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Paradise Now: The Living Theater in Amerika

A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.

Paradise Now: The Living Theater in Amerika

6.0 1969
Salome and the Dance of the Seven Veils

This color film reprises the female impersonator Adrian's nightclub act of the same name: "'Salome and the Dance of the Seven Veils' introduced the Club 82's new season to New Yorkers, in 1958. It was an immediate hit, and Adrian stayed on for four years, delighting audiences that came from all parts of the country and the world to see him. One of the reasons for its success was that Adrian, wanting everything to go perfectly, designed and made his own costume. He discovered a new talent, which he continues to use. The wax head of John the Baptist, which he uses in his act, is the same one which Brenda Lewis used in the Metropolitan Opera." - Avery Willard, Female Impersonators, 1971.

Salome and the Dance of the Seven Veils

NR 1965
LIving Colour

During the 1960s, artist Eric Olson embarked on a series of works under the title Optochromi. The vast majority of these were plexiglass objects: most were sculptures although a few are formally closer to paintings. From a cinematic point of view one could describe the Optochromi sculptures as metaphysical colour animations frozen in time – so much so that modern composer Jan Wilhelm Morthenson made his film Interferences (1966), a tribute to 1920s abstraction à la Richter, with the use of Olson’s works. Gösta Werner did something similar five years earlier with Levande färg – only that he mainly circles the sculptures, and contemplates them more than he interacts with them. A respectfully curious distance is always kept.

LIving Colour

NR 1961