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The Merry Widow

Franz Léhar's operetta The Merry Widow has enjoyed extraordinary international success since its premiere in Vienna in 1905 and has been performed and performed again and again. With the 1979 revival at the Deutsche Oper Berlin, August Everding revives a forgotten piece of German-Jewish cultural history. When the Deutsche Oper Berlin staged this great work in 1979, the opera house initially came in for fierce criticism. However, this was not due to the performance itself, but to the fact that the Deutsche Oper Berlin was including operettas in its program for the first time. After 40 years, we have now succeeded in publishing this wonderful performance. This is also thanks to the approval of Dame Gwyneth Jones.

The Merry Widow

NR 1979
Valparaiso, Valparaiso

Alain Cluny is Balthazar, a bumbling middle-aged intellectual who spouts off from time to time about leftist causes, usually to his current girlfriend. Then Edwarda (Bernadette Lafont), who is active in the political underground, comes into his life. From that point on, he begins to act on his beliefs. Edwarda's underground political action group stages a little drama to test Balthazar's commitment and reliability, putting him through an interrogation by what appear to him to be French secret police. Having passed this test, he is given a real assignment. This film is a comedy with elements of satire, and it explores the humor to be found in left-wing pretentiousness of all kinds. - Rovi

Valparaiso, Valparaiso

4.6 1973
The Miner' Wife ... Takes Her Pick 2

"Bullenkloster" is the name given to the Ruhr miners' single home. Heinz Lenz has lived there since his divorce from Gisela. When he returned to the mine, he met his buddy Jupp again. Jupp persuades him to enter the ring once again. Only when Trudi promises him something, he agrees, but loses in the big fight. Through Jupp's mediation, he meets Gisela, who picks up their son. At first he only wants to see his son from a distance, but when he sees him he decides to start all over again.

The Miner' Wife ... Takes Her Pick 2

3.4 1973
The Moon and the Sledgehammer

The Page family lives without electricity or running water deep in the Sussex woods. Amidst ever-growing modernity and industrialization, the family carries out chores, hunts pheasants, builds steam engines, and postulates on man's trip to the moon. They demonstrate fine lateral thinking and, through their particular delivery, display fears and concerns about pollution, intensive farming, mechanization, and self-fulfillment during a time of technological advancement.

The Moon and the Sledgehammer

7.1 1971
Tally Brown, New York

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Tally Brown, New York

7.5 1979