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GALAXY

The narrator in the moving image work "GALAXY" is technology itself. "GALAXY" tells the story of the brief encounter of the two characters Touch and Long Swipe. The story is generated by an algorithm and offers an interpretation of an encounter of love and disappointment. Small deviations in the language and the narrative logic reveal our social imprint of how stories are expected to be told and how technology is programmed to follow these perceptions. The mise-en-scéne is a computer-generated galaxy of objects and images reminiscent of the organic, but dismembered and fragmented, reflecting on the possibility of creating new worlds and stories in digital space by following a subjective system of ordering.

GALAXY

NR 2020
Lilith

There are nightmares that arise from internal storms that we try to ignore and that we stoically endure for a long time. But sometimes we wake up, and what we see, and what we hear above all, is part of another reality in which you are not alone when you understood that you were. Are you afraid when you don't know if what you are experiencing can be or not? Are you afraid to believe in what is impossible? Now something terrifying is happening. At times, you want to believe that it's a lie, that you're going to wake up... But no. This year, this is what happens... Turn off the light, listen carefully and think... Will you let it devour your soul?

Lilith

3.0 2020
Crisis

Her work, her marriage, maternity, life itself… For Edith, everything has passed along without further questioning. As a cashier of a supermarket, she watches her days pass by between family and labor routine. Weeks, months and years she sees go by without even thinking. Suddenly, she discovers she is not happy. A conflict at work seems to synchronize with other thousands of sparks that set on fire the dry prairie of a society without hope. While Santiago starts to burn, Edith moves, bound for a change of life, no matter where destiny can take her.

Crisis

5.0 2020
A Field Of Islands

Inspired by atmospheric adventure games such as Myst, and a poem by Édouard Glissant of the same name, this is a short film which starts with the desire to undo pain and constriction by finding 'negative islands' from which the world might be unmade. Nisha Ramayya plays 'S', who circles between lime kiln tunnels, observation decks high above a future city, and the London clubbing scene, trying to find a re-beginning, or a good way through this field of islands and into a world beyond.

A Field Of Islands

NR 2020
Induced Blindness

"Ceguera Inducida" (Induced Blindness) is a retrospective upon childhood and a collective memory which seems to be endangered by the growth of extreme right-wing parties in South America. Yesterday, far away from home, the distance seemed to shape and re-signify my infancy and the memories arising from the Uruguayan worst economic crisis at the beginning of this century. Today, these words seem to prevail and the melancholy continues to invade. The second voice of the film belongs to Jorge Luis Batlle, ex-president of the Republic (2000-2005) during a visit to the United States.

Induced Blindness

NR 2020
Sécurité intérieure : surveiller pour protéger ?

The Federal Office for the Protection of the Constitution (Bundesamt für Verfassungsschutz) was founded in 1950 and, since reunification, has relied on the 1990 German Constitutional Protection Act to provide an "early warning system" against threats to democracy. While this intelligence service has been targeting far-left groups and radical Islamists for decades, its critics recently accused it of being "blind in the right eye" - in other words, of neglecting the rise in violence attributed to the far right. Indeed, the institution was powerless to thwart the series of fatal attacks perpetrated between 2000 and 2011 by the neo-Nazi group Nationalsozialistischer Untergrund (NSU, "National Socialist Underground"), sparking astonishment and an avalanche of criticism in Germany.

Sécurité intérieure : surveiller pour protéger ?

NR 2020