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Hands of Inge

The work of sculptor Inge Hardison is the subject of this beautiful short portrait of an artist. Hardison is perhaps best known for "Negro Giants in History," her important series of busts made during the early 1960s. Hands of Inge was edited by Hortense "Tee" Beveridge, a pioneer in her field who worked in the commercial industry and on independent, non-commercial films such as Amiri Baraka's 1968 film "The New-Ark". In the mid-1950s Beveridge became the first Black woman to gain admission to Local 771, the motion picture editors union.

Hands of Inge

NR 1962
Epitafios gia ehthrous kai filous

Berlin, May 1945. A frightened young German woman, Erika Binder, is called into the office of American Captain Jimmy Murphy and questioned about the whereabouts of her husband, Johann, a former SS officer who is classified as a war criminal. Johann, impoverished and unrepentant, manages to reach their home, but refuses to admit that Germany has capitulated. Erica hides him. One day, Johan catches her flirting with Murphy. He tries to leave, but fails and returns home, where he gets drunk and reminisces about the old glory days of the Third Reich. At a nightclub, Erica confides in Murphy that her husband is alive, and he attempts to capture him, but Johan kills him. He then descends into a state of complete despair and like a trapped animal fights against the Russian Captain Ivanov and his men, who have attacked the house to capture him and bring him to justice.

Epitafios gia ehthrous kai filous

9.0 1966
Christmas with Crosby & Kate

The holidays just wouldn't be the holidays without Mr. White Christmas himself - Bing Crosby. His seemingly effortless, easygoing singing style and good humor made him an audience favorite for generations. In this rare episode of the Hollywood Palace, first telecast in 1966, der Bingle is joined by dancer Cyd Charisse, comedian Bob Newhart, the Crosby family, and Kate "God Bless America" Smith. Bing lends his smooth style to such favorites as the Christmas Waltz, Silver Bells, The twelve days of Christmas, Do you hear what I hear, and of course, White Christmas. Kate Smith belts out Christmas Eve in my home town and there's a special Crosby-Kate medley of catchy Christmas carols.

Christmas with Crosby & Kate

10.0 1966
Maria Callas: At Covent Garden, 1962 and 1964

Maria Callas’ legendary live performances from the Royal Opera House, Covent Garden, from 1962 and 1964 celebrate her triumphant return to the Covent Garden stage. Repertoire from these performances include Verdi: Tu che le vanità (Don Carlo), Bizet: Habanera & Séguedille (Carmen) and Puccini: Tosca (Act II complete). Her vivid portrayals of the tragic Elisabeth de Valois, the tantalising Carmen, and her vulnerable Tosca (directed by Franco Zeffirelli) captured the hearts of the London audiences. This is Maria Callas as the world remembers her. Renato Cioni, Tito Gobbi, Robert Bowman, Dennis Wicks Orchestra & Chorus of the Royal Opera House, Covent Garden- Conducted by Georges Prêtre & Carlo Felice Cillario.

Maria Callas: At Covent Garden, 1962 and 1964

8.5 1962
I Was a Teenage Rumpot

I Was a Teenage Rumpot was made in 1960, when George and Mike, the twin brothers Kuchar, were all of eighteen years old. Though their films would grow in thematic complexity, Rumpot already shows the visual energy, dynamic music, and anarchic, twisted plot development that so endear the Kuchars to audiences. The outlandish makeup and onscreen behavior would make Jack Smith (of Flaming Creatures) proud. In this context, a sudden moment of feigned modesty (when one woman is discovered undressing) is ironic indeed. --Andy Ditzler

I Was a Teenage Rumpot

8.0 1960
It's About This Carpenter

"It's about This Carpenter starts out with a bearded fellow carrying a huge cross across town. He goes into the subway, through crowded streets, and passes little colored girl who asks "Are you Jesus?" Finally he installs the cross on the wall behind the chancel of a church. All the whilst he is ignored, even by the lone organist. Finally, on his return trip after his mission has been accomplished, he again passes the little colored girl and she says, "Good-bye Jesus"

It's About This Carpenter

NR 1964
Fowled-Up Birthday

The first in a series of "Beary Family" cartoons, Walter Lantz's last original cartoon series. Bessie Beary, wife of Charlie Beary, introduces us to the family which also includes son, Junior, daughter, Suzy, and pet, Goose, which, as Bessie explains, does not get along with Charlie. The story which unfolds explains why. It was Suzy's birthday and Charlie went to get a goose for her birthday supper. Unfortunately, Suzy thought the goose was intended as a pet and untied it leaving Charlie at its mercy. Goose settles into the family unit although Charlie declares, "Someday I'm gonna cook that goose!"

Fowled-Up Birthday

7.5 1962
Pinjre Ke Panchhi

Businessman Sonu Sharma belongs to a wealthy family and lives with his widowed mother. He suddenly becomes ill, is hospitalized and looked after by a young nurse, Heena, who he falls in love with. After he gets discharged both of them get married in a secret temple ceremony. Thereafter, he asks Heena to resign from her job, re-locate to a small town where he has rented a house called "Madhu Villa", and he will join her soon. Upon arrival at Madhu Villa, Heena is met by Sonu's brother, Laalu, and their paternal uncle. Days turn into weeks and weeks turn into months and still Sonu has not arrived. Quite unknown to Heena, Sonu has no brothers nor even any uncles. The two masquerading are actually two escaped convicts, one of who is awaiting the death sentence, and there no guarantee that Sonu may ever return to live with her.

Pinjre Ke Panchhi

9.0 1966
Lusting Hours

Presented as an inquiry into the ways of lust, this film is staged as a documentary. It moves from rural prostitution (the roadhouse) to pornographers, then on to streetwalkers, male hustlers, and high-class call girls. The madam runs the bordello, she depends on the photographer to supply her with pornography; he's in the city, using his camera to lead him into depravity. The streetwalkers risk arrest from the cops and abuse from the johns. Even the call girls have a tough time: from their expenses to their lack of self-reflection. Their motto: "Live fast, die young, and make a beautiful corpse."

Lusting Hours

3.6 1967
Dream in the Garden

"A Dream in the Garden" is a scene from "The Peony Pavilion" by Tang Xianzu, a playwright of the Ming Dynasty. Du Liniang was deeply bound by feudal ethics. One day, she went to the back garden with her maid Chunxiang to enjoy the spring without telling her parents and tutor. The fragrance of flowers and the chirping of birds made her sad. After she was tired, she went back to her room to rest. In her dream, she met the scholar Liu Mengmei in the garden, and many flower gods came to act as matchmakers for them. Du Liniang's mother came to the bed to wake her daughter up. Seeing that her daughter looked dazed, the mother told her to go to the back garden less often in the future. Although Du Liniang agreed, she was still obsessed with her dream and soon became depressed.

Dream in the Garden

NR 1960
Blues

A bowl of blueberries in milk, changing light radiant on the berries and on the glazed bowl, the ever more radiant orb of milk transforming into glowing light itself, with a brief shadow coda answering the complex play of shadows. The regular pulses of light framing the looser rhythmus of the spoon, itself a frame. A charging of each of the frame's edges with its own particular energy. Within and without, whites and blues, lines and curves. The pulses of vision, the simple natural processes, lift the spirit.

Blues

6.0 1969