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Towards Evening

Italy, 1977. Professor Bruschi is a retired widower who lives according to a strict routine he set for himself. An ardent old-style communist, he has always been at odds with the unconventional lifestyle led by his son and his hippieish girlfriend Stella. When their four-year-old daughter is left in his care out of the blue after the two break up, the old professor becomes a sort of father figure to the girl, growing fond of her. However he's once again challenged when Stella also arrives for a stay in his elegant villa, reclaiming custody of her daughter.

Towards Evening

7.1 1990
Harems

Harems is a love story between a screen-writer and a gogo-boy, the latter being typically representative of the image of seduction in the 80's. The screenwriter leaves on a journey and asks the gogo-boy to accompany him. A scandal breaks out and the gogo-boy's antics lead to both men's meeting with the narrator. She introduces the spectator to the psychological state of the screen-writer - who is in the process of inventing a mythic character based on his lover - and befriends and helps the gogo-boy in his quest for happiness. The narrator relates the story taking place between the two men and questions the relationship between fantasy and the reality of love.

Harems

NR 1991
Tales from a Hard City

This British-French documentary chronicles the endeavors of a group of star struck young people in Sheffield England as they attempt to break into show business. Glen, a petty thief, is pretty good at karaoke. Paul, a boxer who wants to act, must deal with an image consultant. He also is trying to wheedle local car dealers into giving him a free car in exchange for his star quality. Sarah, a young mother who was recently arrested and put in jail during a Greek holiday for immoral dancing, tries to take that incident and launch a singing career. She is assisted by several unscrupulous entrepreneurs. Wayne Chadwick, a bar owner, is one of them.

Tales from a Hard City

8.0 1995
Der Puma - Kämpfer mit Herz

Josh Engel owns a martial arts gym. Despite working daily with blows and blows, his life is calm and peaceful, as he prefers to focus on the peaceful and poetic side of the Eastern philosophies that form the basis of fights. Therefore, he is a kind of "guru" for the city's children. However, everything changes in Josh's life when Lisa is taken hostage during a criminal action. Negotiations between the bandits and the police become more tense with each passing moment. Commissioner Jackie Winter and her partner Mehmet Schulz, from the anti-crime division, have no other option and enlist the help of Josh, also known as Der Puma. It is in this extreme situation, disturbed by the tension of seeing her one step away from death, that Josh will be forced to use all his knowledge and techniques to try to save Lisa's life.

Der Puma - Kämpfer mit Herz

9.0 1999
Restrisiko oder Die Arroganz der Macht

The Bavarian Ministry for the Environment announces a hearing to discuss the final seal of approval for the Building of a nuclear power plant. 881000 people who have protested in writing against the building of this plant are "to be heard". The film documents the way in which, during this show of democracy, the last thread of genuine democracy is systematically debilitated and with it, the last remaining risk which could thwart the plans of the pro-atomic lobby.

Restrisiko oder Die Arroganz der Macht

7.0 1990
My Private War

Late in the 1980s, two documentary film makers found six German men, all in their 60s and 70s, who had been soldiers in the German invasion of the USSR in 1942. Each carried an 8mm camera into battle and they still had their film. "Mein Kreig" alternates between interviews with these older men, now apologetic, philosophical, or defiant about their participation, and the footage they shot. It's chronological: basic training, the train trip East, roof-top vistas of war-torn Warsaw, peasants in Belarus, the downing with carbine volleys of a Russian plane, winter, a holiday at the Black Sea, mud, impassable roads, death, destruction and retreat. "Home, that was the front," one says.

My Private War

4.7 1990
Quest for the Mighty Sword

Once upon a time a god gave a mighty sword to the king of Aquiles to bring justice to his people. Now he wants it back - but the king rather gives his life than the sword. Goddess Dehamira, who spoke for him, is being taken all her privileges and banned in a circle of fire, until a human arrives who's strong enough to free her. When prince Ator becomes 18, he gets the sword from the mean sorcerer gnome Grindl, to free Dehamira and his people. On his journey he has to fight against dragons and other fantastic figures.

Quest for the Mighty Sword

3.6 1990
Hold Back the Night

A young woman joins a group of protesters trying to stop the construction of a highway through a forest with the purpose of having sex with their leader. But when morning comes and the authorities show up to disband the protesters, she hits a man with a log. This causes the two to have to go on the run. With the help of a sickly, but sympathetic woman, the two slip through police roadblocks. Traveling with her, they learn she is an ex-army lesbian who just wants to see a final sunrise at the Orkney Islands before her death.

Hold Back the Night

5.0 1999
Stau – Jetzt geht’s los

A group of young people in Halle-Neustadt moving aimlessly between the concrete blocks once built as a socialist model housing estate. Familiar certainties dissolved along with the GDR. Even though there were hardly any foreigners in Saxony-Anhalt, a dull aversion to everything that hadn’t been part of daily life until then began to spread. The general dissolution, perceived as a threat, is countered by apparently clear world views. When Thomas Heise won the “Documentary Film Prize 1992” at the Duisburger Filmwoche, the laudation ended with the assumption that the film would probably provoke disagreement. It turned out to be true.

Stau – Jetzt geht’s los

4.4 1992
Leeward

The French Ministry of Culture commissioned films on the cultural decade "en chantiers". Robert Kramer makes one of the six short films that illustrates the cultural side of the decade Mittérand. Here we see a director of cinema in the suburbs of Caen, in her room lined with flower paper. This for art and essay cinema. There, the critic Serge Daney in a sailor's cap, for a chat by the fire. An overview of French cinema today, "Pickpocket" on television. Then back on you. The camera slides on the desk that we imagine to be Kramer's. Finally, the camera flies over Paris, slides along the facades, stops on a window, entering the skylight: "The films invite to see ... I invite you to see Jean Genet's hotel room."

Leeward

5.7 1991