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Roman Nights

In an upper-class neighborhood of Rome, Paolo is having a drink with his friends, as per usual. When he decides to go home, he is approached by two dodgy-looking guys. Gioacchino, one of the two, is immediately very aggressive towards Paolo. He has been looking for him for the last three months, and now he has finally found him. An impossible love triangle between an upper-class boy, a girl from the suburbs and her boyfriend, a love story that began in the summer days and ended on a warm winter night.

Roman Nights

NR 2021
Marcello, una vita dolce

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

Marcello, una vita dolce

5.2 2006
The Pyjama Girl Case

Two seemingly separate stories in New South Wales: a burned, murdered body of a young woman is found on the beach, and a retired inspector makes inquiries; also, Linda, a waitress and ferry attendant, has several lovers and marries one, but continues seeing the others. The police have a suspect in the murder, but the retired inspector is convinced they're wrong; he continues a methodical investigation. Linda and her husband separate, and there are complications. Will the stories cross or are they already twisted together?

The Pyjama Girl Case

5.8 1977
The Heroin Busters

Drug use in the city of Rome is at an all-time high. Children score from dealers in front of their schools, mules waltz straight through airport security, and Interpol's main man, Mike Hamilton, is at his wits' end. Fed up to the back teeth with the local police force's incompetence, his only hope is to rely on one of his own men, Fabio, an officer so deep undercover that no-one but Hamilton knows who he really is. Even as Fabio gains the trust of cartel leader Gianni, however, the dealers are edging ever closer to the truth, and when his cover is blown, the hunter becomes the hunted as Fabio finds himself alone in a desperate fight to survive.

The Heroin Busters

6.4 1977
Nicola: Mussels, Kebab & Coca Cola

Antonio, a filmmaker running out of ideas, has a vision of the city's patron, St. Nicholas, who asks him to make a film about his true story. So Antonio sets out on a journey in the myth's footsteps, crossing all the countries where the saint is revered. Turkey, Belgium, Holland, France, Russia, all the way to the United States, where he is better known as Santa Claus, i.e., Santa Claus. A journey in the midst of a melting pot of popular cultures and traditions, with all their contradictions, a journey through colors and religious rigor mixed together giving life to a sacred figure who is, at the same time, a consumerist model.

Nicola: Mussels, Kebab & Coca Cola

NR 2021
The Steppe

Based on a Anton Chekhov short story, this slight tale has some good moments as the drama of a young boy's journey unfolds. The lad comes from peasant stock, and one day his family decides it would be best for him to go live with his uncle in the city. The only problem is that the city is all the way across the Russian steppes, and at this time in history, that arduous journey could only be undertaken by horse and carriage. Reminiscent of the American pioneer wagon trains heading West, the tale lacks any attacks from hostile forces but is filled with charming vignettes. In one part of the journey, the boy comes across some fishermen along a river, harpooning their catch for the day. In another segment, he is entertained when some folk dancers do a lively show. But in general, it is too long and unmomentous a journey to hold attention well for nearly two hours.

The Steppe

6.2 1962