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Bravo Bene!

Filming on Franco Maresco's film about Carmelo Bene is abruptly halted after yet another on-set accident. Producer Andrea Occhipinti pulls the plug, exasperated by the endless takes and repeated delays. Angered, the director simply disappears. Maresco's friend, Umberto Cantone, attempts to mend the rift by calling witnesses from all those involved in the project, in an investigation that offers an opportunity to retrace the personality and ideas of the most corrosive and apocalyptic auteur in Italian cinema.

Bravo Bene!

7.5 2025
The Crazy Westerners

Little Rita has a dream: she dreams of a better world and she believes that all the evil in the world originates from gold. So she has decided to blow up all the gold she can put her hands on. In her mission she is assisted by the Indian Chief Bisonte Seduto and by her friend Francis. Little Rita kills Ringo and Django, but she is taken prisoner by the Mexican bandit Sancho who wants to steal her gold. Black Star rescues her and seems determined to help her, but does he?

The Crazy Westerners

5.7 1967
I And the Stupid Boy

Nora is a striking young girl in new love. We see her dancing around her bedroom, lip-synching, testing outfits, in between sending heart emojis, and more, to the special boy. All dressed up, she takes a short cut through an abandoned building, on the way for her hot date. Kevin pulls up in the background on his scooter. He's Nora's recent ex, jilted and jealous. Kevin grabs Nora's phone, and what ensues is a now universal 21st century story of male-female power, sexuality and shame with a biting, feminist twist.

I And the Stupid Boy

6.1 2021
Maicol

Maicol's mother Anita (Sabina Regazzi) is distracted by too many concerns to pay him much mind, so Maicol (Simone Tessarolo) seeks fulfillment in his inner life, which is very busy and rich. The five year-old has made a world for himself populated by situations and people from the movie Dune, and anything he says to anyone is unlikely to refer to anything else. When his unmarried working mother takes him with her to the train station for her rendezvous with her lover, he occupies himself during their long wait by exploring everthing in sight. Unused to dealing with anything but his fantasy life, after he gets himself lost he is of no help to the police in their search for his mother.

Maicol

8.0 1988
The Revenge of Baccarat

In Paris, in the middle of the 19th century, the Comte de Chamery died of poisoning, leaving a considerable fortune to his long-dead son. Sir William, the count's murderer, hires a young rogue, Rocambole, to pretend to be the deceased's son. The two accomplices have the Count's fortune handed over to them. But their trickery is discovered by an intriguer, Baccarat, who finds the real Count of Chamery, a young painter without fortune, in love with Carmen de Montevecchio. Rocambole, who stops at nothing, kills Sir William, gets rid of Armand and makes Carmen love him. But Baccarat is determined not to let him continue his villainies.

The Revenge of Baccarat

7.0 1948
Osn: Nicolas Altstaedt dà voce al Re Salomone con Schelomo di Bloch

From the Rai ‘Arturo Toscanini’ Auditorium comes the debut concert of Franco-German cellist Nicolas Altstaedt with the Rai Orchestra, performing the Jewish rhapsody for cello and orchestra *Schelomo*, one of Ernest Bloch’s best-known works. Tomáš Netopil takes to the podium and, to open the programme, presents the Rai premiere in Turin of the Overture from the third act of the opera Bouře (The Tempest), written in 1895 by the composer Zdeněk Fibich and based on Shakespeare’s play. The evening concludes with Antonín Dvořák’s Symphony No. 8 in G major, Op. 88, composed in 1889 in Prague and known as the ‘English’ Symphony.

Osn: Nicolas Altstaedt dà voce al Re Salomone con Schelomo di Bloch

NR 2021