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SUPREMATISM. The Day Before

This short-length film is an architectural and visual experiment in the creation of spatial compositions based on the suprematic paintings from the exhibition “The last futuristic exhibition of paintings 0.10”, or simply, “Zero-ten”. It was an art exhibition which took place in Petrograd within the period between December 19, 1915 and January 17, 1916. The exhibition featured 36 works by Kazimir Malevich and his associates. Through it, Suprematism was presented as a new direction. It was named after the organizers' idea to complete the futuristic period in Russian painting and to mark the beginning of Suprematism. In the red corner of the room, traditional for the icon in an Orthodox house, was placed the "Black Square".

SUPREMATISM. The Day Before

NR 2021
K-Saram: Tale of the Pig Head

About 500,000 Koreans reside in the former Soviet Union. Most of their ancestors were forced to flee during the Japanese occupation / annexation (1910-1945). The name they gave themselves is Koryo-saram. Their language, Koryo-mar, is descended from the Hamgyöng dialect (province of North Korea) and many other variants of Northeast Korean. The documentary sets up a multi-voice narrative characterized by shamanic rituals, digital glitches, voiceovers, texts and sound panoramas. At the same time inter-subjective and deeply personal, the film recounts migration, the diaspora and death with humor and lightness.

K-Saram: Tale of the Pig Head

NR 2021
The Dawn Chorus

Witness the first light and sounds of a new dawn breaking, as observed around the world one year ago. Patrick Shen’s cinematic meditation was created during the first COVID-19 lockdown by 35 artists from over 13 countries on May 3, 2020. With a soundtrack filled with environmental bird songs and ambient aural awakenings, the contemplative and collective portrait moves from darkness to light as a metaphor for hope and rebirth. 2020, United States, digital, nonverbal, 21 min.

The Dawn Chorus

NR 2021
Riflesso sullo schermo

Over a span of 8 years, Stefano talks about his choice to undertake sex reassignment from female to male. The first steps, the interviews with a still female face and voice, i problems that arise with hormone treatment. Many challenges and many objectives, not all of which are successful. “Ste” obtains consent for interventions to change a body in which he is not she recognizes. It soon reaches great visibility. But at the end of the parable in the media he is disappointed by the LGBT world, by the fake activism, and from the attacks received on the new image he projected of himself. Finally mature, Stefano confronts his past. Across the reflection of his true identity, he has now achieved his purpose: a "normal" life.

Riflesso sullo schermo

2.5 2021
We the Guinea Pigs

As the use of plastic has gained ground in our lives over the years, there has been an inexplicable increase in a number of diseases and disorders amongst the population. In this film as part of the Why Plastic? series, we meet leading researchers looking into the reasons for these disorders. We also follow case studies of people suffering from various health conditions thought to be caused by exposure to certain every day materials including plastic. Are these people the victims of unfortunate coincidences - or is there an explanation?

We the Guinea Pigs

6.5 2021
The Riots 2011: One Week in August

2011 saw the largest wave of disorder in the UK since the 1980s. This revelatory film hears from the people who experienced the riots up close and personal. A decade on, we look back at the summer of 2011 through the eyes of those whose lives have never been the same since. In a series of candid interviews, we hear the story from all angles. Convicted rioters, frontline police, a judge, a government advisor and a grieving father look back at that week in August, and the years that followed, to piece together what really happened and why.

The Riots 2011: One Week in August

6.0 2021
Fiction for Future - Von der Apokalypse lernen

Apocalypse series such as "Fear the Walking Dead" have shown us all too distressingly that, in the face of the apocalypse, stockpiling may secure your own supplies in the short term, but in no way offers protection against the actual threat. And an end-time classic like “Contagion“ already preached ten years ago that hand hygiene and face masks are essential if a global pandemic is to be contained. In "Fiction for Future", we ask old masters of the genre such as Roland Emmerich, Terry Gilliam and Frank Schätzing what the nightmarish tales of doom tell us about the horrors of our future. How will global challenges such as climate change and pandemics change our lives? Can we master the major challenges of our future? And if so, how?

Fiction for Future - Von der Apokalypse lernen

NR 2021