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What if your body is dead, but your mind is still connected to your wife's memories? René discovers an accident that changed his life forever. He will have to decide whether he lives or dies with it.

Manel has been kissed by all the old women in the village. From the passion of Christ to the olive trees in the Catalan countryside, a landscape of resistance that evokes a sour humour, and at the same time a silence from times gone by.

Dalkys is a Santería priestess who heals the sick through the power of Saint Lazarus. But despite her mystical gift, she is unable to cure her husband, Evelio, who has diabetes. As Evelio—who does not believe in his wife’s powers—gets worse, Dalkys begins to doubt her abilities.

Documentary on the public school specialized in ballet Julián E. Blanco, its history, their achievements, and the graduates' triumphs.

In christmas is typical champagne, roscón, presents... and introduce your partner at Christmas lunches and dinners. But how would you tell your mother and grandmother that you have a polyafective relationship?

"Todo" (Everything) gathers the impressions of the filmmaker in her new surroundings, where she watches, classifies, and re-organizes everything that catches her eye. From a place of curiosity and amazement, she organizes an inventory of objects, characters, and situations. A tireless flow of images of the popular, the eccentric, the traditional, the new, the beautiful, and the ugly of the Matta Sur neighborhood of Santiago, Chile. An exercise of reflection on the destiny of images, their accumulation, classification, and order, modes of structuring the material, and the filmmaker's gaze.

An elf falls asleep in the metro of Buenos Aires. What does he dream of? Maybe of being a young Bolivian man, a robot constructor, evolving in a city that seems to have been built by a child with a wild imagination. In his film, Eduardo Williams continues his project of connecting disjointed terrestrial. From Buenos Aires to La Paz, we move from cool to warm colors, from a fruit and vegetable shop to a dark cave where big metal figures are fabricated. Or maybe something else is being made there. Indeed, it is far away in the phantasmagoric woods of Fontainebleau that those metallic experimentations come to life as agile as voguing dancers. In a few minutes, we travel through three countries, two continents and through the bodies it captures, the voices and sounds it registers, it is the entire world manifesting at our senses.

I'm Lone. That's my name, I mean. I haven't left the house for the last 2 years, 232 days and 18 hours....

Two sisters. A revelation.

In this film there is a crescent count until the demystification of a bridge that connects and separates one country from another. Portugal and Spain, distant by fragments of their memories, images, objects, voices and ruins. Time runs out... An anxiety floats above the border and also a strength of believing that it is possible to change some things until the very last minute of our cross-over. In a world of contradictions, inequalities remain, existing surprising stories in almost forgotten lands. We are standing before a jigsaw puzzle organized into a map of ideas and memories.

The three-dimensional pixel is a complex unit of inert tangible matter with a nucleus and envelope, but which has evolved to grow its code in regularly and fractally repeating structures, spawning technological variety that extends to the edges of infinity.

Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with Turiansky" combines two stories. The first portrays the son of immigrants, the engineer passionate about the mystery of electricity, the man in love, the movie buff. The other places the protagonist in his time: union struggles, the advance of authoritarianism, prison and the challenges of the present. In both are present the lucidity, commitment, discreet tenderness and humor of Wladimir Turiansky.

Criollo explores the gastronomic world of Uruguay, immersing us in its rich roots, flavors, aromas, and heritage. Through the life of celebrated Uruguayan chef Hugo Soca—raised on his grandmother's cooking in the heart of the countryside—the film takes us on a journey through the nation's culinary traditions, from homemade wine to Pampas barbecue, simmering fish stew, and everything in between. Soca's rural upbringing and deep connection to authentic flavors have earned him the title of ambassador of Uruguayan cuisine. Shared meals, humor, and a passion for food are at the heart of this joyous celebration, beautifully captured with stunning photography.

A young boy in a Mexican border town hustles any way he can to help his family but learns some very cruel realities when the girl he likes gets 'disappeared'. Based on true stories from La Frontera.

A lonely security guard and a camera find themselves in an abandoned warehouse. Inevitably, this situation will tend to become a film.

Agustin, who is terminally ill, decides not to initiate a new treatment and start living again following his own motivations.

According to the 2010 census, San José de las Salinas, on the north of the Córdoba province, had 662 inhabitants. That sum no longer included Ramón Cáceres, who had died at the hands of his wife and brother-in-law five years before: the only crime in that town’s history. They had gotten married in secret when Cáceres was 77 and she was 33. The case was covered by the press (mainly because of the unbelievable part played by a donkey in its solving) and was later forgotten. But Distéfano didn’t. Crimen de Las Salinas transcends the news story and builds up, even though in the film it’s always daytime, the disturbing portrait of quite a few obscurities.

The failed coup d'état of February 23, 1981, which began with the capture of the Congress of Deputies and ended with the release of parliamentarians, put at serious risk the Spanish democracy.

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

Pianist Rosa Torres-Pardo presents the figure of Antonio Soler. Father Soler composed one of the largest and most amazing musical corpuses in the history of Spanish music. The documentary is a journey of the pianist who set out to find lost musical scores.

During the Franco regime, the prisons are filled with thousands of people with artistic ideals.

“Esperanza Macarena: Puerta del Cielo”. This is the title of the new film by the Brotherhood of the Macarena. This work, whose script was written by Carlos Colón Perales, who also directed it together with the Sevillian director Carlos Valera Bastida, with the collaboration of the production company Valdeluxe, and the voiceover by Antonio García Barbeito, revolves around the history and legend of the Brotherhood of the Macarena, throughout almost five centuries, of the sacred and spectacular beauty of its processional departure, at dawn on Good Friday, of the devotion that overflowed Seville from a neighborhood and of Seville's love for the Esperanza Macarena which, arriving to Rome, culminated in the canonical coronation of 1964, the fiftieth anniversary of which this Macareno Jubilee Year commemorates.

A Catastrophic Road Movie documentary in search of a virtuous politician ... that's if he is not extinct ! Antonio , Einari, Ivan ( and a makeshift boom ) travel from Helsinki to Barcelona, Buenos Aires to Montevideo and to the desert of Bolivia in search of a utopia ,an ideal. Something concrete on which to build a new future'

An Uruguayan has moved to Barcelona and suffers bullying. The way to deal with that is to challenge the bully with a football match, as he has the "Charrúa power".

The story about a boxer and a police in the forest following the traces of evil forces.

A documentary about the death of Cadet Marco Amarilla in a military academy in Paraguay, a death that was initially reported as a suicide, but was revealed to be a cover-up in a country where dozens of other young men have died in military facilities.

The films tells the story of Count Jones (Bejamín Rausseo), a far cousin of Indiana Jones, who is called by the North American government, the Interpol and other international security agencies in order to find a strange mythologic object called "The Crystal Creole Ball", which, if captured by Venezuelan military leader, Er General (Chile Veloz), could lead him to win the upcoming presidential elections. To find the location of the mythologic ball, Count Jones needed to travel to Paris, Libano, Jordania, Egypt, the United States and finally Venezuela, in which most of the story happens. Throughout the story, Count Jones had to find his niece, Melissa Jones, who is also his love interest, and travel with her and his nephew Goyito (Honorio Torrealba Jr.), who finally betrays Jones and brings the ball to Er General.

It's a day like any other and Ezequiel went out to dinner with his wife, until Pilar bursts into his life again without warning. Will they dare to drop everything and risk it for what they could never forget, or will each one continue with their lives out of fear?

Yolanda is a young girl who practices athletics, it's her passion. But she's not training the way she wants, there is something wrong on her life and it's about to explode.

According to an ancient proverb, “every dress has its reverse side.” Based on this, Bernardo Atxaga explains the origin of his texts, the underbelly of his novels and poems, in this documentary. Topics include: a passage from the life of so-called “enfant sauvage” Victor de l'Aveyron, an old photograph of the school at Asteasu and its message, the prevalent mood in Bilbao around 1970 and the influence it had on writers of the period, the literary consecuences of a man's insipid illness.

As happens every year, the parents of the Association of Friends with the Sahrawi People of Santa Coloma de Gramenet (Barcelona) gather to welcome a group of Sahrawi children who come to spend two months with them each summer. The strong emotional ties that develop between them help them to overcome challenges such as cultural adaptation.

In a near future where freedom has been outlawed in the city's outskirts, a tormented teenager, about to be forcibly conscripted, is pressured to leave behind everything he loves, facing his fears and the lurking violence as his only hope of escaping the war. The city's periphery has been besieged and controlled, serving as a concentration camp where young people, separated from their families, are raised to serve a strict military regime that governs the area.

José spends all day with a gift in his hands, making all that meet him uncomfortable. But, what no one imagines is that he's preparing a very difficult apology for a special someone.

Llamada a la escuela is a piece that deconstructs the scene in Luis Buñuel’s 1933 documentary Las Hurdes: tierra sin pan filmed in a rural school. To enlarge the space devoted to imagination and potential, the author sets archive footage against the audio background of Paco Rabal’s narrative in the original sound version to highlight other contemporary realities: the innovative classroom lessons delivered by two teachers in villages in the region.

The relationship of hatred and obsession by a farmer for his neighbor, which will force him to take strong action. Based on the eponymous story by Jack London, "Moon Face".

After receiving his last wage and sending it off to his home country, a house painter deliberately abandons his mobile phone on a park bench. Shortly after, a girl finds it and decides to keep it. She takes it as a sign sent directly to her that reveals the presence of the dead. A contemporary ghost story.

After Miguel Gazzera's death, his granddaughter Florencia discovers that people outside her family know much more about his story than she does.

In an ambiance loaded with tension, intellectual doubts and creative frustration, Rainer Werner Fassbinder writes and teaches the staging of a theater piece about the 18th century Libertiage at a great theater in Berlín.

In the context of Chilean education, for teenagers are forced to decide their future at an early age. Over the course of a year, we'll see how they can just have fun, while they await for the arrival to an unwanted destination.

When a psychic fishmonger foresees Amadeo's death, his fellow villagers rally to give him the best final seven days for which one could ask.

Vivo en Red House is the name of the first DVD and fourth live album of the Argentine blues and rock group Manal. The audiovisual material records the meeting of the group after thirty years with its three original members. The meeting took place on the stage of the rock and blues club Red House in Buenos Aires, on October 1, 2014.

St. Agatha's Eve is a deep-rooted Basque tradition in which people walk from house to house, accompanied by improvised verse-makers (bertsolaris), singing verses to the beating of long sticks. Building on this celebration, bertsolari Maialen Lujanbio composes a stark denunciation of gender violence. In verse after verse, she condemns the different manifestations of sexist violence and our inability to combat it.

Juan arrives at Gloria's house after being kicked out by his girlfriend. Gloria helps him find a new partner.

Refilmed scene by scene of the short film "The Perfect Human" (1967), by Jorgen Leth, to resignify from the recognition of diversity and the multiple intertwinings with the body, affective-sexuality and mental health.