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La Revanche

Jeanne Jouvert, a crime writer, has won the Quai des Orfèvres prize. Her publisher devises a clever publicity ploy that results in her husband, Alfred, head of the anti-gang squad, being honored in her place. The policeman finds himself quite comfortable as a best-selling author and takes advantage of the situation. Tired of having been submissive for too long, Jeanne plans her revenge. She asks for help from her friend Anne Beaufort, herself disappointed by her husband, who pretends to help Third World countries by selling them weapons. The two of them will prove what they are capable of by organizing a hold-up of the central post office in Paris.

La Revanche

5.8 1981
Lapland War

Young soldier Heikki fights on the Karelian Isthmus alongside his friend Pauli. Arvo, recently released from prison, joins the company, challenging the others' views on war and duty with his worldview. The ceasefire raises hopes of returning home, but it soon becomes clear that Finland must turn against its former German allies in Lapland. At the same time, Saara, who works as a German interpreter in Rovaniemi, must choose her future: stay in Finland or flee to Germany with her beloved, Major Duisberg.

Lapland War

NR 2026
Paris Vice Squad

Identite Judiciare stars Raymond Souplex as wily French police inspector Basquier. The villain is Berthet (Jean Debucourt), a high-ranking government official. Basquier suspects that Berthet is a vicious murderer, but is unable to prove anything thanks to bureaucratic interference. Thus, the good inspector plays a waiting game a la Columbo, hoping for that one fatal slip on the part of the killer. Certain portions of Identite Judiciare proved a bit too intense for American audiences, and were accordingly snipped by the censors.

Paris Vice Squad

5.4 1951
Kunst & Revolution

‘Kunst & Revolution is a documentation on the famous action known as the “filthy uni mess”, which led to a jury court trial. I only had a few metres of film with me and they were quickly spent, but still the film gives one a rough impression of the events. As a whole mythology quickly arose around the event, I altered the material to counteract this effect (through repetition, and adding other material, for instance from a film about keeping dogs, and my own leftover footage from the Muehl action number 54 ‘Im Freudenauer Wasser’).’ In film 16 of his anthology Ernst Schmidt Jr. documented the actions of Günter Brus, Otto Muehl, Peter Weibel and Oswald Wiener.

Kunst & Revolution

NR 1968
E-Life

Computers, smart phones, and tablets are now a part of our daily lives. They have revolutionised the way we work, the way we communicate and the way we view the world. But what happens to our old phone when we upgrade? Where does our broken computer go after we throw it out? 'e-Life' explores what happens to our electrical goods when we throw them away and exposes some unpleasant (and perhaps unknown) truths about the detrimental affects e-waste has on people's health, the environment and the economy. From consumers in the UK to the recyclers in the dumps of Ghana, the documentary will follow the journey of our e-waste. We will examine current manufacturing and disposal processes and also assess the burden the boom in electronic goods is placing on global resources. 'e-Life' will be an objective portrayal of the problem of e-waste that documents the issue through carefully crafted cinematography.

E-Life

8.4 2017