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Love at Night

Young Monique leaves the preventorium where Doctor Delaunay has lovingly cared for her. A painful return. Her mother Denise lives with Eugène, a handsome, disreputable young man who's easy to please and, on occasion, won't hesitate to steal. He hangs around Monique, excited by her freshness, until the day he is shot on suspicion of the disappearance of a mobster. Monique is reunited with Dr Delaunay, much to the satisfaction of her guardian Gilbert, known as Patte-en-moins, owner of the local bistro.

Love at Night

8.0 1955
Mi canción eres tú

Daniel is a quite talented singer, whose parents run different businesses. They're very gifted in their jobs: the father is a barber, and the mother has a restaurant and a good hand for cooking, where Daniel helps working as a waiter. One day, the producers of a record label discover Daniel and give him a chance to work in radio and television. Nevertheless, his family will have to leave their works and their old life, in order to help Daniel in his new artistic career. Chui, Daniel's manager and a pretty woman, will help and advice him in the conflictive world of the show business, full of people waiting to take advantage of the young promises.

Mi canción eres tú

6.7 1956
Oberstadtgass

Realist melodrama set in Zurich. In the old town district, people are concerned about Mäni, the child of a toilet attendant, who is growing up without a father. Postman Jucker appeals to the boy's conscience and protects him from unjustified accusations. After Mäni's mother dies, Jucker, who has become the child's guardian, takes Mäni into his home. Mrs. Jucker does not accept the boy and accuses Jucker of forgetting their own deceased child. Mrs. Jucker flees to her sister's house. Mäni also runs away.

Oberstadtgass

10.0 1956
Maria Callas: Toujours (Paris 1958)

The career of Maria Callas was just a bit too early and too brief to receive full and satisfying video documentation like that now being accorded to such singers as Renée Fleming and Luciano Pavarotti. This black-and-white televised recital (Callas's Paris debut) took place at the Paris Opera on December 19, 1958 when television was still in its infancy. We might wish that it had happened earlier, when her voice was in better condition, or later, when video recording technology was more advanced--so that, for example, we would not have to take the narrator's word that Callas is wearing a red dress. But this is probably the best available Callas video recording, and her fans will welcome it warmly. Visual elements were as important as the vocal dimensions in her art.

Maria Callas: Toujours (Paris 1958)

8.3 1958