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Die große Reise des kleinen Elefanten

A little elephant playing soccer with a coconut in the desert is told that his nut has rolled to the ends of the earth. He immediately sets off to look for it. On the way, he meets other animal children who want to help him. They all realize that the end of each animal's life does not mean the end of the world. So the journey becomes longer and longer, the group of wanderers larger and larger, and finally, to the elephant's astonishment, the animals return to the starting point of the journey. And because they want to test their discovery that the earth is round like a coconut once again, they march around the equator once more.

Die große Reise des kleinen Elefanten

NR 1970
Pinocchio

The film was directed by Giuliano Cenci with assistance from his brother Renzo. During production, Carlo Collodis grandchildren Mario and Antonio Lorenzini were consulted. The subtle movements made by fidgeting children whilst speaking or under scrutiny were incorporated into Pinocchios movements, particularly when he lies to the Fairy with the Turquoise Hair over the fate of his gold coins. For the design of the Fairy, Italian portrayals of the Blessed Virgin Mary in art were used as starting points.

Pinocchio

7.1 1972
Manifiesto Horizontal

In 2022, the original negative of the film Javier Aguirre created in 1973 was found. It had never been shown, due to the threat of censorship, which had already targeted his short film Che Che Che. Aguirre himself had written in the label Manifiesto Horizontal. It is the Communist Manifest written horizontally with transparent glue on 35mm film. Aguirre stated that this piece “is born out precision, geometrical thinking (…) and when something happens by chance, that chance has been thoroughly studied.”

Manifiesto Horizontal

NR 1973
To Tea

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to sensual contact between two women. Their contact is arrived at through an arrangement of slow tactics. As the light of day goes the bodies come closer, and the piano melody floats in a distant hall. Once my Hungarian art teacher said: “If you exaggerate the objective lines you reach a stronger subjective expression.” So here the strange tea party gives over to touch. – S.D.

To Tea

7.0 1970
Blessed Are the Rich

Two brothers-in-law, a smuggler and the other traffic policeman, get hold of a large sum of money, destined for illegal exportation to Switzerland, after the courier is killed in a fire fight with the border police. The owners of the money, which occupy an important social position, try in every way to recover it, also leveraging the weakness of the policeman. After the petty betrayal of his brother-in-law, the smuggler decides to keep all the money and flee to Switzerland.

Blessed Are the Rich

7.4 1972
Odette Robert

Eustache’s grandmother Odette Robert was a key figure in his life, serving as a substitute mother during much of his childhood (My Little Loves was dedicated to her). In 1971, he recorded an interview with her that went largely unseen until 2003—Eustache never screened the complete film publicly, although a radically truncated version was presented on television. In a string of long, stationary takes, the camera watches over Eustache’s shoulder while he pours countless glasses of whiskey and Odette tells the stories of her life. A number of her themes resonate with those of Eustache’s films: cruelty, male philandering, the Rosière festival of Pessac. Number Zero is a return to origins—of cinema and of the self—and an experiment in narration, both restrained and deeply personal.

Odette Robert

6.8 1971
Night of the Damned

Jean Duprey and his wife Danielle are famous journalists with a special interest in unsolved mysteries. They receive a request of help by an old noble friend of Jean, Guillaume de Saint Lambert, who is about to die by an unknown illness. He lives, obviously, in ancient castle with his wife and the servants. Soon Duprey discover that his friend's wife is a witch (originally burnt in the 18th century) and that Guillaume is under her wicked influence. She practices the art of black magic and by making die slowly all members of the Saint Lambert family she gains eternal beauty. When Duprey breaks the marble casket containing the ashes of the witch she shows her real aspect before dying.

Night of the Damned

5.9 1971
Mao by Mao

A film-détournement biography of Mao Tse-tung in which the life of the recently deceased Great Helmsman is told in his own words, using quotes culled from various Red Guard publications. The rise to power of the film's namesake appears as the inevitable outcome of a dialectical logical. Or so the voice-over might lead one to believe. If the usual practice of détourned films is for the soundtrack to undermine the image, here the reverse occasionally takes place. The images critique Mao's words. They show that which, even in the official visual record of the times, the narrative elides. The film is dedicated to Li Yhi Zhe, the nominal author of a famous Democracy Wall critique of the Maoist state.

Mao by Mao

6.7 1977
We Spin Around the Night Consumed by the Fire

A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch.

We Spin Around the Night Consumed by the Fire

6.7 1978
Klassenphoto

In this two-part documentary, Eberhard Fechner reconstructs the story of a class of pupils who passed their A-levels at Berlin's Lessing-Gymnasium in 1937. The starting point for the research is the class photo that gives the film its title. The conversations with the men, which revolve around their lives, bring back memories. However, it becomes clear how many of them have repressed the events of the Nazi era. Apologies, excuses and trivialization of the violence and crimes come out of many mouths.

Klassenphoto

9.0 1971
The Naked D

The story centers on Arnold, a rugged, opportunistic adventurer traveling through the wilderness of southern Africa. While exploring Swaziland, he hits the ultimate jackpot: discovering a hidden, untapped diamond mine. However, keeping the fortune for himself proves complicated as he becomes entangled in a web of sensuality, greed, and local power dynamics. Arnold begins a passionate affair with Verona, a sophisticated and sharp-witted woman who serves as the director of a prominent magazine. At the same time, his attention is fiercely divided by his attraction to Peggy, an alluring local woman. As Arnold tries to secure his newly found diamond wealth, the boundaries between business, survival, and raw sexual desire blur in the heat of the African landscape.

The Naked D

NR 1970