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Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine

'Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine' concerns affective relations and community building. The film is like a spell or a promise for a new and more liberating type of family structure. The film has a non-linear narrative that weaves various intimate settings, some within shared domestic spaces, others in outdoor environments. Shot in Lithuania, London, and Edinburgh, the film features the artist and her children, as well as close friends, which she considers extended family.

Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine

NR 2019
A House With Many Voices

Voices that take shape in memory, an empty house, a piano that is now missing. Vivian Forrester said that for Duras, the act of speech to achieve was love in its whole or absolute desire. The one that can be silence, or singing, or screaming. It is what governs memory and forgetfulness, suffering and hope. This video essay proposes a dialogue between two films: Morir... Dormir... Tal Vez Soñar (Manuel Mur Oti, 1976) & India Song (Marguerite Duras, 1975). On the one hand, to claim a beautiful forgotten rarity of Spanish cinema and on the other, to claim that cinema, after all, is a house with many voices.

A House With Many Voices

6.0 2019
Der schöne Hans

France, 1940. Wehrmacht soldiers are settled at the French border. Uneventful days pass by and the soldiers are getting increasingly relaxed on their duty. Except of Hans, the rookie of the group who takes his duty very seriously. He left his comfortable home with noble but naive beliefs about the army and now has to deal with a different reality. Hans' only friend is Peter, a simple but nice butcher’s son. One evening, a lot of stolen alcohol and women’s clothes brings some distraction to the soldiers. They dress up as women and organize a show.

Der schöne Hans

NR 2019
Life as a B-Movie: Piero Vivarelli

The unbridled life and kaleidoscopic filmography of Piero Vivarelli, who made Italian B-movies of all genres, wrote hit rock songs and penned the screenplay for Sergio Corbucci's Western "Django," adored by Quentin Tarantino, are intertwined in a portrait of an unsung postwar provocateur and revolutionary (the only non-Cuban besides Che Guevara to be given a Cuban Communist Party card signed by Fidel Castro). The creative doc is also a prism into an unexplored territory of Italian — and by extension global — pop culture and its unique vitality.

Life as a B-Movie: Piero Vivarelli

7.3 2019
Firekeepers of Kakadu

A documentary following the oldest continuous culture on the planet, the indigenous people of Australia. In this film we learn how they continue to live sustainably and care for their country, harnessing the deadliest bushfires on the planet. With climate change rapidly warming and drying the planet and destructive bush fires ever increasing around the globe we look to the ancient wisdom Indigenous Australians have held for centuries to help save wildlife, homes and lives.

Firekeepers of Kakadu

NR 2019
Die Toten Hosen - Alles ohne Strom

Back in 2005, we put our guitar amps away for the first time and released “Nur zu Besuch – Unplugged im Wiener Burgtheater,” a recording of an all-acoustic concert. We had an incredible time during those evenings at the Burgtheater—and even during the rehearsals leading up to them—and many fans and friends celebrated these new, fresh takes on familiar classics. So it was only a matter of time before we treated ourselves to that kind of fun again.

Die Toten Hosen - Alles ohne Strom

7.0 2019