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Suite 313

Special Agent Alexander Connor is sent to investigate a house, from which a woman named Sandra has made numerous 911 calls. Things become more complicated than expected for Agent Connor, as he finds he must also rescue a police officer who responded to the home 24 hours earlier. Soon, Agent Connor will discover a horrifying secret; that Sandra is one of LUMEN CORPORATION's donors and has devoted her house to the corporation; a house which has been turned into a research lab for atrocious experiments performed on human beings.

Suite 313

4.6 2017
Smiley

Smiley Greevins is a cheeky, mischievous, imaginative little boy who lives in the small town of Murrumbilla in the Australian outback. His father Bill is a poor drover who is often away from home. Much to the exasperation of his overworked wife, Ma Greevins, Bill is also very fond of the drink. Smiley is determined to buy himself a push bike and so he takes on odd jobs in an effort to save up enough money. But Smiley always seems to get caught up in some sort of misadventure. Smiley is a classic Australian film that will delight audiences of all ages.

Smiley

7.1 1956
Screen Goddesses

With the beginnings of Hollywood, the star system was born with an archetypal bad girl - the vampish Theda Bara - and the good girl - the blazingly sincere Lillian Gish. From the 1920s, vivacious Clara Bow and seductive siren Louise Brooks are most remembered, but none made the impact of Marlene Dietrich, an icon of mystery, or Greta Garbo, with her perfect features and gloomy introspection. From the power of Joan Crawford and Bette Davis to the seductiveness of Rita Hayworth and Ava Gardner, Hollywood studios produced their own brand of beautiful, sassy and confident women. But it wasn't to last. The era drew to a close with the supreme fame of Elizabeth Taylor and the tragic death of Marilyn Monroe.

Screen Goddesses

NR 2012
Christina: A Medieval Life

Michael Wood explores village life in 14th century England, a time of plague, war and famine. Through the use of a remarkably complete set of documentary records, he explores one village - that of Codicote in Hertfordshire - looking at its boom times and its poorer times. Wood brings the period to life by focusing in on one family, that of the poor peasant Christina Cok, her father Hugh, her estranged husband William, and her children John and Alice. By looking at the poorest members of Codicote's society, Wood approaches his history from the bottom-up rather than taking the traditional historical approach of top-down, 'kings and barons' story-telling.

Christina: A Medieval Life

NR 2008
Under Milk Wood

An all star cast unite to perform a distinctive BBC Wales Television adaptation of Dylan Thomas's radio play, presented in collaboration with National Theatre Wales, to mark the centenary of Dylan Thomas' birth. The plot reveals the innermost thoughts of the residents of the small, Welsh fishing village Llareggub as it delves into the dreams of various townspeople including blind sailor Captain Cat, who is haunted by visions of drowned shipmates, Mog Edwards and Myfanwy Price, who dream of each other, and Mrs. Ogmore Pritchard, who dreams of her former husbands.

Under Milk Wood

6.0 2014
La comtesse de Castiglione

A surrealistic nightmare inspired by an 1855 photographic portrait, in which the magic tricks of early cinema are used to eerie effect. Creepy and beautiful at the same time, it does not share platitudinous ways to frighten the audience with the vast majority of modern horrors. Countess di Castiglione is a really existed Italian courtesan famous for her beauty and wide acquaintanceship among the ruling elite of those times. She directed Pierre-Louis Pierson to help her create 700 different photographs in which she re-created the signature moments of her life for the camera. Robert de Montesquiou, a Symbolist poet, dandy, and avid art collector, was fascinated by the Countess di Castiglione. He spent thirteen years writing a biography, La Divine Comtesse, which appeared in 1913. After her death, he collected 433 of her photographs, all of which entered the collection of the Metropolitan Museum of Art.

La comtesse de Castiglione

6.8 2000