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Flame and the Fire

Bounding from one continent to another, from desert to jungle, this early mondo documentary examines the habits and customs of people whose lives are unaffected by the modern world. In New Guinea, director Pierre-Dominique Gaisseau's crew spends time with jungle villagers who honor the deceased by preserving their corpses, and in Africa they film the resourceful people of the Kalahari. Other subjects include a Brazilian community whose male members wear lip-stretching jewelry.

Flame and the Fire

NR 1966
The Wild, Wild World of Jayne Mansfield

Jayne takes us on a review of her last world tour. She takes us through Rome, shares a fantasy about Roman athletes, and then is off to Cannes. She takes a trip to the nudist colony on the Isle of Levant, where she almost kind of joins in. Then it's off to Paris, where she gets a beauty treatment from Fernand Aubrey, and attends some racy dance revues. In New York and Los Angeles, she visits some topless clubs and listens to a topless all-girl pop band. The film wraps up with some posthumous footage of her family in mourning.

The Wild, Wild World of Jayne Mansfield

4.1 1968
To Hex with Sex

Marvin Swift is a nebbishy schmuck who’s "a total failure at everything." Fired from his job at a brassiere factory, he then gets into a pointless argument with his sexy but ditzy fiancee who tells him to go to hell. Instead, he does the next best thing. He meets the devil in a boiler room. And the devil’s a she. A very sexy she named Lucibel sans the traditional horns and pointy tail because "that’s terribly passé, today its mod." Touched that Marvin is such a screw-up, she offers to help him but not, she says, because she wants his soul, but because she wants to make him happy. So she grants him a wish with no strings attached.

To Hex with Sex

3.7 1969
Mother's Little Helper

Bessie Beary complains she is tired of always having to do the housework. Charlie offers to take care of things while she goes to the beauty parlor. Bessie, with good reason, does not trust Charlie and advises Goose to keep an eye out. Sure enough, Charlie does his chores as sloppily as possible leaving Goose to head over to the beauty parlor to tattle to Bessie who berates Charlie over the phone. Charlie soon discovers what a snitch Goose is and tries to "close that big beak".

Mother's Little Helper

4.0 1962
The Books of Ed Ruscha

This rare foray into filmmaking by the iconic California visual artist opens with Mason Williams, the composer of "Classical Gas" solemnly making himself a drink on a hillside patio at dusk as if performing an incantation. Heavy reverb on the soundtrack amplifies every sound until he sits down to read through a stack of Ruscha's photography books, Twentysix Gas Stations, Some Los Angeles Apartments, Every Building on the Sunset Strip, etc. In an over-the-shoulder shot, we see each page of each book as Mason flips through them, briefly contemplating what he sees and reading any available text as a kind distanced recitation. Mason punctuates this seeming solemnity with moments of irreverence, manhandling, at times, these limited edition art objects as if they were toss away shopping catalogs as he presses on with his appointed task

The Books of Ed Ruscha

NR 1969
The Treasure of Monte Cristo

A dashing ex-officer in His Majesty’s army, Captain Adam Corbett (Calhoun) becomes embroiled in intrigue when he agrees to escort Colonel Wilfred Jackson (Ian Hunter) and his daughter Pauline (Patricia Bredin) on a perilous quest for treasure. Possessing one-quarter of a map, they soon rendezvous with three mysterious characters, each with a fragment and a secret agenda. Armed with only a sword and his wits, Corbett battles brigands, soldiers and thieves as he accompanies the expedition to the island of Monte Cristo, where betrayal and fortune await.

The Treasure of Monte Cristo

4.2 1961
Abstract Film No. 1

The concept of “expanded” cinema developed by Export and Peter Weibel involved radical experiments with the filmic apparatus and materialist investigations of the production of illusion. Abstract Film No. 1 is an example of this critical investigation of the technology of image production. A film projector casts light on a mirror with tinted liquids running across it. The actual image appears as a reflection on a screen—or an abstract film. —Christian Kravagna

Abstract Film No. 1

NR 1967
To Chase A Million

When former Russian spy Max Stein is murdered, private investigator McGill inherits a key to a safe deposit box in a Lisbon bank – a box that contains secret intelligence documents and a cool million dollars! With both the CIA and rogue elements within the Russian intelligence community in hot pursuit, McGill puts his life on the line in a race to the fortune! Featuring a powerful performance from Richard Bradford as McGill, a discredited ex-CIA agent reduced to working as a private investigator, To Chase a Million is the exceptionally rare, feature-length version of the Man in a Suitcase two-parter Variation on a Million Bucks.

To Chase A Million

7.0 1967
Sunday

Dan Drasin's documentary short, shot in a single afternoon in 1961, is often cited as the first major social protest film of the Sixties. When 19-year-old Drasin and his friends joined folk singers and protesters in Greenwich Village's Washington Square Park, they confronted NYC authorities to protest the cancellation of a standing permit to gather and sing in the park on Sundays. Here are the first signs of the political, racial and cultural issues that would soon erupt during the decade.

Sunday

6.2 1961