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Hay que deshacer la casa

Ana is a middle aged woman who many years ago decided to start a new life in Paris. Now she must return to her hometown after the death of her parents, since they have left her an inheritance. There she meets Laura, her only sister, with whom she has to share the money received and, especially, an old house located in the center of Guadalajara. Now, the two women will have to leave the differences and problems behind that have arisen in the past to catch up and recover the fraternal relationship. Written by lament

Hay que deshacer la casa

6.6 1986
Padre no hay más que dos

Amalio and Florencio are two cabaret artists who divorce their wives and stay with custody of their children. An unscrupulous cheat the two rent both of them the same dilapidated house. There will have to live both trying to get ahead as a team of magicians who happens to be a failure. But thanks to the ideas of their children, both parents are a couple of musical comedy that, despite initial failures, is a great success with the participation of the kids. Moreover Amalio and Florencio try to flirt with girls that are radically different from their wives but the kids will all the impediments that have no future.

Padre no hay más que dos

6.0 1982
Saaraba

Tamsir returns to Senegal after 17 years in Europe. His uncle gives him a patronage job in Dakar, virtually without duties. He visits his family's village to see his parents, and there he meets the beautiful Lissa. Tamsir espouses traditional ways, as does Lissa, but when her parents agree to marry her off to a corrupt and well-spoken member of parliament, Tamsir and Lissa dishonor the family and she becomes pregnant. The MP's response, his and Tasmir's uncle's plan to capture the village farmland, the reactions of Lissa's parents, who are strict followers of Islam, the disaffection of Dakar youth, and the dreams of a village mechanic to find "Saaraba" (Utopia) complete the story.

Saaraba

5.6 1988
Memorias del general Escobar

After the end of the Spanish Civil War, General Antonio Escobar Huerta stoically awaits his execution, accused of military treason and sentenced to death for having sworn allegiance to the Republic. Despite being a man of deep religious convictions, Antonio Escobar decided to make an oath honoring the legally constituted government of the Second Spanish Republic against the military uprising led by Francisco Franco and supported by the Catholic Church. While waiting for his execution in prison, he recalls the beginning of the Civil War, the years of battles during which he ascended to the rank of General, and his own decisions, of which he has no regrets. With a clear conscience, Escobar waits his own execution with the calm of those who know they have done their duty. "If my life and that of all who have fallen serves to avoid this from happening again, our blood will not have been in vain" - Antonio Escobar Huerta.

Memorias del general Escobar

10.0 1984
The Dawn

In a drama in which even Gad has a role as well as Michael York, it is certain that serious issues are at stake. Set during the time before the state of Israel was created and established, a British officer has been captured by a band of Jewish resistance fighters with the intent of killing him at dawn. One of the Jews was sentenced to die after being captured by the English, and this death will be in retaliation. The trouble is that a young and ambivalent fighter is left holding the officer captive with orders to shoot him at the pre-arranged time. It is a long night of soul-searching before the Jewish soldier comes up with a solution to his quandary.

The Dawn

9.5 1986
Chutes de Lacrima Christi

Chutes de Lacrima Christi is an 95‑minute experimental collage film assembled entirely from unused outtakes of Teo Hernández’s earlier work Lacrima Christi. Co‑created with Gaël Badaud between 1979 and 1980, it repurposes discarded Super 8 color footage into a series of non‑linear vignettes that fuse Christian myth with everyday imagery. Using the “chute” technique—physically gluing scraps of film into new sequences—the film explores the meeting of two cultures, Europe and America, and reveals dreamlike resonances in mundane moments. By reframing offcuts from the Passion tetralogy, Hernández invites viewers to discover hidden narratives and poetic meaning in material that was originally deemed surplus.

Chutes de Lacrima Christi

NR 1984
A British Picture: Portrait of an Enfant Terrible

Moving with astonishing assurance through time and space, Russell recreates his life in a series of unconventional interconnected episodes – his thirties childhood in Southampton; his first sexual experience (watching Disney’s Pinocchio); his schooldays at the Nautical College, Pangbourne; early careers in the Merchant Marine and the Royal Air Force; dancing days at the Shepherds Bush Ballet Club; and of course his career as a filmmaker, beginning with an extraordinary interview with Huw Weldon for a job on Monitor.

A British Picture: Portrait of an Enfant Terrible

6.5 1989
The Sunflowers

The film presents a field of sunflowers. The focus is adjusted frame by frame in succession according to a series of patterns on particular plants situated in different parts of the field. The diverse configurations placed on separate frames of the film strip appear, when projected successively, simultaneously on the screen. Thus, filmed one after another at different focal lengths, the sunflowers combine during projection to form one spatiotemporal image. LES TOURNESOLS COLORES is a capricious version of the film. - Film Makers' Coop

The Sunflowers

5.3 1982
What a Mess

Eduard von Bittermagen and his friend Professor Pfiff, indulge in an amusing hobby. They take every opportunity to bet on anything. Their latest bet: Bittermagen claims that his nephew Tommi, a young rascal and the Professor's young daughter Julia will become a couple although the two are actually not crazy about each other. Of course, Pfiff bets against it. But then Bittermagen uses a macabre trick. He acts as if his last hour had come and summons Tommi and Julia to his "deathbed". He offers his immense heritage to both of them-if they solve a problem.

What a Mess

4.2 1982