with the social context in the last decade in the 20th century in Cuba, a decade marked by deep political, economic and social changes that stirred the ethic and human bases of these generations, the first to enter in the new millennium.

Alvarez' longest documentary examination of the Cuban Revolution, this contains exceptional interviews with Fidel, Raúl, Almeida, Vilma, Haydee, Celia and Faustino Perez, among other key players in the Revolution.

Set in the year 2065 and tells the story of a man who enters an old holographic booth, intending to take a nap, but accidentally activating the resident sexual hologram.

According to legend, Pelayo became a martyr and saint by sacrificing himself to save his king, Bermudo de León. Now, people gather to explain their history and ask for disaster protection.

La Buena Voz (aka The Good Voice) explores the relationship that develops between a father and a gay son he never knew existed -- two men suddenly and unexpectedly thrust into each other's lives. Pepe, a slightly listless, fifty-something taxi driver with a heart condition, suddenly learns that he fathered a child, Jordi, from a quiet affair with his wife's girlfriend. Jordi, now HIV-positive, enters Pepe's world and recolors the elder's perspective and outlook on life, with his take-no-prisoners zeal for living and a restless, inquisitive spirit.

Modern version of A Christmas Carol.

After a nuclear attack, a magician takes shelter in a forest with his assistant to complete his biggest magic trick to date, The Creation, a trick that requires that you do some of the most inhumane things known to man.

A grieving woman sleeps. Between her agitated breathing, the footsteps of a strange man creep in. At dawn, he accompanies her for a last walk in the forest. The protagonist, a woman without a name, will say goodbye to life in a quiet walk close to nature.

Why not fill that void with something? Buy, buy, buy, damn you!

Winner of the Best Basque Language Short Film (Mejor Cortometraje en Euskara 2025) award at the 17th Express Cinema Festival of Portugalete. Following the festival's requisites, the short was made in under 10 hours and revolves around the prompt all entries shared: the invisible.

Shortly after the traumatic death of his wife, Oscar and his daughter Tamara, as part of their psychological treatment, decide to escape their routine and relax for a few days at their old country house in Entre Ríos. Although the country air usually does them good, the stay does not seem to have the desired effect. Tamara's behavioral disorders deepen due to her obsession with a mythological creature, and they begin to realize that the calm of the countryside is not synonymous with peace.

Legendary Spanish actor and director Jacinto Molina, also known as Paul Naschy, tells the mythical story of Waldemar Daninsky, the cursed werewolf, his most iconic character; a relationship that began in 1968.

As thoroughly unlikeable a robber as ever walked the West, Joe nonetheless robs from the rich and gives to the poor. Not only is he a murderous, ill-tempered sort, he is bad-mannered, too. When beautiful Sonny decides he should be her man and teach her how to be a proper outlaw, sparks fly.

A battle between revolutionary Mexicans and the U.S. cavalry brings Zorro onto the scene to enact vengeance for violent acts incurred by the cavalry Sergeant. Once the Sergeant is killed, Don Jose de la Torre retires from being Zorro and settles down to live a quiet life. The brother of the Sergeant, in an act of his own justice, dons the costume of Zorro and terrorizes the countryside. In an act to draw out the true Zorro, the imposter kidnaps Don Jose's wife, making him once again don the mask to rescue her.

Two friends embark on a investigation to find the classmate who, fifteen years ago, unleashed a massacre at their institute.

The bachelor Alvaro meets his son Santiago at the airport. Santiago has two hours before his plane leaves for Germany, where he is going to study. Both are nervous and their conversation is awkward, because they haven't seen each other for five years. They seem to grow slowly closer together. Moving, sober fiction about family bonds and intimacy.

Marta believes that her ideal profession would be that of a serial killer, and she wants Carlos to be her first victim.

ln late 1800s Europe, Oscar, a wealthy but lonely middle-aged man who has lived a decadent, extravagant life in a chateau filled with wine, courtesans and opium, confesses his love to his gardener Jude before he dies of his excesses.

It begins with a chance encounter between Ro and Ju on a film set. A conventional love film? The characters not only change bodies, identities and desires over seven countries. They struggle with perceptions of themselves and others, fail because of bad scripts, a lack of visas, social expectations or their own demands. The film shows that love is both individual and universal at the same time. It shows diversity in action and not only dispels prejudices about gender relations and sexism in different corners of the world, but also touches on topical issues such as the war in Ukraine. The film is an ode to love and a declaration of love to filmmaking. Film sets, the madness and confusion of film production and the excitement before the premiere are also themes of the film.

MG, a policewoman who has been expelled from the Corps due to the problems with alcohol and drugs that she has had since the loss of her son, receives a call from a man asking her to look for Macarena Gómez, a popular TV actress.

Two Parisians and inseparable friends, Alexandre and Philippe, decide to spend their vacations in Palma. Philippe arrives by car, accompanied by his young wife, while the flighty Alexandre has hired a blonde hitchhiker. But what a surprise to find the villa, rented by correspondence, inhabited by strange and worrying occupants... Soon mistaken for secret agents, Philippe and Alexandre embark on extravagant adventures involving a mysterious shipment of gold.

Efficiently known as the "Rasta Lawyer" or "Poor People's Lawyer," Diane Jobson has spent her life fighting for the fundamental rights of the poor in the ghetto. Now in her 80s, Diane reflects on a life devoted to defending the marginalised of Jamaica, while preparing to retire on her own terms. Between weekends with her best friend Sally, clouds of ganja smoke, and candid, wry observations about aging, Diane emerges as a rebel soul to the end. A terrible driver, a tireless advocate, and a woman who will never stop living fully.

It is a sweltering day in Buenos Aires, Miserere square and the railway station are packed. Almost unnoticed, a group of guys prostitute themselves for little money. Their thoughts emerge, deadening the oppressive hustle and bustle of the square and the station. Miserere reveals an invisible problem: the prostitution of needy men in the big Latin American cities.

"El Florido Pensil" is a humorous reflection of the education of several generations of Spaniards from the 1940s to the 1960s. Based on the book of the same name by Andrés Sopeña, it evokes, from the present, his memories of that time: everyday school, local radio, Roberto Alcázar's comics, Thursday cinema with Franco opening swamps and "Yon Güein" chasing and killing Indians. Through the childish eyes of a child Sopeña (Daniel Rubio) and his schoolmates, we discover a way of understanding the world, society and a Spain "of glories and flowery pensil", as the national anthem of those years used to sing.

Two former students of a strict religious school decide to return there during the summer holidays to make those who were their teachers experience all the suffering they experienced as students, beginning a sinister game in which the buried violence, the dark traumas of the past and the desire to heal old wounds will lead them to an unexpected climax.

A spacetime hole. A malfunctioning appliance. A girl who dreams in love. A boy who preferred to wash by hand. Underwear that disappears. A spin of emotions: The washing machine.

Ana is a woman who lives with her grandson Manuel. They spend the day together, do the shopping, take walks, prepare meals and generally enjoy spending time with each other, and so on every day.

Juan lives in Antofagasta, a small city between desert and sea from the north of Chile, but he dreams with big cities. When an opportunity of studying in New York appears.He doesn't hesitate and travels there. However, when his mother Magdalena starts having serious health problems back in Antofagasta, Juan's life in New York will stop being the perfect one.

Teresa and Peter settle down in their new home after the wedding. Things are going well until her childhood furniture arrives, sending Teresa into horrible flashbacks of turmoil from memories of her youth.

Ben has been training hard for a year in order to participate in an important competition.

El somni (The Dream) is a remarkable film directed by Franc Aleu, which shows the creative process of over 40 international artists who participated in a dinner put together as an opera in twelve dishes, with gastronomic creations by the Roca brothers, from the restaurant El Celler de Can Roca. A visual experience that enables the spectator to get to know the dynamic approach and the challenges that have taken the Roca brothers to the top. Images, matter, music, flavor and smell converge on this journey with guests such as Ferran Adrià, Zubin Mehta, Miquel Barceló, Freida Pinto, Sílvia Pérez Cruz and Harold McGee.

Mauro Hernandez, a young preventive policeman, gets involved in a coke deal, and to keep some of the money he has for paying for the transaction, gives his gun away to cover the deal. He argues to Joaquin, old drug dealer and ex-policeman and ends up threatening him. On his way out of the operation, Mauro and his partner policemen, a gang controlled by Joaquin, stop their way out start a wrangle where Mauro is wounded. His body armor couldn´t even stop a small touch of the knife. The scandal on the bad quality of body armors turns into an investigation of malversation of police funds which is exaggerated and misreported by the media. Apparently made in 2009, but not released until 2011.

Ana has received a message from her friend Diana, a link to a bizarre website full of selfies.

After a peaceful sailboat ride, four young people, including rich kid Bill, Joe, Fred and Jane, knock on the door of a secluded villa after their dune buggy runs out of gas. Earlier in the day, Bill had given the lovely Jane a pearl necklace with a supposedly paranormal history, and this later opens up a can of worms. They are invited to spend the night at the mansion, owned by Lord Alexander and Lady Alexander, who happen to be hosting a strange ceremony that night attended by a group of eccentrics in black robes. During the evening, Jane exits her sleep chamber, seemingly in some kind of trance, and is lured to a sacrificial alter where the robed houseguests are hovering over her. As a knife is about to be plunged into the young lady, her three friends come to the rescue, but they are also witness to a chaotic mass murder catastrophe in which they flee with feelings of guilt and uncertainty.

After the death of her husband Bernarda Alba puts her daughters under a rigurous mourning which does not even allow them to leave the house.

A disturbed priest, who witness an occult ritual, thinks the people are possessed and start a private inquisition to exorcise the demons by torturing them to death.

Chetia, a single mother of an unwanted child, is forced to make a rough living in Torrevieja running balconing bets.

Ramón y Socorro, a 50-year-old couple, owners of a tavern, embarks on a long trip to Mexico to attend the wedding of their son, Carlos, with Gloria, the daughter of an important Mexican businessman. Upon arriving in Mexico, Ramón discovers that in this country there is a divorce. Fed up with his wife, he decides to divorce without taking into account that he will soon pay the consequences of this act.

Antonia is a lyrical singer whose beauty is uncommon, lush and somber. Recovering from a suicide attempt in a rehabilitation institution, all her family ties are irreparably broken. But her sister remains deeply affected by what happened.

Two friends at the Cadiz Carnival, flesh party: a poker player and a singer-songwriter, in love with the same woman, Pepa, who is named after the first Spanish Constitution (performed by four different actresses to give a complete idea of the Cadiz woman) merge into the street joy of chirigoteros, flamingos and peculiar people of the city with fidelity to the uncertain as a flag (and with their three “carnival brides” and a boxer as a festive complement).

Loli, a sixty-year-old woman from Cadiz, sees her dream of starring in a movie slipping further and further away. Overnight, she is presented with an opportunity, but the film has a very low budget and the shoot will not be a bed of roses.

An author spends a year and a half filming what happens as a new apartment building is built in a neighborhood of Barcelona.

A story of love and heartbreak. Of hope and despair. Of passion and abandonment. After two years together, Juan has left Marita, a mature woman that has kept him until he has found Adela, another woman from whom get her money.

Each morning, whatever the day, four friends meet at a bar to have some beers and fix the world their own way, by criticizing and ranting against everything and everyone. They have something in common: they are all unemployed. Well, all but one.

This is the story of a first meeting and, at the same time, a reunion: the moment when Ana sees Clara for the first time.