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K: Exil

Two-thirds of K (Exil) consists of images of the women and children who remain at home, alone, while the men leave for a life of exile. These images, always fragmentary (either cut-up or inserted piece by piece within the image as a whole), alternating between negative and positive, complementing or contradicting each other - give an insight into the wrenching separation experienced by those members of the population who remain at home, left to their fate in an inhospitable landscape. Over what we call the 'joints', we will engrave words in French or Kabyle (Berber), echoing the masculine voices of Rachid Adel and Michel Amarger. An original composition by Mr. Djamel Tareb will form the musical sound-track for the film.

K: Exil

7.0 2008
Aldébaran

Aldébaran is the first film from a series of works on hybridization: body and light, color and rhythm. The series are transforming and spiritualizing human body by the use of light, or more precisely by the screening of a film directly to the skin. The body is therefore the only screen for the abstract images made from mathematical models. This encounter between body and light produces a particular and creative energy beyond shapes. Lyrical abstraction, mathematical modelisation and sensual exploration of light, this film is the depth perception of the body stridences.

Aldébaran

NR 2000
The South of a Passion

"The young Susan seems doomed to a life of toil. She lives with her faither in a lodging house and together they earn their living by dancing as a tango couple in a seedy nightclub. Since mother left them, the two have had an incestuous relationship. Father is on the booze. When his alcoholism eventually lands him in jail, Susan decides to become a prostitute: it is the only way she can earn enough money to get her father out of jail. She meets another prostitute, Lili, who personifies everything that Susan is afraid of: physical decay and failure. Despite this fear, a bond develops between the two women. When Susan gets an influential lover, it looks as if she will be able to escape her sad existance. But her past continues to haunt her." - IFFR

The South of a Passion

3.7 2005
This Way Up

Just east of Jerusalem, the construction on the wall of separation continues a few meters from a senior citizen’s home. Its unavoidable and spectacular progression gradually isolates the residents from the world of the living, as both visitors and staff face more obstacles with each passing day. A haunting soundtrack of bells and chimes accompanies elderly patients sleeping in wheelchairs, and silhouetted staff members walking down long hallways with glistening floors. Certain individuals continue to protest the barrier wall construction due to feelings of rejection, anger or nostalgic longing for their lost freedom. While presenting the painful sense of despair that rises in the home, this film also captures a sense of levity and hope in its use of rich colours and portrayals of simple pleasures.

This Way Up

NR 2007
The World According to Gazprom

Gazprom, an industrial and financial conglomerate created in 1992, is the key weapon in the Kremlin's geopolitical strategy. First producer of natural gas, Russia indeed holds a third of the world's total reserves. Responsible for producing, distributing and selling it, Gazprom is a company like no other, where gas market professionals work, but also ministers, deputies and advisers close to the Russian president. It was during the winter of 2005-2006 that Europe, which buys 30% of its gas from Russia, suddenly became aware of its vulnerability. Comment ? Overnight, Russia had just cut gas supplies to the pro-Western Ukraine of Viktor Lushchenko, who refused to pay tariffs multiplied by five. Since then, the continuous rise in oil prices, coupled with ever-increasing Chinese demand, has confirmed the key role that its hydrocarbons give to Russia.

The World According to Gazprom

10.0 2008