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Pavarotti: King of the High C's

Luciano Pavarotti’s sang some of opera’s most demanding roles – Manrico in Il trovatore, Rodolfo in La bohème and Cavaradossi in Tosca – winning him the highest critical acclaim. He was acknowledged a true successor to two of the greatest opera singers to have ever lived, Enrico Caruso and Beniamino Gigli. In this fascinating introspective, filmed in Modena, Pesaro and Verona, Pavarotti talks about his life and performs arias by Verdi, Puccini and Leoncavallo, accompanied by the Orchestra Stabile Romagna, conducted by Leone Magiera.

Pavarotti: King of the High C's

NR 1979
Montage II: Ephemeral Blue

Wayne Sourbeer deftly combines visual forms, the original poetry of Kansas-born poet Charles Plymell and an original music score by David Levinson, who was at the time, associate conductor of the Wichita Symphony. Montage II: Ephemeral Blue is the quintessential example of what continental film critics have called “non-verbal communication.” Sourbeer’s images are the foundation for Plymell’s verbal abstractions and Levinson’s brilliant musical score.

Montage II: Ephemeral Blue

NR 1972
Canada Vignettes: Hudden and Dudden and Donald O'Neary

There's a "silver lining in every cloud" as Donald O'Neary turns every misfortune his two neighbours can engineer into gold coins. Against the background of the Irish countryside, the customary "rich but dumb" characters meet their match in the "poor but crafty" hero. The story introduces the student to our rich multicultural background through the exploration of folklore of one of the peoples that make up Canada's cultural mosaic.

Canada Vignettes: Hudden and Dudden and Donald O'Neary

8.0 1978
A Look Into the 23rd Century

The movie Logan's Run (1976) depicts a supposedly Utopian society in the 23rd century, but one where, as producer Saul David puts it, "there is a worm in the apple". The filmmakers use current technology and ideals of pleasure to depict this perfect future. Director Michael Anderson finds meshing these two worlds an exciting challenge, especially in trying to create something that has never been seen before in the movies. The studio's technology department plays a key role in creating Anderson and David's vision. The movie's stars, Michael York and Jenny Agutter, provide their take on the movie, their roles and working with each other and with fellow co-star Richard Jordan. The filmmakers also need to create the antithesis of the modern Utopian world for the scenes taking place outside of the domed world.

A Look Into the 23rd Century

7.0 1976
A Great Ride

Cocky, overconfident motocross champion Jim Dancer and his more mature and levelheaded bike racing buddy Steve Mitchell decide to trek from Mexico to Canada via an unmarked off-road route. During their eventful pilgrimage the carefree fun-loving (and seeking) protagonists encounter a mixed bag of folks who include a perky middle-aged lady who wrecks cars for a living, two sexy swinging babes, a friendly farmer, and a hotshot aspiring motocross rider teen who challenges Dancer to a race. This latter episode ends in tragedy, with the kid taking a fatal spill off his bike. So the kid's gung-ho militant gun fanatic father decides to hunt Dancer and Mitchell down in his sinister souped-up truck.

A Great Ride

3.5 1979
Footprints

Certainly by today's standards, and even in the minds of people at church, Betsy classified as a good girl. She and Michael — high school steadies - fell madly in love. Or so they thought. Like Betsy, Michael owned an exemplary reputation. He, too, participated actively with the youth at their church. But then everything changed, suddenly and cruelly, when Betsy missed school one day to see a doctor. The doctor confirmed her fears. She was pregnant. The soft music silent, the glow of romance dim, Michael and Betsy discovered they really weren't in love at all. That didn't change the fact, however, of a new life they had brought into existence. Should they get married? Should Betsy submit to an abortion? Should she have the baby and offer it for adoption? Should she keep the baby as a single mother?

Footprints

NR 1977
Video: The New Wave

The New Wave is the seminal compendium of independent video work in the early 1970s. Written and narrated by Brian O'Doherty, this overview of the emerging video field includes examples of guerrilla television and "street" documentaries, early explorations with image-processing and synthesis, and performance video. This historical anthology includes excerpts of tapes by the following video pioneers: Stephen Beck and Warner Jepson, Peter Campus, Douglas Davis, Ed Emshwiller, Bill Etra, Frank Gillette, Don Hallock, Joan Jonas, Richard Serra, Paul Kos, Nam June Paik, Otto Piene, Willard Rosenquist, Dan Sandin, James Seawright, Steina Vasulka, TVTV, Stan Vanderbeek and William Wegman.

Video: The New Wave

NR 1975
Boston Fire

BOSTON FIRE finds grandeur in smoke rising eloquently from a city blaze. Billowing puffs of darkness blend with fountains of water streaming in from offscreen to orchestrate a play of primal elements. The beautiful texture of the smoke coupled with the isolation from the source of the fire erases the destructive impact of the event. The camera, lost in the immense dark clouds, produces images for meditation removed from the causes or consequences of the scene. The tiny firemen, seen as distant silhouettes, gaze in awe, helpless before nature’s power.

Boston Fire

6.7 1979
Island Design

‘Bruce Woods films are among the most sensual of any ‘abstract’ animated work ever made. Projected, they generate a fluid stream of organic images in a carefully controlled post-cubist space comparable to the work of painters like Jackson Pollock. Viewed one frame at a time (which is the way much of the footage is shot), they recall the rich lines and textures of such master etchers as Rembrandt. Wood’s use of camera movement during exposure of each individual frame – like drawing – together with the illusion of movement in projection make his films both beautiful and unique.’ – Bill Judson, Curator of Film, Museum of Art, Carnegie Institute, Pittsburgh.

Island Design

NR 1976