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For his film "12 ASTERISCI" Telemach Wiesinger visited numerous places on the internal and external borders of the European Community. The film's open, experimental form visually loosens boundaries and aesthetically challenges any ideas the audience might hold of conforming to rigid regulation.

Charlotte's babysitter sneaks out in the middle of the night after Charlotte has gone to sleep. Once Charlotte wakes, a strange event occurs that leaves her more alone than ever...

Dennis, a young amateur boxer, struggles with anxiety and frustration over not being the best version of himself. With the help of his brother, he trains to defeat the biggest rival: his mind. An exploration of the sacrifices that must be made to achieve your goals.

In the Chinese village of Dafen, you can find anything and everything: a Gerhard Richter starts at 30 euros, a small Van Gogh costs 45 euros, his Sunflowers in medium size goes for 100. Monet’s Water Lilies is 120, Rembrandt’s self-portraits are 150, and for the smile of the Mona Lisa, you have to shell out around 200 because it’s supposedly not so easy for Chinese painters to copy. The output of this forgery is gigantic: over 10 million paintings are produced here each year. Thousands of painters work day and night in cramped spaces, painting the works of the great masters, which are primarily sold in bulk orders to Europe and America. Dafen’s industrious residents live from, with, and despite the great art—children grow up between Klimt’s The Kiss and Munch’s The Scream, families sleep under Van Gogh’s The Starry Night, watched over by Vermeer’s Girl with a Pearl Earring.

A heartbroken Tunisian film director finds the perfect male lead for her new romance movie, but during rehearsals the young actor begins to suspect that his role may not be a fictitious one.

Three students investigate the suspicious behaviour of their flatmate and his suitcase.

De Gregori's last concert that flopped really hard.

A day in the life of Samuel, a man cursed by a witch to turn into a fish everyday.

A march, a synthesis of demonstrations in Paris. Organized from below, without hierarchy or privilege, the Yellow Vests movement takes shape there as a new political experimentation. A fictional text accompanies images of the spaces of action and debate that opened up. As we experience them, the events are as powerful as in the best fictions.

Don Donato accompanies his congregation of villagers to visit Roma World, a theme park set in ancient Rome. Meanwhile, however, preparations for Luna and Luigi's wedding are interrupted by the arrival of the bishop's twin brother, Angelo, who is desperately searching for a hidden inheritance consisting of twelve gold bars. Don Donato joins the treasure hunt, taking advantage of the bishop's absence, who is away in Rome on a mission.

The celebrated New York bassist Marcus Miller, steeped in jazz and soul, delivers a generous performance for the TSF Jazz Chantilly Festival audience.

Christine Handy was approached by a young man, Alexander. They became a couple. She later finds out he is a scammer intending to steal millions from her.

Ruthlessly discarded, Gobi, a young single-use cup, suddenly finds himself plunged into a particularly hostile world: an urban jungle inhabited by strange creatures—waste. Convinced he was abandoned by mistake, he is determined to find Marie, his owner... even though he can’t move!

Director Alexandra Bidian goes to Romania, the home country of her late father. She invites her mother and sister along to the land where they used to spend their summer holidays, but this time in search of memories. It is her attempt to address and voice things, and her means to understand the man who wrote a lot and spoke very little, and about whom much remains in the dark. When her father came to Germany, he already had a life behind him – including decades of political involvement, which was documented not only by him, but also by the Securitate, socialist Romania’s secret police. Bidian combs through old boxes, reads letters, and peruses files. But instead of answers, she is left with more questions. A road trip to the past, and a letter to her father. Using archival material, family pictures, and interviews with friends and associates, Bidian tries to track down who her father was – and how her own story is intertwined with his life and his actions, as well as with his losses.

A girl does drugs in the bathroom at a party.

A tormented ghost and people struggling to survive in an apocalyptic world are the protagonists in this anthology of horror and science fiction stories.

Consumed by grief and guilt following the death of his mother, Kenneth attempts to make good on the last promise he made to her.

1944, Piedmont Alps. Four teenagers dream of the end of the war and the moment when they will be reunited with their parents and older siblings. When they discover, by chance, that their age allows them to avoid suspicion and searches, they decide to secretly help the partisans, without being discovered. Marta, Davide, Sara and Marco thus become "Sandokan", the mysterious rebel who puts the Nazis and fascists of the valley in difficulty. Between steep climbs and breathtaking descents, between enormous dangers and great tests of courage, the four children will contribute to the final victory of the Resistance and the liberation of Italy from enemy occupation. A great partisan adventure and a story of love and friendship, told from the point of view of thirteen-year-old Marta.

Suzanne Valadon (1865-1938) did not seem destined for a life as an artist. Born in 1865 as the daughter of a single washerwoman and mother herself at the age of 18 - to the future painter Maurice Utrillo - her fate could have been sealed. But Valadon broke with the conventions of her time in order to follow her artistic creative urge. The Centre Pompidou in Paris paid tribute to the artist's work with an exhibition in 2023, which traces her special life and extraordinary modernity in a film documentary. Archive material, interviews and animations provide an insight into her career, which is characterized by encounters and friendships with other great artists of her time.

1696. After performing an exorcism, the priest begins to find himself in situations that will make him doubt everything. In a lonely environment, he will have to face a force stronger than religion.

The chaos of a flashback is transformed into a visceral performance as two bodies struggle for control in this grotesque dance for two.

The Big Picture uncovers the untold story of a state-of-the-art cinema quietly forgotten in the center of Bristol, a vibrant UK city known for its countercultural spirit. Once a cutting-edge IMAX theatre, the building was abandoned for over a decade—until a collective of cinephiles reclaimed it. Blending DIY ingenuity with punk ethos, they’ve transformed a forgotten relic into the beating heart of a grassroots cinema movement—reviving not just a building, but a shared vision of what cinema can be.

Chloe, a delivery biker by profession and artist by hobby lives in constant self- comparison with an influencer she follows on social media, who seemingly is living all of her dreams. But she soon discovers that the influencer's sweet life might not be as perfect as it is made out to be.

Two witches put against each other. One good, one evil. Who will have the ultimate wickedness?

Recorded in March 2025 at L'Européen in Paris. A sort of humorous hero of the middle class, Pierre Thevenoux shares his common-sense reflections on the small and large absurdities of everyday life with his audience. He talks about his friends, his wild nights out, relationships, and the money troubles that ruin his life.

Musician Gizmo Varillas blends his Spanish roots with British indie spirit. Flamenco, folk, and world music are the unexpected ingredients of his unique pop sound. His songs speak to us of loss, hope, and the courage to make a new start. Since childhood, music has been a way for him to connect with the world. There's no better place than the Reeperbahn Festival Collide to strengthen that bond.

A man who cleans up crime scenes for organized crime discovers, during a job, a young woman still alive, hidden inside a wardrobe.

'“Tierbrücke”' tells with a lot of heart about the construction of the animal shelter in Ukraine, with all the adversities that go with it: lack of materials, language barriers, evacuations of animals at the front, and the danger for the construction workers of being drafted into the army. “'Tierbrücke”' tells of the animal souls left behind that nobody hears, even though they call for help every day and at all times. It tells of people who stay in a country at war to be there for animals. With all the hurdles that have become their normality. And it tells of dreamers from Germany who are confronted with the bitter reality of a privileged situation. People with two left hands who admittedly have more heart and soul than manual skills.

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

In an effervescing forest, a humanoid creature assimilates with its surroundings to the point of confusing itself with this perpetually transforming reality.

An island is a refuge. Within the forest dwell ancient trees, stones, animals of all sizes, and a few branches found along the way. Childhood and discoveries. Knowledge lost in the mist, aboard a ship. A field of attraction where past, present, and future dance in the fire without temporal order; the children are all ages. We have arrived at the strange land of Gombaut.

The last penal colonies in Europe are in Sardinia. Inmates serve their sentences by working the land, tending animals, and maintaining the prison.

This ethnographic moving image study situates the Black body in a condition of perpetual motion, where departure and arrival collapse into an ongoing process. Water functions not only as material but as a medium of passage and a threshold for alternative ways of knowing. This state of flux invokes the transatlantic as historical force and metaphysical horizon, carried through spirit, rhythm, and recursive time.

Vincent Gaullier and Raphaël Girardot weave together threads of reflection in tribute to the pioneering political ecologist Bruno Latour, who passed away in 2022, in a stimulating documentary essay.

The God Squad

Iván is found unconscious with an injured eye in the jungle. As Meshia reunites him and his family, she is drawn into a foreboding journey. A disturbing look at Peru’s cultural contradictions shot on a coarse mix of analogue and digital formats.

When the plane crashes, Houdini lands in hospital, The Wheel Gone Kid lands on his feet. Can Spanners and Tuppance follow Conker's tip off and help Houdini recover his millions from The Wheel Gone Kid?

A trio of Essex girls offer their special brand of hospitality to a morose mysterious stranger.

The Lagon Nwar quartet immerses the Concerts Volants in the captivating twists and turns of its first album. An almost mystical experience, at the crossroads of Africa, Europe, and the Indian Ocean.

Two people tune into each other across the noise of the world. When the signal fades, what remains? A story of connection built not on certainty, but on echoes, pauses, and the quiet rhythm of shared moments. A relationship told through the subtle shifts of presence and absence, of intimacy and distance, and the traces we learn to hear when someone is gone.

The plight of a British police officer (Brian Croucher) nudged outside of reality when a meta-mishap occurs during a bank robbery.

A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?

I wanted to make a film about polyamory, because I firmly believed that I would love all partners equally. As a relationship became more intense, the foundations I wanted to explore began to conflict with the reality I was experiencing, and the direction of the film changed.

A brave adventurer called Henry tries to find his way out of a dark cave.