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Marc Bolan & T. Rex - Born to Boogie

By 1972, the seminal English glam-rock band T-Rex was at the height of what came to be known as "T-Rexstacy:" they had already scored three of their soon-to-be ten straight Top 10 hits. To celebrate their success, Bolan and T-Rex played two sold-out performances at London's Wembley Empire Pool, captured on film by none other than former Beatles drummer Ringo Starr and released as the now-legendary concert film BORN TO BOOGIE. The only existing recording of a full T-Rex concert, BORN TO BOOGIE is centered around the dual live performances (with Ringo and Elton John guest starring on two tracks) and interspersed with an acoustic set filmed at John Lennon's mansion, goofy backstage footage of Bolan, and surreal sequences of nuns and dwarves inserted for visual effect.

Marc Bolan & T. Rex - Born to Boogie

7.4 1973
Un sanglant symbole

Un sanglant symbole is two films: the film of the image and the film of the voice. The film of the image was shot before the film of the voice. The film of the image is the reproduction of 160 photographs (of films, advertisements, news ...) filmed in variable durations (more and more slowly, then more and more quickly). What do we see? Looks. Hand gestures. The film of the voice is not a comment. Neither a voice-over: in no way does this voice have such a status and even less the character of an exhibit for a better understanding of the film. On the contrary, she perverts, disturbs, worries.

Un sanglant symbole

9.0 1979
Mozart: The Marriage of Figaro (Komische Oper Berlin)

The Marriage of Figaro that received its premiere on 26 February 1975 in the Komische Oper Berlin was Walter Felsenstein’s last production and in many respects can be regarded as representing his legacy. Having just returned from directing a guest production at Vienna’s Burgtheater, Felsenstein had been working on Figaro since early February 1974. He had already directed three productions of the work – in 1934 in Cologne, in 1942 at the Salzburg Festival and in 1950 at the Komische Oper.

Mozart: The Marriage of Figaro (Komische Oper Berlin)

NR 1975
Savage Three

By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.

Savage Three

6.4 1975
Let's Talk Cinema, Henri Langlois' anti-courses

Henri Langlois, founder and director of the Cinémathèque française, is interviewed in his museum at the Palais de Chaillot and talks about cinema. “Henri Langlois's anti-courses” are made up of a set of short films, or more exactly of chapters. Each chapter is devoted to a filmmaker or to a significant pivotal period of such or such a country and of such or such style, or to a group of men whose action was, at one time, decisive for the course of cinema.

Let's Talk Cinema, Henri Langlois' anti-courses

NR 1976
The Pacification War in the Amazon

This document is the final chapter of the history of Brazil's Amerindian tribes caught up in the trap of modernization. The Parakana Indians undergo the first contact which begins the process of their pacification. They are attracted by presents laid out in the forest, then settled around camps. They are then confined to indigenous reservations before being completely assimilated by our conquering civilization. All such pacification is initiated through strategic or economic pretexts. The Amerindian civilizations of the Brazilian Amazon are either dying or definitely defunct.

The Pacification War in the Amazon

NR 1973
Another Opera

In this hilarious opera parody, Loriot delivers a comedic take on the pretentiousness of the operatic world. The plot revolves around a fictional opera production that spirals into absurdity as egos clash, misunderstandings abound, and everything goes hilariously wrong. Through a series of farcical and exaggerated situations, Loriot brilliantly mocks the pomp and circumstance of opera while showcasing his signature dry humor and love for absurdity. Noch 'ne Oper is a sharp and witty satire of high culture’s often ridiculous nature.

Another Opera

10.0 1979
Come and Work

The story of a Serer village in the groundnut basin of Senegal. Using the words of their ancestors passed on by oral folklore, the villagers trace the history of their village and their difficulties in working their land and living off their produce. Fad'jal is an extraordinary boundary defying film that interweaves ethnographic footage, intimate observation of everyday village life and fictionalised historical scenes. With it, Faye carefully encourages the viewers to reflect both on African history and storytelling, and on the intersection of fiction and documentary.

Come and Work

5.9 1979