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Adrift

Carmen, a university student of Hong Kong-Filipino descent, takes on an Americanized appearance and accent. Falsely claiming that her mother is American, she gains favour with the CHUNG’s, a middle-class family where she works as a tutor, thereby improving her career prospects. However, Carmen’s carefully constructed world shatters when she stumbles upon her employer’s secret, and she is forced to re-examine herself and confront her own identity. Through this poignant story about the Filipino diaspora in Hong Kong, the short explores a wide range of issues surrounding race and class in contemporary Hong Kong society.

Adrift

NR 2024
Afterpiece

Owen, a once prestigious and acclaimed stage director, has fallen into depression after more than a decade of creative drought. His ex-lover Su Manling comes back into his life leveraging their old romance, whereas his wife Tracy hovers on the verge of crossing the marital line. Eager to reclaim his dignity, he resolves to write, direct and perform in a brand-new play. However, while holding open auditions for the leading actress, he is powerfully drawn to amateur newcomer Hannah, slowly slipping into a dangerous grey area where stage drama intertwines with real life.

Afterpiece

NR 2026
Rouge Tears

This sound film remake of The Goddess (1934) was headlined by Hu Die, who found stardom at the same time as Ruan Lingyu. Henry Lai Hang and Zhang Zhizhi reprised their roles from the earlier film. The first half of the story follows The Goddness but the second half references Bu Wanchang’s Love and Duty (1931) and King Vidor’s American film Stella Dallas (1937) with additional plots of the heroine’s post-prison story. After years of separation, she hesitates whether to reunite with her son. This new version poses a bigger challenge to a mother’s love and pushes towards the completion of her fate. The characters use dialogue to express their pain and connection, which strengthens the dramatic dilemma and makes the film more straightforward than its predecessor. Hu Die possesses a sort of allure that shows the sadness, shame, and will of a common woman from middle age to old age.

Rouge Tears

NR 1938
Love Bittersweet

"Love Maltose" tells that Long Ding and Shi Meizhu are good friends in the slums of Hong Kong . Grade school, Long Ding US beads or classmate classmates. There was never a shortage of begging for her boy around Meizhu, but she still likes to play with Long Ding. On the Mid-Autumn Festival when he was seven years old, Long Ding rushed to send his favorite stack of pagodas on the U.S. Pearl. As a result, Shi Meizhu moved away and left Long Ding with a delicate bead cage. Ten years later, Long Ding failed to go to college. During the day, his father's Long Kei helped to teach at night and he taught at an evening school. Although the family was very nervous, they were very happy. One day, Long Ding seized a girl who stole the book during the study.....

Love Bittersweet

NR 1984
Twenty and Three

At the first glance, a crayon drawing appears the very portrait of a happy family, but a closer examination reveals that something is amiss. Lam Tsi-hei is the eldest son of a family that stares darts and hurls verbal abuse at each other, complete with sibling antagonism and resentment bred by thoughts and feelings left unexpressed. Directly a film on a subject fiercely personal and close to his heart, Tsi-hei digs up a crayon drawing from his boyhood. While cherishing the memories of an affectionate bond that skips a generation, he realises he must go hat-in-hand and repair his relationship with his estranged family.

Twenty and Three

NR 2013
Mr Wong's Adventures with the Unruly Girl

The film is adapted from Chinese classic comic series Mr Wong, with Tang Bik-wan joining hands with the magnificent Sun Ma Si-tsang and Tam Lan-hing to give a dazzling performance. Wong (Sun Ma Si-tsang) passes off as the company's manager to pursue the beauty Hui (Tang Bik-wan) behind his fearsome wife's (Tam Lan-hing) back. Unbeknown to him, Hui is actually the fiancée of his nephew (Sima Wah-lung), to whom he has refused to lend money. Scenes in which Hui plays pranks on him and tricks him into providing funds for her are spiced up by the lively acting of Sun Ma as a wife-fearing perv and Tang as a sassy girl with a sharp tongue. The film ends with Wong making excuses to meet Hui at a hotel but getting caught by his feisty wife. Whilst both are acclaimed comedians in their own right, brassy Tam and composed Tang together pull Sun Ma's leg in an unmissable classic slapstick.

Mr Wong's Adventures with the Unruly Girl

NR 1959
Chinese Godfather

When two kung-fu brothers attempt to carry out a dying man's wish, they suddenly find themselves caught in a war between two rival gangs. Chow Yin and Si Fong were out for a walk when the spotted dying burglar Ting Chow Ming. Stumbling out from the bushes, Ting used his last breath to request that Chow and Si take the stolen jewels to his wife. Later, as Chow and Sii attempt to seek out Ting's wife and daughter, gangsters who have been charged with the task of recovering the stolen goods ambush them.

Chinese Godfather

5.0 1974
Identity

Every time he looks in the mirror, he sees a different person altogether. He’s a man of a million faces except he’s not an actor, but a social pariah who, out of the anguish of an unrequited crush, has entered a pact with the Devil, assuming the identities of other strangers and living the lives of others with just a strange remnant of memory of past incarnations left. Sounds ideal – but what’s the catch? You don’t get to decide what happens, when it happens in life and your soul is condemned to eternal perdition until the next victim is found. Perhaps it’s a small price to pay for surviving in a city driven by greed, where people are seized by an insatiable craving for something – anything – more and better from the cradle to the grave. Contentment is, after all, a myth.

Identity

3.0 2013