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A Field Guide to Being a 12-Year-Old Girl

This is a film about 12-year-old girls, made by 12-year-old girls, for 12-year-old girls, or anyone that has been a 12-year-old girl, or will be a 12-year-old girl, or wishes they were a 12-year-old girl. This inquisitive cross between a documentary and a theatre piece was created by Tilda Cobham-Hervey and twelve 12-year-old girls, where real girls articulate what they hope for, what they remember and what it feels like to be twelve. Performing themselves in a filmed field guide, together these specimens investigate their own species.

A Field Guide to Being a 12-Year-Old Girl

NR 2017
The Last of the Nomads

Like an antipodean version of Romeo and Juliet, it emerges that Warri and Yatungka became the last nomads because they had married outside their tribal laws and eloped to the most inaccessible of regions. In 1977 the land was stricken by a severe drought and their tribal elders mounted a search for them with the help of a party of white men led by Dr Bill Peasley and one of their own number, a childhood friend named Mudjon. The film takes Dr Peasley back into the desert to relive his momentous journey with Mudjon and culminates with poignant archival footage of the elderly couple found naked and starving.

The Last of the Nomads

NR 1997
The Earth Wins

The Earth Wins explores the delicate balance between man and Mother Earth, our inter-dependence and the impact of man's actions upon the earth and her inhabitants. With music from Coldplay, The Temper Trap, New Order, indigenous musicians, and commissioned choral pieces, The Earth Wins is a visceral experience celebrating the magnificent diversity of the earth's riches and asking the most important questions of all, "How do we save ourselves from causing the planet's destruction?"

The Earth Wins

NR 2013
Pyongyang Diaries

This documentary records Hoaas' personal encounter with the closed society of North Korea. As with her earlier work, Hoaas approaches her film as a cumulation of fragments encompassing different perspectives that together offer a point of entry into a complex society. Her diary-style narration signals her limited personal perspective into this culture, especially given the brief filming period and her difficulty in breaking through the facade of the showcase version of Korea insisted upon by her official guides. Hoaas' restricted visual access, and her reluctance to present over-familiar images of the hardship and depravation informed her decision to use this narrative device to frame her film within the context of the famine crisis that began in 1997 following the failure of crops caused by two consecutive years of heavy flooding.

Pyongyang Diaries

1.0 1998
Max's Dreaming

A hospitalized amnesiac boy, victim of an abduction gone wrong, brings police detective Mark Bryce (Friels) and nurse Rose (Picot) together. Both have 'baggage' -- she a recently widowed and somewhat demented father, George (Myles), living at home; Mark a divorce with only part-time access to his two children, plus a demanding and increasingly frustrating job. Over the next 24 hours the lives of this pair intersect as they each try to coax some memories from the boy (named 'Max' by Mark), while George struggles with his failing mental capacity and visions of his late wife and her dead first husband.

Max's Dreaming

10.0 2003
Hollywood Burn

Mimicking the hyperbolic rhetoric of today’s copyright cops, Hollywood Burn pits a righteous league of video pirates against the evil tyrant Moses and his Copyright Commandments. Determined to alter the present by changing the past, the pirates travel back to 1955 to construct the ultimate weapon: an Elvis Presley video-clone. Part sci-fi + rom com + biblical epic + action movie, this free-culture manifesto adopts the tactical responses of the parasite, feeding off the body of Hollywood and inhabiting its cinematic structures and codes. The unwitting all-star cast includes Elvis Presley, Charlton Heston, Monkey, Batman, Bette Davis, Jaws, Jesus, The Hulk, The Hoff and the Ghostbusters.

Hollywood Burn

6.0 2006
Delivery Day

For 11-year-old Trang, it's going to be one of those days - she has to get her Vietnamese mother to attend her school's parent-teacher interview but it also happens to be delivery day for the garments in her mother's sweatshop and her mum is way too busy. DELIVERY DAY is an insight into the world of duck eggs, Toyota Celicas and outworkers, which explores both generations of the Vietnamese migrant experience through the eyes of a young girl. It is one of the few Australian dramas to depict Vietnamese Australians.

Delivery Day

9.0 2002