Discover Movies

13,442 Matches Found

The Infernal Trio

Marseilles, 1919. Georges Sarret is a distinguished and respected lawyer, recently honoured for his services in the First World War. He takes as his lover Philomène Schmidt, a young German woman, who has just lost her job and home. To enable Philomène to remain in France, Georges finds her a husband – who dies conveniently of natural causes a month after the wedding. Georges repeats the trick with Philomène's sister, Catherine – marrying her off to an old man who dies suddenly so that the scheming trio can profit from his life insurance. When an accomplice in the scheme, Marcel Chambon, threatens to blackmail them, Georges and his two lovers have no option but to kill him and his mistress...

The Infernal Trio

5.5 1974
Brassneck

Through the story of a single family, Brassneck traces a history that parallels the Labour Party's advent to power in 1945 through to the property speculation of the 1960s and the disillusionment with the Labour government in the early 1970s. Like most of the early work of the writers, David Hare and Howard Brenton, committed radical (if not revolutionary) socialists throughout the 1970s, it is a satirical attack on capitalist greed and corruption, full of savage, and often disturbing, humour.

Brassneck

9.0 1975
Satan's Blood

After a chance encounter with a mysterious couple claiming to be old friends, Andrés and Ana are invited to spend the evening at a beautiful, secluded old villa. As the night winds down, they begin to sense that there are some rather strange things going on around them and, after agreeing to sleep over, find themselves unwittingly pulled into a series of bizarre sexual encounters which they slowly discover are part of a horrifying Satanic ritual designed to make them slaves to the Prince of Darkness!

Satan's Blood

6.1 1978
Laure

At an institute in Manila, researchers and eco-tourists trade stories about the Mara tribe, who live on a remote island and have an annual festival of rebirth in which some of the tribe forget who they are and begin again. Laure is the daughter of the institute's director; she's a free spirit who has captured the fancy of Nicola, a European photographer. After a courtship in which the voyeuristic Nick indulges Laure's exhibitionism and sexual freedom, they set off for Mara land with Gualtier, an anthropologist, and his philosophical lover, Myrte. As they approach the Mara on the night of rebirth, who of the group will actually join the tribe to begin life anew?

Laure

4.5 1976
The Witness

An Italian painter, Antonio Berti, pays a visit to Reims to his friend Robert Maurisson, a banker with political views on the town hall, who hides, under an affable air and an irreproachable dignity, a libertine and cynical temperament. Charged by the notable with the restoration of paintings exhibited in the cathedral, the artist calls on Cathy, a young girl from the choir, to serve as his model. The young girl will be found dead a few hours after their interview, near one of Robert's properties.

The Witness

6.9 1978
Little Orbit the Astrodog and the Screechers from Outer Space

Zillionair playboy Terry has built a spaceship so that he can see the galaxy together with his girlfriend Ferma. Along comes a spaced-out alien who needs to find back to his planet. The trio brings along Little Orbit the Astrodog to assist in the search. On their fantastical journey they battle a phantom space-bird, asparagus monsters (with Bronx accents) that want them for lunch, and a race of space-robots on a machine planet.

Little Orbit the Astrodog and the Screechers from Outer Space

7.1 1979
Supersurface: An Alternative Model for Life on Earth

Produced for the 1972 Museum of Modern Art exhibition, Italy: The New Domestic Lanscape, Supersurface was the first of five films planned by Superstudio as a "critical reappraisal of the possibility of life without objects." Superstudio envisioned a "network of energy and information extending to every properly inhabitable area". According to the artists, this network would bring about the destruction of objects as status symbols, the elimination of the city as an accumulation of formal structures of power, and the end of specialized and repetitive work as an alienating activity. "The logical consequence," they write, "will be a new, revolutionary society in which everyone should find the full development of his possibilities".

Supersurface: An Alternative Model for Life on Earth

8.0 1972