Discover Movies

856 Matches Found

Fragments Part I – “Traviata” – Act III: Preludio, scena e aria

The project “Fragments” features a series of iconic opera scenes recorded during lockdown at musicAeterna’s home residence, Dom Radio in St Petersburg. With their signature perfectionism and dedication, Teodor Currentzis and the musicians have spent many hours rehearsing and recording in the studio in order to capture the true expressiveness of the performed masterpieces. Each of the recorded scenes will get its own visualization by various filmmakers who will create videos that reflect the concepts behind the music. The first recording in the series is taken from Giuseppe Verdi’s La Traviata and is made in collaboration with NOIR Films (St Petersburg), a team of video artists that specializes in experimental films and video art.

Fragments Part I – “Traviata” – Act III: Preludio, scena e aria

NR 2020
Caterina

A journey to the roots of Italian folk music through the images and the words of its greatest interpreter, Caterina Bueno. 'Caterina' is a portrait of the main researcher and interpreter of traditional folk and peasant singing in Italy. Indeed, it was thanks to Caterina Bueno's work (Fiesole, 1943 - Florence, 2007) that a wide repertoire of songs, orally transmitted up to the 20th century, was recovered and saved from oblivion. Since the earliest '60s, a life devoted to music and research took Caterina on national and international stages, making her a key figure in the cultural world of the time. Her path crossed those of Italy's major contemporary intellectuals, such as Dario Fo, Pier Paolo Pasolini and Umberto Eco, including artists such as Giovanna Marini, Fausto Amodei and Francesco De Gregori.

Caterina

NR 2020
Ratti

Armando is 10 years old, he's a little boy like everyone else, he lives in a village with his mother Amelia, a charming woman who has always been very attentive to his son. There is also Arturo with them, Amelia's husband after the passing of Armando's father. Unfortunately Arturo reinvests all the few money, left by the poor man, to go drinking, and when he comes back home he's always drunk and he beats and abuses the poor Amelia. They both think that Armando doesn't know anything, but he can't manage to close his eyes every night, until his mother stops screaming and groaning. On Armando's birthday his mother gives him a seal box left by his father, who made a particular request, when he was still alive: she had to give it to Armando on his tenth birthday. This is a gift that will change their lives forever.

Ratti

NR 2020
L'Uomo Samargantico

Although he looks like a man, Amadeo Rossi has a child's soul. Like a child, he would like to pursue his dreams and live his life as if it were a game. Yet, this is something that adults are not allowed to do, since they are afraid of wasting time. Amadeo's life will have a meaning when he manages to find his own way towards a perfect world, the same world that a bad but much admired Minister has already invented (and built). This world will be the magical place where Jennifer will speak to him at last, as if in a dream within a dream. However, Minister Ovitac's world will only and secretly open its doors to his most faithful servants; the Uomo Samargantico will be able to enter it, too, although nobody knows who this mysterious man might be, or whether he really exists. Who is going to accompany Amadeo throughout his other-worldly journey?

L'Uomo Samargantico

NR 2020
ARTASERSE

A one-of-a-kind cinematographic experiment. A grotesque fairy tale, staged in the real lives of the characters. A completely self-produced movie, designed and directed by two visual artists, with the purpose of telling the tale of Artaserse, a retired worker, boxer, trainer and life-long painter. Everything is staged in an industrial, now decadent Terni; like a steel bay without the sea, here it's difficult to dream about becoming an artist. This movie is like a suburban western movie; the boxer and the painting dancing the communal square dance together, in life and death, the meeting-match between Artaserse and an allegorical and remorseless art world, and more generically, the battle of all the colorful characters, appearing throughout.

ARTASERSE

NR 2020
I Am the Sun

The intimate portrait of the Italian stylist Lorenzo Riva and his relationship with his collaborator and ex partner in life Luigi Valietti. Since the crash of their brand, the couple have been forced to work in the shade and depend on each other, economically and emotionally. In an economically depressed Italy, alternating a routine life and luxury events, Lorenzo and Luigi do not stop fighting from the dark to regain their prestige in the world of international fashion and shine again with their art.

I Am the Sun

NR 2020
La Napoli di mio padre

Giuseppe looked at the horizon as one observes a desire, as something to be reached in order to try to be free. Since childhood, his daughter Alessia, the director, often saw him looking out the window, wondering what was able to attract his attention in such an intense way. Several years later, during a return trip to Naples, her father's hometown, Alessia finds herself observing her father again. Also this time Giuseppe is always in profile and, while the landscape flows framed in the window of a train, his gaze tries to capture every moment, to stop those moments and save them from the fast passage of time.

La Napoli di mio padre

NR 2020
Bedu Beddna Naiesh

Bedu is the manifesto of how a people can be violated in its human rights. Through the stories of the son of Sinai, interviews and witnesses, we retrace the whole story of the injustices suffered by these people: the Bedouins From the days of the Six-Day War through the tourist revolution to the Arab Spring up to the coup of al-Sisi and today to Isis. Deprived of their lands and the water, hijacked by the large European hotels. Deprived of basic human rights, such as having a home, access to health services and education. Reduced to cultivating and selling opium under contract with the police. Up to the interview with Mussa'ad Abu Fajr, the only Bedouin who spoke violations suffered by his people in a blog beddna naiseh (we want to live) for which he served three years in prison. Hence, the title of the documentary, because these nomads simply want the basic right: life.

Bedu Beddna Naiesh

NR 2020
A Georgian Toast

During the filming of the documentary film “The Gift”, Giuliano Fratini meets the master Marlen Khutsiev, who agrees to speak about Tarkovsky. But before being asked any questions, as a sign of thanks to his Italian guests, he wants to talk about Italy and in particular about Fellini, about the friendship they forged at the Moscow Festival in 1963. Back then the Italian master asked to meet him, the little Georgian who had problems with the regime. This small film is a tribute to the Italian genius but also to the Georgian master.

A Georgian Toast

NR 2020
Arthur and the Seagull

Arturo is almost 90 years old. Widowed for a long time, he is used to being alone and his days pass as a pensioner, without doing anything special: walking, sitting by the sea, pretending to listen to the radio. Then one day he gets a newspaper advertising cameras in his hands and, for a moment, the opportunity to devote himself to a hobby becomes a different color among the alleys of an empty and old country like him. The seagull that was chosen as the subject, however, seems to have an entirely different idea on the perfect photography and, what was born as a game to deceive the waiting, turns very soon into a small enterprise that has the slow pace of the age, but the same urgency of freedom and fantasy as a bird’s flight

Arthur and the Seagull

NR 2020