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The Wonderful World of Disney: Holiday Spectacular

Hosted by Derek Hough, "The Wonderful World of Disney: Holiday Spectacular" returns for its 10th year, featuring dazzling new musical performances from Walt Disney World Resort in Florida, Disneyland Resort in California and Aulani, a Disney Resort & Spa in Ko Olina, Hawaiʻi. Narrated by Ginnifer Goodwin (voice of Judy Hopps in "Zootopia 2"), who carries on the tradition of sharing how the Disney Parks sparkle to life for the holidays, "The Wonderful World of Disney: Holiday Spectacular" airs MONDAY, DEC. 1, at 8:00 p.m. EST/PST on ABC, and streams next day on Hulu and Disney+.

The Wonderful World of Disney: Holiday Spectacular

4.3 2025
Leather Graves

"Leather Graves" is an experimental 16mm film that explores the permeable boundaries between queer exile and queer utopia. Cruising amongst gravestones engraved with references to queer culture and sexuality, queers defy death by devouring candy-coated blossoms. The queer epitaphs in "Leather Graves" were created with an in-camera double exposure technique using a Bolex camera and a matte-box. The cast and crew are all trans, nonbinary, gender nonconforming, and/or femme queer people.

Leather Graves

NR 2025
Manakin

Manakin is an experimental short that follows the story of a single woman living in a desolate house accompanied by a life-like stuffed doll. A creation of her own design, the manakin projects videos of single men reciting words of lust, absurd confessions and the desire for human connection. While these audio-visual projections keep her company in her isolation, our subject begins to weave her own web crafted by the same material as the doll, growing as an entity outside this house. Directed by Kasey Oldford, Manakin uses found audio prompts from the dating app Hinge, spliced and put back together to create a nerve wracking video love poem that touches on the obscene and lonely reality of the modern quest for love.

Manakin

NR 2025
Bearing Witness Native American Voices in Hollywood

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

Bearing Witness Native American Voices in Hollywood

7.5 2025
Somewhere in Montana

Montana cattle rancher John Alexander is a strong-minded individual and a man of few words. Because he’s land-rich but cash-poor, he grudgingly accepts an offer from a production company to use his land as a film location. Though it’s good money, the tough rancher doesn’t trust that the Hollywood film crew will treat his land with the respect it deserves. Alexander holds onto a deeply traditional vision of his world just as the film’s director, a creative urbanite named Fabian, maintains his own vision for his film. Both men are hoping for the best: Alexander wants to save his ranch, and Fabian wants to be catapulted to the next 'it' filmmaker.

Somewhere in Montana

2.0 2025
The Walkout

“The Walkout” is a new documentary that brings to light a pivotal but often overlooked moment in Texas history: the 1968 student walkout at Edgewood High School in San Antonio’s Westside. Fed up with underfunded classrooms, uncertified teachers, and crumbling facilities, a group of young Mexican American students and their families organized a bold protest that would become a catalyst for statewide education reform. Told through the voices of the original students, community leaders, and historians, The Walkout weaves together personal testimony, historical footage, and present-day reflections to honor the legacy of resistance born in San Antonio’s Westside. This film doesn’t just revisit the past; it also draws a direct line to today’s struggles over school funding and equity in Texas.

The Walkout

NR 2025