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Scene with Doodles

Escaping the extreme heat, K takes a vacation to a highland retreat, only to be disappointed by a landscape far from what he saw online. To kill time, he takes photos with his smartphone and unexpectedly encounters a mysterious woman in his hotel room. He begins photographing her in earnest, and what began casually turns into deep immersion. Through the lens, the scenery transforms into unfamiliar yet beautiful images, and K becomes captivated by a world he had never truly seen. In a place detached from his expectations, his quiet journey unfolds—gently questioning the boundary between imagination and perception.

Scene with Doodles

NR 2025
Sky, Wind, Stars and the Island

Documentary filmmaker Kim Myung-yoon, a former member of the Dokdo Police Security Detachment, relocates with his wife and son, Noah, to Kumi, a remote village in Japan’s Oki Islands. A UNESCO Global Geopark, the Oki Islands boast majestic natural beauty, but also serve as a politically charged symbol, with Japan asserting territorial claims over Dokdo, calling it, “Takeshima.” As Kim builds relationships with local residents and engages with their perspectives, he explores the histories, ecologies, and memories surrounding Dokdo and the Oki Islands.

Sky, Wind, Stars and the Island

NR 2025
Women's Gukgeuk: Enduring on the Edge of Time

Cho Young-sook, who has continued the tradition of women's gukgeuk for 74 years, has two brilliant students. Park Su-bin has worked as a female performer who plays male roles in women's gukgeuk for more than 20 years. Hwang Ji-young was raised as a female gukgeuk actress. They are running a women's gukgeuk production center and are struggling to continue the momentum of women's gukgeuk, which is losing popular interest. However, it is not easy to continue performing women's gukgeuk, and the two are changing their minds more and more. The two, who want to make a big stage with women's gukgeuk even once before Cho Young-sook passes away, prepare for a performance of "Legendary Chunhyangjeon," thinking that it is their last performance. However, it is not easy to perform in the absence of funding. Park Su-bin and Hwang Ji-young, as third-generation women gukgeuk artists, spend their days searching for teachers, recruiting them, and scrambling to raise funds for the performances.

Women's Gukgeuk: Enduring on the Edge of Time

5.7 2025
White Elephant in the River

"Was it the President who ordered the rivers to be six meters deep?" In 2008, under President Lee Myung-bak's administration, South Korea's Four Major Rivers Restoration Project turned the country's beautiful rivers into scenes of devastation. What were once pristine first-grade waters became lifeless rivers, choked with toxic green algae emitting foul odors. Crops irrigated with this contaminated water are now served on the table of Korean people. The government disguised a grand canal project as river restoration, and the media turned a blind eye — together enabling one of the greatest environmental destructions in Korean history. The consequences of this deception will be borne by future generations. To ensure that future generations can once again run freely along the rivers, we must act—now. We must make Korea's rivers flow again.

White Elephant in the River

NR 2025
Nostalgia or backwards

An art curator is told about a past visit to Searles Lake, a salt desert near California's Mojave Desert, and the nearby town of Trona, while pulling out a burned pharmaceutical encyclopedia. Trona's borax serves as a raw material for film developer, becoming becomes a link between the memory of the place and the act of filmmaking. Long-held memories of conversations with the filmmaker's mentor James Benning, colleagues, and other mentors about the book found in front of a burned house in this borax-mining village are restored as script.

Nostalgia or backwards

NR 2025
Fragments Across the Screen

This omnibus film was created for a workshop commemorating the 30th anniversary of Korea National University of Arts School of Film. Students, alumni, and faculty present eleven shorts exploring everyday images across film, photography, painting, games, animation, and advertising through contemplative, critical, and satirical approaches. From supercut aesthetics to structural compositions and essayistic narration, each work examines how images generate meaning. While functioning independently, these shorts intersect within a shared framework, offering new perspectives on viewing moving images.

Fragments Across the Screen

NR 2025
A Cellist Coming to Earth

Believing her son is talented at playing the cello, Haesook has devoted herself to his training since he was in middle school. Donghan is accepted into a respected music college, but he drops out before completing even a semester due to biased behavior from professors. Haesook becomes hopeful about her son's independence. However the founder prioritizes the ensemble's marketability over the musicians' artistic growth, deeply distressing Haesook. Donghan receives an offer to work as a teaching assistant in an orchestra Haesook had previously known, and they dream of a new future.

A Cellist Coming to Earth

NR 2025
Pull

In an era defined by climate crisis and the ongoing coronavirus pandemic, a group of individuals embarks on a mission to sow the seeds of a controversial plant. They initiate their farming venture in Paju, near the border between North and South Korea, attracted by hemp's ecological benefits and its potential to foster peace. However, they soon face significant obstacles in a country where hemp is classified as an illegal drug. Those who require hemp for medical purposes, along with its advocates are criminalized as the plant itself is. In a nation that has declared a war on drugs, no one associated with hemp remains untouched by the shadow of illegality.

Pull

NR 2025