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Self Shots

Self shots are the optical Biographie of an unorthodox film producer. Director, cameraman and actor in a person, he directs the camera against itself. It plays with her, throws her into air, races over the meadows, films its movements, his face and his hands and demonstrates thereby its adventurous relationship to a 16 mm camera. Not an action thus, but filming becomes the action. The Godard' Bonmot of filming as ' truth 24 times in the second ' made Mommartz in his films conscious like hardly another. (Wilfried Reichart Kölner Stadtanz 4.1.68)

Self Shots

8.3 1967
Adultery

Oswald Kolle devotes himself to cheating and discusses the causes of any adultery in a conversation with psychologist Helmut Kentler. Kolle explains that an infidelity on the part of one of the two partners by no means has to mean the end of a marriage, but could even be an enrichment. Kolle's explanations are supported by two films in which a wife, neglected by her husband, gives herself to a childhood friend, and a husband, after initially resisting his secretary, finally ends up in bed with her after a fit of jealousy on the part of his wife.

Adultery

4.0 1969
April, April

Little Max and his friend Tüte want to make the pharmacist into an April fool by asking him for a bottle of mosquito fat. But the pharmacist is clever and sees through the boys’ plan. He labels a bottle “Muscle Power for Cosmonauts, three tablespoons per hour.” Tüte wakes up little Max during the night because he is so excited to share his discovery: One sip from the bottle will turn anybody into a cosmonaut. Little Max drinks some of the tonic and immediately finds himself in full cosmonaut gear. Suddenly, both boys are in outer space, but the tonic has worn off and they are in their pyjamas. They urgently need another sip from the bottle. Or maybe it was all only a dream?

April, April

NR 1967
Les gros malins

Paul Blanc runs a butcher's shop with his Neapolitan wife, the vivacious Giulia. One night, thanks to sleeping pills received from his brother in Argentina, he dreams of horse racing and sees in his dream the order of arrival of the horses. Giulia praises her husband's gift at the local café. But the turfmen dissuade her from betting on the nags chosen by Paul, who they consider to be real losers! But her vision proves to be right. When her secret is discovered, everyone wants to buy this miracle medicine. But the product is no longer manufactured, as it is considered dangerous and has been banned by the authorities.

Les gros malins

5.0 1969
First Taste of Love

Lucien, a modest engineering student, discovers that his steady girl friend Mireille is using him to cover up her dates with Mario, an older man. Lucien wanders about the streets of Paris and meets Joëlle, a sophisticated teenager who supports herself with a job in a sleazy nightclub. It is late when they meet, and Joëlle invites Lucien into the club and demonstrates her stripping act to her one-man audience. A feeling of rapport develops as they go from place to place seeking entertainment; in the morning the two discover they have fallen in love. Mireille learns of the romance and, on a bet, plots with Philippe and other friends to break up the affair. Neither Lucien nor Joëlle, however, succumbs to the propositions of Mireille and Philippe. Later at a nightclub, Mario gives the appearance of seducing Joëlle. Enraged, Lucien rushes at him and they fight. Lucien is reunited with Joëlle--he has learned of the complexities of love, and she has acquired from him a sense of stability.

First Taste of Love

8.0 1961
Tutto, tutto nello stesso istante

Collective manifesto by the members of C.C.I. It is a collective film, the result of an operation devoid of any aesthetic purpose: to verify the existence of any harmony between a fairly large group (twelve people) of members of the independent Cooperative. Someone, who had the idea, turned 60 meters of Ektachrome according to the moods –or discontent – of the moment and gave them to others to see. The others reacted, each with their own piece. It was then thought to call the film “circular letter”. It was not so simple and so quick: the operation, which started in June of ’68, ended in March of ’69.

Tutto, tutto nello stesso istante

NR 1969
The Sufferings of a Wounded Egg

A surrealist saga in four parts: 1.) The credit sequence in which title cards show successively larger foetuses pulsating on the screen until the baby is born and cries. 2.) Etoile-directly referring to Cocteau, Lethem shows an adolescent sucking a starfish and then giving birth to a smaller starfish. A statement of inadequacy. To give birth involves an emasculation and a loss of vitality. 3.) Corps-two images of a man on a couch groping for each other, watched by a mysterious peeping Tom. As the two superimposed images come together, the heavy breathing subsides…the statement that the birth of desire is a self – realisation. 4.) Hymen – The decaying body of a girl is shot through green filters, and the final image reveals her vagina crawling with maggots and overlain with a crucifix. A representation of Catholicism preventing the free expression of desire.

The Sufferings of a Wounded Egg

3.0 1967
Claire

The handicapped John Tuthill Crane is seized by his mother with "cannibal love". The heavily rich woman knows how to arrange his life in such a way that he is and remains dependent on her in every way. In his 37th year, John meets a girl on a vacation trip who also claims him completely for herself. She persuades him to murder his mother and he agrees. But at the moment when his lover and him want to throw his mother from a train running over a viaduct, John becomes weak, and his mother and him together plunge John's lover into the depths.

Claire

7.0 1967