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Biomes I

Biomes is a series of 4 paintings in motion inspired by the the surrealist landscapes of Tanguy and Kay Sage. Digital and analog video techniques are used to simulate painterly effects in an interplay between soft, harsh, mat and shiny surfaces, different shades of light and the illusion of depth or flatness. Biomes are portraits of post human environments where uncanny life forms materialize and slowly detach themselves from the horizon, to finally melt into their respective landscapes.

Biomes I

NR 2017
The Tragically Hip in Bobcaygeon

It was one of the most anticipated events in the history of Canadian music. The Tragically Hip, Canada's most beloved rock band, was headlining a festival concert in Bobcaygeon - the small Ontario town, population 2,500, that inspired one of the group's most popular and enduring songs. 25,000 fans from across North America and Europe would make the pilgrimage. This is the story of a monumental concert, told through intimate footage of devoted Hip fans, the townspeople who embraced them, and of the inimitable band who, after more than 25 years of playing music together, have come to represent the soul of Canadian rock.

The Tragically Hip in Bobcaygeon

NR 2012
Hugh Hefner's After Dark: Speaking Out in America

In 2009, veteran documentarian and filmmaker Brigitte Berman released Hugh Hefner: Playboy, Activist and Rebel, a film about the life and legacy of Hugh Hefner. Expanding on Hefner's influence not only as a celebrity figure but as a catalyst for social awareness, discussion and change, Berman continues to break new ground in Playboy: After Dark, Speaking Out in America. In this doc, Berman details the run and lasting influence of Hefner's two short-lived television shows Playboy: After Dark (1969-1970) and Playboy's Penthouse (1959-1960). Part entertainment segments, part talkshows, the programs featured numerous celebrity guests and covered a diverse range of subjects during their respective runs, including race, integration, environmental changes and free speech. With the story told through interviews and a collection of archived footage, this documentary makes it clear how and why both programs deserve their spots in television history.

Hugh Hefner's After Dark: Speaking Out in America

NR 2018
Running home

Inma (24) is determined to win a marathon in the Sahara Desert. But her motives run deeper than the physical challenge. A few months ago, she came across adoption papers that revealed the birthplace of her biological mother: Laayoune, Western Sahara. Having never heard of the country, she decides to train for an international marathon that takes place in the Sahrawi refugee camps in Northern Africa. It is the perfect opportunity for her to learn about a history she never faced growing up in Spain.

Running home

NR 2019
Scape Addicts

Inspired by the performative tradition that combines electronic sound and video art, Le Révélateur's live performance is the result of an intermedial dialogue between video artist Sabrina Ratté and electronic music composer Roger Tellier-Craig. Through the creation of abstract architectural structures and electronic landscapes, Ratté’s video images are in constant dialogue with the ethereal sounds and futuristic pulses generated by Tellier-Craig. Together, they aim to create an immersive audio-visual experience where sound and image are inseparable.

Scape Addicts

NR 2018
Lacan Palestine

Lacan Palestine is a found footage essay about the troubled couple in Palestine. This country without a country has been party to imperial projections for centuries, amply on display here in waves of armed crusaders, legionnaires, Mongols on horseback and biplanes issuing state edicts from the end of a machine gun. There are maps by the galore, drawn and redrawn as occupied territories are bartered in foreign capitals. Contemporary art activists Velcrow Ripper, Elle Flanders, Tamira Sawatzky, Dani Leventhal and others have generously donated their keen lookings and these have been blended with newsreels, desert spectaculars, historical recreations and intimate encounters. Mike Cartmell appears as the ghost of psychoanalysis, offering ruminations on killing the father, John Coltrane and why enjoyment is difficult

Lacan Palestine

NR 2012
Undream

Undream depicts an imagined future where utopia and dystopia collapse, inspired by the photomontages of Superstudio – a major force in the Radical architecture and design movement of the late 1960s. Undream leads the viewer through an isolated landscape, overhung by a monumental structure. The architecture morphs between impossible surfaces and underlying order, interfering with the landscape as it undulates in and out of existence. Swept up in this movement, we are suspended in an impossible abandoned territory between the built environment and the natural world.

Undream

NR 2018
Random Acts of Legacy

Silas Fung, a Chinese-American, was a sign designer and painter for Sears in Chicago in the 1930’s. Born into a creative family, he was also an avid painter, musician, church-goer, documentarian and father. After he was married (to Edythe) and had children, he decided to continue his passion for filming by documenting their lives. Over the next two or three decades, he amassed his family’s whole life as they became part of the middle class of America. Meanwhile, in the early 21st century, Ali Kazimi was bidding on an online auction for some 16mm nitrate film cans with Silas’ name on them. After winning them and starting the process of cleaning them up, he was contacted by a lady who was bidding on another lot of Silas’ films and wanted to know who had won the second lot. From there, Kazimi began to interview Silas’ daughter, Irena Lam, and other Chinese-American people who grew up at the same time as Irena as well as experts in Sino-American culture.

Random Acts of Legacy

NR 2016
When All the Leaves Are Gone

As the only First Nations student in an all-white 1940s school, eight-year old Wato is keenly aware of the hostility towards her. She deeply misses the loving environment of the reserve she once called home, and her isolation is sharpened by her father’s serious illness. When Wato’s teacher reads from a history book describing First Nations peoples as ignorant and cruel, it aggravates her classmates’ prejudice. Shy and vulnerable Wato becomes the target of their bullying and abuse. Alone in her suffering, she finds solace and strength in the protective world of her magical dreams.

When All the Leaves Are Gone

NR 2010
Sculpted in Time: The Artist

In The Artist, filmed on location at Sunshine Village, we get a glimpse of the incredible energy of the Canadian Rockies and how the colour, light, and texture of the mountains around Sunshine Village inspire skiers and artists alike. The viewer meets local visual artist Dan Hudson as he ruminates on the very mountains that define his lifestyle, and inspires his artistic expression. The film tracks the artist as he shoots skiers and snowboarders on the mountain and then into his studio as nature becomes muse and inspiration flows both ways, translating to canvas.

Sculpted in Time: The Artist

NR 2014
Callshop Istanbul

Istanbul, a crossroads of Europe and Asia, serves as a gateway for migrants from Africa and the Middle East to Europe. Syrian and Iraqi refugees, cosmopolitan youth, disillusioned Arab Spring supporters, and undocumented migrants from Black Africa gather in the city’s callshops, which are vital links to their home countries. The film captures the conversations and emotionally charged moments in these callshops, offering a powerful testament to the migrant experience in the 21st century.

Callshop Istanbul

NR 2015
Hello Amiga

The OIAF’s contribution to Nuit Blanche Ottawa is Hello Amiga by the Toronto Animated Image Society (TAIS). TAIS commissioned six Canadian artists – Alex McLeod, Amy Lockhart, Barry Doupé, Daniel Barrow, Lorna Mills & Mark Pellegrino – to create animations by exploring Amiga computers. These machines were popularized for graphics and image generation in the 1980s and early 1990s. The artists have created captivating works that promote necessary critical discourse around animation, ponder the history of recent technologies and embrace new manipulations of old processes.

Hello Amiga

NR 2012