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Anil, an artist, comes to stay in a village with his friend Jeevan. While there he meets Asha and asks her to model for his statue. The two fall in love. They marry secretly but Anil must leave as his father is dying. While on the way back his car crashes and he is disfigured. Anil is now reluctant to go to Asha in case she no longer loves him, while meanwhile Asha is pregnant and being shamed by the villagers.
This documentary highlights the achievements of India in the political, economic, and international fields since she attained Independence. The framing of her Constitution, the integration of the States and the general elections, the rehabilitation of displaced persons, the river valley projects, and the setting up of a chain of National Laboratories are some of the achievements shown here.
Directed by Paul Zils, 'Textiles' is a documentary film exploring aspects of India's textile industry during the mid-20th century
A renowned but solitary singer discovers the true treasure of life when a forbidden romance with a wealthy patron's daughter forces her to choose between the glittering promise of fame and the genuine wealth of love.
Shankar was a young lawyer in pursuit of making it big in the professional world. However, his world is turned upside down when he comes to know that his father, who he knew went missing, was in real life spending his lifetime in jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate the case and save his father. He goes to Krishnanagar in search of the people and the pieces of evidence that would help him to prove his father’s innocence. He meets Rita, a young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues, most of them which were imposed by the actual murderer. However, he solves the mystery in the end and his father is thus released from prison.
Three love stories that take place simultaneously but do not intersect, because the characters do not interact with each other, even though they all live in the same neighborhood. Govinda, a gloomy Airai boy who was cruelly separated from his beloved girlfriend, Chalvi, who was expelled from the village. Johnny Braganza, a waiter who has just been released from prison after being unjustly accused of falsifying the accounts of the hotel owner, Ferrara, who successfully seduces Johnny's girlfriend, Stella. Now he is setting up a car garage at the same intersection.
Rajat, a young man, meets Manju, a rich girl whose father is looking for her. Though Rajat initially slyly tells her father her whereabouts, he ends up falling in love with her.
Thirumbi Paar, directed by T. R. Sundaram, was an interesting film in which Sivaji Ganesan played a role with negative shades. The character dabbles in avenues such as journalism and politics. T. P. Muthulakshmi plays the dumb wife of an elderly husband (K. A. Thangavelu) who goes to work early. Sivaji Ganesan, a seducer, who sneaks into the dumb woman’s house, alters the clock to send the husband away well before the usual time. This sequence was mercilessly scissored by the censors and what was left lost its touch of satire and innuendo!
A feudal aristocrat's life changes when his mansion is sold to Durgaprasad, a labourer who has become rich. To add to his worries, his daughter is forced to work in the mansion that was once her home.
After an oppressive former Raja refuses to surrender his power and continues to abuse his people, a policeman's life is tragically intertwined with a former royal heir when his bride, who is in love with the heir, is forced to marry him, ultimately leading to a family vendetta, kidnapping, and sacrifice.
Sunder, a laid-back young man, cares nothing about responsibilities towards his own future or of his family's. At much persuasion by his widowed mother, Sunder leaves on a journey to find a suitable groom for his sister Laajo. Situations arises and Sunder ends up marrying Pilu, daughter of Mooley Shah from the neighboring village. Sunder's mother and maternal uncle Bishandas are happy for Sunder's marriage but are disappointed by Sunder's irresponsibility towards Laajo's marriage. This time Bishandas decides to accompany Sunder for a groom hunt. After a few attempts they find a boy for Laajo, Atmaram, a government employee. The marriage takes place, but Atmaram's father Lala Kedarnath asks for money as dowry. This puts Laajo's marriage in jeopardize. Finally, Bishandas manages to make Atmaram to disown his father and accept Laajo.
Abani, a young man from a poor family, elopes with Sudha after her uncle forces her to marry a sick man. However, a misunderstanding among his family members threatens to destroy their relationship.
Setap, a money-minded man, gets insecure when he hears a rumour about his dutiful wife and spendthrift brother, Mahatap. Soon, things go out of hand when Setap's rage takes over. Setap became mad hearing those words from Ghoton.
The narrative deals with the dreams and aspiration of a 16-old-girl, Sheetal (Meena Kumari) caught in the vortex of uncertainty and morality. Desperate for engagement with her neighbour, Shravan (Nasir Khan) who is equally drawn towards her but she is forced into meaningless wedlock with a sick old man.
Geeta and Raja falls in love and everything seems to be going well until the day of their wedding, when Geeta's father breaks off their ceremony
1957 bollywood film
Rejected by a proud Princess Nadira, a reckless Prince Badar vows revenge, setting out on a quest disguised as a common peasant to humble her, unaware that her own perilous situation will force them both into unexpected circumstances.
Bombay Police are baffled by a series of crimes - all at the hands of arch-criminal "Black Cat" who leaves his calling card at every scene of the crime. The Commissioner assigns this matter to this best plainclothes agent, Rajan. Rajan's investigations lead him to suspect Professor Gupta, who is also the brother of his girlfriend, Nita. Rajan decides to use Nita's love for him, and spies on Gupta. When Nita finds out, she is enraged at Rajan, and blames the police who she feels are covering-up their inefficiency by making a scape-goat of an innocent man. Rajan fails to prove that Gupta is somehow involved with "Black Cat", and the Commissioner gives him a deadline. If Rajan does not apprehend Black Cat within that deadline, he may be suspended or even dismissed from the police force. With no clues whatsoever as to the whereabouts of Black Cat and it's gang, Rajan has the challenge of his life, which he may not be able to fulfill.
An impoverished family faces illness and financial challenges after one of them is sent to prison.
Baskar and Vasanthi are college-mates. A naughty girl creates misunderstanding between them, and an enraged Vasanthi complains to the college dean, who immediately dismisses Baskar. Now left homeless, Baskar however manages to get employed at a tea company, and gets to stay with his close friend Sampath. Vasanthi approaches Baskar and apologises for her cruel act. Baskar forgives her, and they both fall in love. Vasanthi lives with her mother and her elder sister Geetha who is unmarried. Baskar rents the vacant portion of their house. Over time, Vasanthi passes her exams and gets employed.
Set in the deepest moments of midnight, a desperate individual races against the clock to expose a dark secret, where every tick brings a dramatic revelation that threatens to shatter an intense, forbidden romance.
A dying man entrusts his lives earnings to Purshotam, a stranger he just met, and asks him to promise to take this money to his wife, and son, Pradeep, in a remote village in India, to which Purshotam agrees. The man passes away, and Purshotam goes to fulfill his promise, in vain though, as he is unable to trace the woman and her son. After sometime he experiences financial difficluties, and decides to use the money for his personal gain. Years later he comes to know of the rightful heir to these monies, but will he able to assert his honesty, or will he carry on as though nothing has happened
A documentary made by Ghatak for the Government of Bihar observing the life of the Adivasis.
A woman describes the relationship between her sister and a postmaster
The story of a relationship between a wealthy widow and a frivolous young girl.
Based on one of the four tragic romances of the Punjab, it is only one of over a dozen film versions of the tale.
A King (Badshah) betrays the gypsy woman he loves to marry a Princess, triggering a chain of events that leads the King's hunchback slave to seek revenge and ring the bell of justice.
Seshachalam and his wife Nancharamma secretly swap their infant son with their rich brother-in-law's new born son. Unaware of this Dewan Bahadur raises him as his own son. One son grows up to be a police and other a thief.
A young boy is raised by Dada the Chimpanzee (Pedro the ape bomb) after he loses his parents. Now he is Zimbo (Azaad Irani), lord of the Jungle! An expedition is sent into the jungle to find him, but the Queen of a hidden city has other plans.
The film is based on two couples – where the first couple Dr. Chandra Shekar (Gemini Ganesan) & Parvathi (Anjali Devi) and the second couple is Ravi (A. Nageswara Rao) & Lakshmi (Savitri). Ravi & Lakshmi are happy lovers. Ravi is summoned and asked to marry another girl forcibly. Since his father's life & honor are at stake, Ravi agrees to the marriage. Simultaneously another marriage takes place in the same village Dr. Chandra Shekar visits his best friend's sister marriage but the marriage cancels in the last moment due to dowry problems to keep up his friend's prestige Shekar marriage's his sister called Parvathi. Due to sudden marriage, the couple doesn't see each other. Thereby because marriage is happening without his wish Ravi also not seen the bride's face. Both the bridal parties traveling on the same train which run into a disastrous accident. In the accident Ravi's parents and wife are dead.
Maa, the Story of an Unmarried Person (1956) is a short documentary directed by Paul Zils, highlighting the challenges faced by unmarried mothers and their children in India.
Sodari is a 1955 Indian Kannada-language film directed by T. V. Singh Thakur. The film stars Pandari Bai, Narasimha Raju and Rajkumar. The music for the film was composed by Padmanabha Shasthri. The story of the film is based on the life of Hemavati, the pious wife of King Kailasanatha. She faces numerous hardships along with her children when Kailasanatha loses his kingdom due to a drought. The actress Jayashree plays a negative role of Chanchaladevi, a cunning relative of Hemavati. The movie is based on GV Iyer's stage play Anna Thangi which was based on the popular legend of Nalla Thangaal whose story had earlier been adapted in Malayalam in 1950 as Nalla Thanka and later in Tamil as Nalla Thangal (1955).
The story starts with the scene where Goutam Chatterjee is escaping from jail. Goutam is a freedom fighter and political leader. When Goutam is escaping, he takes shelter in Ruchira Banerjee's house. Ruchira's father Rajbahadur. R. C. Banerjea is a police officer. Goutam gets away from there. In the meantime, Ruchira leaves her house because her father forces her against her wish to get married to Subir. After that, suddenly Ruchira meets Goutam again. They become friends and they move from one place to another together. And the story continues with suspense at every turn.
Directed in the same year as The Life of the Adivasis, Places of Historic Interest in Bihar was more of a tourism documentary for the Bihar government.
A 1957 Bengali Drama Film directed by Santosh Gangopadhyay.
Shanti, a city-based girl marries an uncivilised man who reforms himself for her love. But little does she knows that life is all set to take her on a roller-coaster ride.
The Portuguese in 16th century India plot to take over the country.
Nondo and Gobindo are both rich people who live in a village. But they had married in the city. One day Nondo writes Gobindo's father-in-law that they are coming to the city and want to stay there. But after arriving in the city, they found nobody was waiting for them in the station. Then they meet somebody who is also looking for some people. So, he takes them into their house. After receiving the hospitality, they realized they were in the wrong place. They decided to go to a hotel. After reaching there they met some people and day by day they had different experiences in the city. Then they accidentally reached a film shooting spot and after then through some incident, they reached a police station. After that, they found their house and again did some hilarious incidents in his father-in-law's house.
The movie tells the story of Fakkaram, a.k.a. Fakka, and his love, along with his family and his greedy relatives, who are in search of a valuable amount of money left by a millionaire.
Rangeen Raaten is a 1956 Hindi film starring Shammi Kapoor, Mala Sinha and Geeta Bali in lead roles. The music was composed by Roshan.
The first film to deal with life in creches in coalmine areas.
1953 bollywood film
A classic love story focusing on the emotional trials and obstacles faced by the two individuals in their journey toward finding true love.
Film starring Dev Anand, Geeta Bali and K.N. Singh Rajendra Sayal (Dev Anand) becomes a millionaire from a poverty-stricken situation with the help of his friend Kalu (Johnny Walker). Jealous of his sudden elevation in status, a lawyer named Karamchand (K. N. Singh) plots to rob Sayal of all his property. For this reason, he hires Asha (Geeta Bali) to seduce Sayal and make him fall in love with her, but she ends up falling for him.
Fourth Odia film in release and the first Odia film with an English title. First Odia film in Social / Drama genre.
A 1955 Hindi film directed by O.P. Dutta.
When Brijmohan moves out with his ailing mother due to a family dispute, he comes across a runaway woman on his quest for a new job. What follows is the journey and trials and tribulations of these two strangers as they traverse, courtship, marriage and family politics.
A humble tonga driver named Lachhman returns a forgotten bundle to Rajo, and though her father offers him a reward, he refuses. Instead, he sells his beloved tonga to raise a dowry and marry her. After tragedy strikes and Lachhman dies, Rajo takes up the tonga herself to survive, challenging tradition and society’s expectations.
Stars Manher DesaiNigar SultanaMurad
Geeta belongs to a poor family and lives with her mother in a small one room apartment. She is employed as a typist with an organization. She likes to dance and sing, and does so also at work, which ends up in her losing her job. Her boss' son, Suresh, finds out about her dancing skills, and hopes to utilize her talents as a singer and dancer in a drama company, which she accepts. She becomes quite ppopular in a short period of time, and is expected to replace the current lead heroine. The lead heroine, along with her friends, cannot accept this, and abduct her. Now Geeta has a choice - give up acting, singing and dancing, or die.
Comedy move with Balraj Sahni and Johny Walker
A heartwarming family story. Kaka Saheb, a widower, is preparing for his daughter's upcoming wedding. However, after the marriages of his three sons, disputes arise among them over the division of property. This leads to separation, yet their bond with their home and respect for their late mother remains strong. In the end, their sister, Taraka, invites them all for a meal, serving pithla made with drumstick pods from their own backyard tree—a favorite of everyone. Respecting her invitation, they come together, and through this simple meal, the family reconnects once again.
Raju (Raj Kapoor) and Gaura (Nargis) are childhood lovers and promise to be with each other no matter what. Jeevan (Iftekhar) keeps bullying Gaura and is jealous of Raju. He overhears them professing their love for each other and conspires to separate them.
The life of renowned Bengali poet Michael Madhusudan Dutta.
At the very moment of her birth, ill-fated Chhaya's mother passes away, her dad loses his job, and their house burns down. She is shunned since then by children her age as well as their parents. Her dad brings her up with a lot of love, and even arranges her marriage with a young man, whose mother, uncle and nephew approve of Chhaya. But when the uncle finds out about Chhaya's past, they reject her. This news kills her dad, and Chhaya re-locates to live with her friend, Leela Lal, who lives a middle-class lifestyle with her husband, Murari, and her mother-in-law, who is very superstitious and never lets Leela out of her sight. Murari and Leela introduce her to Prakash, an airline pilot, and both eventually fall in love with each other. When Prakash takes her with him to meet his mom, Chhaya finds out that she is the same woman who rejected her and abruptly leaves without meeting anyone.
Though Kumar and Shankar both love Thangam, she chooses Shankar. An enraged Kumar does everything to destroy Shankar's life but the repercussions instead affect Kumar.
Kidnapped by a villainous sorcerer, young mother Balanagamma (Pushpavalli) remains in captivity for more than 12 years, spurning her captor's sexual advances with claims of being in the midst of a long-term penance ritual. In her absence, her son has grown to adulthood -- and is determined to rescue his missing mother.
Paul Zils's third feature film, Shabash (1952), is a comedy and was one of six features on his production schedule at the time. Specific details about the film's plot and cast are scarce, and it appears that the film may be lost.