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Andy Warhol + Roy Lichtenstein

This program profiles Andy Warhol and Roy Lichtenstein, two of pop art's greatest icons. Back-to-back interviews highlight their differences. The voluble Lichtenstein, interviewed in his studio, discusses his methods and the use of familiar objects in his art. The reticent Warhol baits the interviewer, who attempts to extract concrete statements from the elusive artist. The Warhol segment is supplemented by footage of his band, the Velvet Underground; a clip of one of his short films, "Nancy Worthington Fish"; and brief comments from Edie Sedgwick, one of Warhol's proteges.

Andy Warhol + Roy Lichtenstein

NR 1966
Bear and the Bees

It's springtime and Cupid is bringing romance into the lives of every woodland creature... except for Fatso the bear who "ain't got no romance in his soul." Cupid sets out to remedy this and shows Fatso a female bear, then injects him with about 50 love arrows. Fatso, now smitten, is determined to win her affection but his clumsiness threatens the relationship of the two, despite Cupid's advice. He dumps a trash can on her head, shoves a bouquet of flowers in her face, knocks her in the mud, dumps a beehive on her head, and knocks her into a cave. Finally, he succeeds in winning her with "the caveman routine" only to discover she has a family of kids he must now look after. Furious, he vengefully chases Cupid into the distance.

Bear and the Bees

9.0 1961
Birds of a Father

Sylvester Cat discovers that his son, Junior, has a new best friend - a bird named Spike. Aghast, Sylvester decides to teach his son the facts of feline life and goes with him on a bird hunt, which, as usual, isn't Sylvester's forte. He is hit with a badminton racket after he mistakenly shoots a badminton birdie and then is blown up when he sends a model plane after Spike and is himself shot at by the out-of-control plane and forced to take refuge in an explosives store shed, with the plane slipping in behind him and firing at the TNT.

Birds of a Father

6.8 1961
Thigh Line Lyre Triangular

Only at a crisis do I see both the scene as I've been trained to see it ( that is, with Renaissance perspective, three-dimensional logic–colors as we've been trained to call a color a color, as so forth) and patterns that move straight out from the inside of the mind through the optic nerves... spots before my eyes, so to speak... and it's very intensive, disturbing, but joyful experience. I've seen that every time a child was born... Now none of that was in WINDOW WATER BABY MOVING; and I wanted a childbirth film which expressed all of my seeing at such a time.

Thigh Line Lyre Triangular

5.4 1961
Manhandling

'It ain't what you do, it's the way that you do it' - the popular song is particularly apposite when you lift heavy weights, as many railwaymen know to their cost. The wrong way can produce aches, pains, strains, sprains, and even slipped discs. With the help of a young weight-lifting lady (Joan Rhodes - a famous strongwoman act in the dying days of Vaudeville theatre, but also made several films and appeared in several Bob Hope shows) this film shows how to avoid all the strains and make the job easier into the bargain.

Manhandling

NR 1962
Side Phase Drift

Side Phase Drift is an abstract three-screen performance projection piece. Each frame was composed of sets of images that were manipulated in form, color, superimposition and time. The image sequences are logical permutations of a progressively evolving order. The images were realized on a mechanical analogue computer system called a CAM machine and an Optical Printer at Motion Graphics, Inc. The Optical Printer was modified with controls and accessories to facilitate the color sequencing which was based on complimentary color relationships utilizing a hierarchical system.

Side Phase Drift

NR 1965
Hurts and Flowers

Roland is a flower child; Rattfink is "a weed." Roland keeps growing, picking, and sniffing flowers; Rattfink keeps attacking Roland, but the attacks either fail or backfire. Among the gags: As Roland plays the harp, Rattfink tries to discourage him by drumming. When that fails, he inverts the drum to reveal a beehive; the bees attack, the harp strings send Roland back into a fountain, and the bee-stung Roland still presents Rattfink with a flower. Rattfink air-drops a bag of flour on Roland; the resulting cloud of flour engulfs RF's plane, and he crashes into a building. Finally, Roland is in a jam session; Rattfink paints a can of nitroglycerine to look like a drum, but slips on a banana peel and explodes. Roland puts a flower on his grave; Rattfink's ghost hurls it at Roland.

Hurts and Flowers

9.0 1969
The Things I Cannot Change

"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB

The Things I Cannot Change

8.7 1967
Superartist

Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.

Superartist

8.0 1967