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Blue Mountain. White Cloud

There is a story circulating among Zen Buddhist monks about two types of monks. First ones are settled and spend all their life in a monastery, they are identified with the blue mountains, while others are like white clouds – constantly traveling from one place to another. In the film, the filmmaker and Won Bo Sunim, a Lithuanian woman who decided to go to South Korea more than 20 years ago and become a Zen monk, embark on a journey in the mountains of South Korea.

Blue Mountain. White Cloud

NR 2024
The Korean Variety Hour

Korean Variety Hour, produced by KBS in 1976, captures how Koreans of that era wished to present themselves to a foreign audience. Nearly 50 years later, KBS produced the documentary series Modern Korea, which, with the advantage of a half-century of hindsight, presents images of Korea's past without any additional commentary. By juxtaposing these two programs, the film invites viewers to reflect on how much, or how little, Koreans' perspectives and self-representation have changed over time.

The Korean Variety Hour

NR 2024
ADA-Dance

Ea-zy, who has just turned 30, suffers from an obsession with having sex. Unable to join her friends' conversations that inevitably turn to sex talk, she confidently opens up to them about her masturbation experiences, but it only makes it more obvious that she is still a virgin. She attempts a one-night stand with an interested coworker, but he too fails to give Ji an orgasm. Just as she's enjoying the satisfaction of sex without penetration, strangers start following her, screaming for her to have sex... Will Ea-zy be able to escape them and find her own comfort zone?!

ADA-Dance

NR 2024
Studies

“Kim has explored the conditions of contemporary life encompassed by digital media and representational devices, creating original video work that combine powerful images and unfamiliar narratives based on autobiographical experiences . . . His new work, Studies (2024), is a fiction film with cinematic experimentation borrowing from the horror film genre. Heecheon Kim has invented a fantasy of horror that opens up a new dimension of creation in which the fragility of borders allows a possibility of narratives.”

Studies

NR 2024