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Reel 1

In Reel 1, Wegman creates deadpan one-liners and ironic sight gags from materials that include his own body, everyday objects such as balls and dolls, and his dog Man Ray. The humor derives from the wild incongruity of expected and actual behavior or events. Inanimate objects are personified; extended actions lead to absurd anticlimaxes. In Stomach Song, Wegman sits in a chair, his bare torso facing the camera. As he gruffly hums a song, his torso becomes a face, with nipples as eyes, navel as mouth. Raising his arms, the "facial" features change gender and he hums in falsetto. Other segments find him blowing a feather from his nose and creating pendulous female "breasts" by folding his elbows to his body. The ever-obliging Man Ray drags a microphone in his mouth, laps up milk that Wegman has drooled onto the floor, and, in an oddly poetic exercise, runs through a darkened room with a flashlight in his mouth.

Reel 1

NR 1971
The War Widow

Originally broadcast by KCET (PBS) on their dramatic showcase series, "Visions," this sweet, quiet film is set during World War I. It is the story of Amy, a proper, but lonely housewife whose husband is away at war. She finds solace in a friendship with a more worldly female photographer, only to have her entire world turned upside down when the friendship becomes genuine love and she is forced to choose. Groundbreaking for its powerful yet non-prurient portrayal of lesbian first love.

The War Widow

6.1 1976
Step Style

Alan Lomax and his associates, beginning in the late 1950s undertook a monumental study of the relationship between style in song and dance cross-culturally. It began with Cantometrics which developed a common language description for the many variables in performance style in the diverse cultures of the world and measured how those variables clustered geographically and in relation to means of subsistence and aspects of social organization. Choreometrics continued this investigation into dance and movement. A continuation of Alan Lomax & Forrestine Paulay's Choreometrics project, this film examines the use of the foot in dance cross culturally. Though this film comes from later in the project, below is an interesting article written by Lomax about the methodology he was developing for this sort of film.

Step Style

NR 1977