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Karl Wirsum

Digitally restored by Pentimenti Productions, Suzanne Simpson's "Karl Wirsum" is a little-known 1973 film that peeks into the sun-dappled California studio of a young artist as he embarks on an extraordinary career. Wirsum's psychedelic marionette sculptures still dazzle today, while his narration and a mind-bending soundtrack draw viewers into his process and personality. Part of "4 Films by Suzanne Simpson," a whimsical quartet of archival films that captures artists flourishing amidst the 1970s Bay Area art scene, when Funk art was thriving.

Karl Wirsum

NR 1973
Coming Attractions

“Coming Attractions” looks backward into the memories and forward into the future of Francis Francine, an elegantly dowdy transvestite of, and indeed beyond, a certain age. The memories, haunted by a Spirit of Seductions Past (played by a quite glorious naked young lady who fortunately bears absolutely no resemblance to Francis Fran cine) suggest a generally lurid life of sumptuous sex and questionable liaisons. The future, presented by an ancient fortune teller with a wonderful crystal ball that holds a lively go‐go dancer and that seems to mediate between interchanging black and white halves of the screen, follows Francis Francine through the reactivation of an ancient affair, to her death (a jealous ex‐lover) and her triumphant entrance into a pastoral paradise that looks like a cross between several scenes from “81/2” and “The Embarkation for Cythera” in drag.

Coming Attractions

7.0 1970
Inside A.M.G.

Rick "Jim" Cassidy and Bob Mizer, one of the founders, and head, of the Athletic Model Guild, profile the A.M.G., its history, and how it operates. The purpose of the A.M.G. is to prepare (mostly gay) young men who meet its specifications for careers in modeling and showing themselves off as "gay-boy beefcake" (the male gay equivalent of young female models as "cheesecake"). Questions arise as to where these young men come from, how they are recruited, what it is like to work for A.M.G., and if all the young men who apply and are accepted are, indeed, gay.

Inside A.M.G.

3.3 1970
Soul City

Punk rock group FLESHTONES perform the song "Soul City," as tiny black & white cut-out figures, (with hand-tinted flesh tones), against a flickering background of brilliant color. In the film, Jones 'recycled' the same basic movements of his subjects by reconstructing totally new motions from the same severely limited amount of footage. This was done through alteration of perspective, and reversal of selected movements at varying intervals. The number of movements a subject can make, artificially created from a few basics, becomes almost limitless once an understanding of what motivates activity in that subject from the beginning is achieved.

Soul City

4.0 1979
Superdyke

A comedy about a troop of shield-bearing Amazons who take over city institutions before relaxing in the country. "Superdyke" takes women into the streets when Barbara arms of a platoon of vagina warriors with Amazon shields in an attempt to overthrow San Francisco. They march through City Hall, usurp the bus lines, demythologiz the consumer mentality at Macy's (to the recorded astonishment of casual shoppers), and wander through the erotic art museum. Barbara's frenetic handheld lens catches the startled reactions and the glee of the participants. SUPERDYKE has a home-movie quality to it, but its committed and loose moments in the playground confirm its comic rationale.

Superdyke

5.7 1975
I Am Making Art

In an ironic reference to body art, process art and performance, Baldessari challenges definitions of the content and execution of art-making. Performing with deadpan precision, he moves his hands, arms and entire body in studied, minute motions, intoning the phrase "I am making art" with each gesture. Each articulation of the phrase is given a different emphasis and nuance, as if art were being created from moment to moment. This index of body movements is ironically offset by the repetitive monotony of the exercise.

I Am Making Art

NR 1971
Bruce Lee: The Lost Interview

A priceless gem from the fine folks at The Internet Archive: Bruce Lee’s only existing television interview, from 1971. Martial arts expert Bruce Lee became world-renowned for his performances in such Kung-fu classics as ENTER THE DRAGON. Now his only interview in English is available. Just after the release of his first film THE BIG BOSS, he spoke in Hong Kong with Canada's premier journalist Pierre Berton. This is the closest one can get to this extraordinary master.

Bruce Lee: The Lost Interview

8.5 1971