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A young Moroccan immigrant, living in southern Italy, escapes from his forthcoming wedding to the daughter of a local Mafia member to a hotel where he remains in hiding with his true love.

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

From the Upper Basilica of St. Francis in Assisi, maestro Ennio Morricone conducts the RAI National Symphony Orchestra, with the choir of the Accademia Nazionale di Santa Cecilia and the participation of Massimo Ranieri.

After robbing a jewelry shop in Canada, two Americans arrange a meeting near the US borders in order to split the loot. One of them has an accident with his car on his way there and gets stuck in an isolated motel until his car is fixed. The owner of the motel, a sexy woman in her thirties, falls in love with him, but her suspicions about him begin to multiply, as the police arrive at the motel...

There were very few commercial feature films made during the Italian fascist era that were as openly propagandistic as this famous (notorious?) dramatic paean to the Blackshirts. The story takes place in a small village in Italy in October of 1922, on the eve of the fascist "March on Rome", in which King Victor Emanuel III was persuaded to consign power to Benito Mussolini. Gianfranco Giachetti is Dr. Cardini, a doctor at the local psychiatric hospital, where a strike has been called by the local socialists. Cardini turns to the fascists to help avert the strike. His son Roberto (Mino Doro) rounds up fascist friends to fight those aligned with the strikers and the town's socialists.

A trip to New York City leads to a racy three-person tryst, a sex tape and big trouble for Johnny.

Tina is on trial for the murder of her lover, Gino. The violent nature of their relationship, revealed in the trial, seems to make obvious that she accidentally killed him during a fight. The lone female jury member compares her life to Tina's and, believing her to be innocent, sets out on her own to find a missing witness that can prove Tina's innocence.

According to an urban legend spreading in Japan, if you call an American number at midnight from your cell phone, you'll have a wish granted in exchange for a few minutes of your life. Some female students, stressed by poor school results and a barely functioning personal life, decide to dial the number, and from that moment on, everything changes. They'll realize they've sold their souls to the devil when a series of strange accidents and violent deaths begin to occur.

Angry at his wife and defeated in battle, the king of Judea is taken prisoner. After being spared by the Romans, King Herod comes to believe he's been a victim of court plotting.

The love story between Don Camillo's protégé and Don Violante's niece adds fuel to the rivalry between the two priests.

Nino is a pianist, he runs into Valentina in the underground and falls for her. Valentina is rich but she tells nothing to Nino who is proud. Andrea was the boy of Valentina before Nino and wants to marry her for her money. Nino leaves Valentina when he finds out that she is rich while Andrea, turned down again, kidnaps Valentina.

After being expelled from college, the daughter of an aristocratic family from Lecce is sent to a seminary in her native town

A comedy about two friends attempting a heist.

Count Drago invites over entertainers to his castle, but what the people don't know is that Drago mummifies animals and humans!

The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?

The film presents a series of unrelated "pictures": a police commissioner who, faced with four friars stripped by two women, must decide whether they are real or false friars (but he can't); a professor who, suffering from acute dysentery, is dismissed for unworthiness by the Institute Council; a football referee trying to escape the ire of angry fans; an endless marathon in Piazza Navona; a true but crazy producer, a not crazy but fake producer and a group of actors who want to take revenge on one and the other; a "club of toasts" that spends its time toasting to this and that, to elect new members and honorary members; finally, a censorship commission that, aboard an old and very battered car, fails to reach his workplace.

Independent documentary about the hidden side of the 1990 FIFA World Cup.

Mann is a gunman informed by a childhood friend that his father was murdered years earlier by his mother and her lover. To make matters worse, Mann's sister, who is in love with his friend, is held under the thumb of his murderous mom. The two gunmen ride off to have a reckoning with her.

A very visual and profound dramatization of the various sections of Carmina Burana, a symphonic piece composed by Carl Orff about medieval poetry by an anonymous author.

Dino and Anna are a couple in their forties. Their relationship is hardly conventional: in fact, it is unconsummated. Dino gets out of it, gratifying himself with prostitutes and swingers. He reaches his nadir when he looks up Anna’s old boyfriends to ask about their sexual relations with her, and even begs them to take her back, as a way to end their relationship. Anna can’t find a way out herself; she can’t bring herself to end this one-of-a-kind, tormented love affair. In the end, Dino’s angst is what makes her feel loved, feel unique. No solution seems to be waiting in the wings.

Elena, Miriam and Anna, the foxes of the night, are three beautiful women but they are also three special agents of the police headquarters in Rome. One evening they are given the task of participating in a high fashion show: a tip-off has arrived on a drug game that should be exchanged there. At the fashion show everything happens regularly, except for the attempt to snatch a beauty case from one of the models. The next morning, however, Daniela, the wearer affected by the snatch, is found dead and it turns out that the snatcher was the guardian of Eng. Mauro De Mauro, rich builder. Foxes begin to investigate.

Eight interlinked short stories unfold in an Italian apartment building, connected by a concierge and at least one common victim. Each tale blends thriller, horror, and dark satire, exploring bizarre, extreme, and paradoxical situations through the eyes of the building’s eccentric residents. Several stories feature LGBTQ+ elements, including lesbian love and veiled homosexuality, woven naturally into the suspenseful, often improbable narratives. The film asks what secrets the condominium hides and why this particular building becomes the stage for intrigue, crime, and mysterious happenings, offering a surreal, darkly comic exploration of desire, identity, and human eccentricity.

Giulio is an advertising agent; in order to conclude an important contract with a refrigerator manufacturer, he moves into their boss's villa for the weekend with his mistress, along with his designer, who is accompanied by the advertising agent's wife for an adventure. This is the beginning of a series of misunderstandings until the head of the advertising agency arrives and exposes them. Thanks to the providential intervention of the industrialist, who had noticed the deception perpetrated against him, everything is resolved and the head of the agency finds his new love in the woman who accompanied Giulio.

Gianni’s world is turned upside down when a film director contacts him after finding a series of his childhood slides at a flea market and decides to make a film about them. As his past comes to life on the screen, the boundaries between truth, memory and fiction become increasingly blurred.

In Puglia, a cooperative wants to farm the land confiscated from a Mafioso, as it is legally entitled to do. But things are moving slowly. So the members of the cooperative turn to Filippo, who belongs to an anti-mafia organisation with its headquarters in the north. Filippo arrives in Puglia and realises that everyone, starting with the carabinieri, is taking huge liberties with the law.

Based on the adventures of the hero Tex from the comic strip by Bonelli. An interesting spaghetti-western/fantasy movie that blends magic and mythology with six-guns and stagecoaches.

While he is speaking on the phone with a member of his staff, Filippo has a severe headache and faints. As soon as he regains consciousness, he calls his friend Pippo for help and asks him to invite the group of old friends to join, too. Little by little the four friends remind him of happy moments shared in the past and Filippo gradually manages to remember with their help….But something unhappy comes back to their mind….

Jacopo has a serious problem. He may be a brilliant marriage guidance counsellor, but he can never manage to have a steady relationship for more than two weeks. And for good reason: since he was very young, Jacopo has been cursed and brought bad luck to every woman who has fallen in love with him. Really bad luck. Because of this, he has vowed to stay away from women, for their own good. But the moment he lays eyes on Sara at a friend’s birthday party, he is smitten. Despite his resistance, the two fall head over heels leading to back-to-back, laugh-out-loud moments of disaster! Sara will quickly learn the consequences of her choice as the limits of her love are put to the test.

Based on Leo Tolstoy's novel, Father Sergius, Night Sun stars Julian Sands as Sergio, a nobleman in 18th-century Italy who is expected to marry a duchess, Nastassja Kinski. Upon learning that she was previously the King's mistress, Sergio turns his back on society and becomes a monk. While at the hermitage he tries to resist all sexual temptations before him and soon becomes known as a miracle worker. Eventually he succumbs to a young seductress and knowing he is undeserving of the adulation, leaves the hermitage to travel around as a homeless beggar.

A double murder upsets the tranquility of a hotel where a famous and witty lawyer is staying. The case involves him and pushes him to investigate the two crimes until the conclusion which he will reach thanks to the help of his driver.

At the edge of Rome, at the mouth of the Tiber, the small district of Idroscalo di Ostia juts right out over the sea. The women who live there, such as Franca and her daughters, bear its stories, with the natural force of the site, between wild realism and popular imagination. This sacred point becomes a theatre for the resistance of a community that expresses its right to live there.

In 1943 Italy is crumbling. Salvo D'Acquisto, a Carabinieri officer is trying to maintain law and order. One tragic incident will unravel a chain of events leading to him having to stand between the Germans and people he swore to protect.

The story takes place in the summer of 1980 in Brindisi, Italy. Martino is a young man whose father isn't giving him enough attention. His older brother and his friends, including Silvia, a young northern Italian who spends her holidays in the south of the country and has a romance with Martino. Young people tend to enter an American military base north, and Martino ends up finding a US military officer, Captain Clark, a good friend who teaches him how to surf.

The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town.

Third installment in the "If I May" trilogy by director Marco Bellocchio.

Via Montenapoleone in Milan is the ritziest street in the city and here the destinies of several characters, playboys, models and gays cross and diverge.

A cop recruits a criminal and his cohorts to help track down a violent crime lord who has kidnapped the ill daughter of a rich family.

In the 15th century, in a poor Italian village, the monks of a modest convent take up an abandoned baby. Unfortunately, for all their efforts, they prove unable to trace his parents. So they set up providing tender loving care to the little boy. Marcellino lives a happy life among the men of God but, as he grows up, he misses his mother more and more.

Rehearsals for a play about Maradona in Naples, with Italian actors and an Argentine director. Nothing about Maradona except anecdotes about his figure from the Neapolitans; one of the actors had come to play football. They were all 'touched' by Maradona, as is logical. Pennac is very intelligent, but he has never seen a ball in his life: his fascination comes from the public figure of Maradona, from the totem, from the stupor that invaded him when many friends confessed to having cried at his death. The spectator, Maradonian or not, has an irrepressible desire to travel to Naples and join the song that he sees towards the end of the film, which is moving and overwhelming in its beauty and simplicity. Ideal for theater lovers, or Maradona lovers, or both.

The legend of Queen Kinga, the Tatar invasion, and the first Lajkonik of Krakow.

Flower petals in the background create different shapes while actress Mary Cleo Tarlarini salutes the audience.

A lieutenant spends a night of love with a mysterious woman. After a few years he discovers that the woman was married to an invalid and that the meeting had been organized to ensure an heir for the family

Robinet, the lead in this Italian slapstick comedy, wants to be an aviator in the worst way, and this being an Italian slapstick, that's how he does it. Italian slapstick in this period was absolutely bone-breaking, so much so that it makes Keystone slapstick look like drawing-room comedy by contrast.

Maestro Nikolai Masoudov, a talented writer, and his assistant Margaret, are working on a biblical story of Pontius Pilate. The Satan — Woland, and his lieutenants, are harassing Master by surveillance, by killing his friend, and sending another friend to Gulag prison in Siberia. Victimized by their harassment, Master becomes paranoid, and is locked up in a mental institution. Margaret is trying to save him regardless of the danger.

The actress Francesca Bertini, as every diva worthy of her name, always arrives on the set extremely late. One day, in the studio, she happened to hear a colleague actor who, back from the front, tells about the brutalities suffered by the civilians in the occupied territories. At night, still troubled by that story, Bertini falls asleep and dreams: in her dream she plays the role of Mariute, a young Friulian countrywoman, mother of three kids waiting for her husband homecoming from the frontline. One day, while she is going to the well for water, she is assaulted and molested by three enemy soldiers. Her father-in-law will avenge her. In the meantime Bertini, waking up with a start, will arrive to work on time and she will end the film inviting the public to put their savings into the war bonds.

Greece, 1936. An aristocratic woman engages in a series of loveless affairs before finding herself falling for a political activist.

Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed. Soon she is trying to hold him to her with her oh-so submissive love, and he is playing some games with her head by pretending (usually) to have been playing around with others. Eventually, he encounters another woman who is not so sticky and tells her to buzz off. When they meet some time later, it becomes clear that the relationship meant different things to each of them.

Jacopo, Duccio, Cecco, Manfredo and Filippo are five friends who live in Florence of the fifteenth century, during a plague epidemic.