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Julián Pintos, alter ego of the director Juan Pinzás, in his dreamlike universe, makes an introspective journey from the belly of his mother to the belly of Europe without severing the umbilical cord. Julián will be lost between the child he was, that man he now is, his mother's love and the duality of the woman he loves. All this in the entrails of the two European capitals through which he wanders, Berlin and Madrid, which with their past and present stir up Julián's dreams and anxieties.

Francisco Cruzans is a young man from Buenos Aires suburbs, who was filmed from his first days of life and for more than 25 years, until today. From there, an archive that links him to his maternal family, stands out for the frustrations and longings of parents, grandparents and great-grandparents to carry out the original desire to form a family.

A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.

Laura, a young mother, gets out to run as she does every morning through the woods nearby her house. She couldn't imagine this time will be the run of her life when she got attacked by some mysterious strangers.

A young man returns to his hometown after it succumbed to a volcano eruption, during his staying he will meet two women with he will create a strong bond -almost like, a family.

Haunted by doubts about his origin, Rex flees his home. That same night when defending himself from an assault, he kills a man with his bare hands. From that point on, he will never be the same again. You will be able to find love and build a family. But no matter how hard he fights his fate, an inevitably tragic end awaits

During the Pinochet dictatorship, Jorge Lübbert became an instrument for the Chilean secret services, who forced him to work for them in an extremely violent way. He was able to escape from Chile and became a war photographer based in Belgium. Today, his son Andrés takes him back to the places of his unfinished past.

María, a retired woman, is living a nightmare in her daily routine. Between a rock and a hard place, she makes an unusual decision.

20 years after their debut album, the mexican rock band Molotov, reflects on their career with a compilation of never seen interviews and unreleased footage.

An experimental video-diary encompassing the last few years.

The lives of Jorge and Felipe, two young friends, are turned upside down the day they find a skull.

Two decades ago, Venezuela's power trio Dermis Tatú released their only album, "La violó, la mató y la picó" ("Raped her, killed her and cut her"). The band was an offspring from the separation of Sentimiento Muerto, and was formed by Carlos "Cayayo" Troconis (voice and guitar), Héctor Castillo (bass) and Sebastián Araujo (drums). The record is still considered by many as the most influential in the Venezuelan rock scene. Twenty years later, Castillo and Araujo remember the stories behind the recording, as a group of the current generation of Venezuelan rockers, not only explain its influence and impact, but also play all the songs from the album, making them their own.

Juana is a 30 year old woman that, up til now, hasn’t allowed herself to be happy. An unexpected encounter with Gustavo, her ex-boyfriend, revives her most impenetrable emotions. From that moment, Juana feels forced to challenge her sadness, accept what happened, and face what is yet to come.

Five years have passed since the death of his brother and Felipe has just decided to uncover Pandora's box. Thus begins this intimate tale of a completely disenchanted man who lives locked up in a garage, between gloomy memories and the ghost of guilt. Although his paralysis is much older: it is related to his film career, with the bankruptcy of his film company, with his political disillusionment, with the failure of his generation to stop violence in the country and with his sexual orientation.

Nur has moved to China from Larrabetegi with her parents. She makes new friends there and they go to a huge game park to celebrate her friends' birthdays. A friend gets separated from the group and Nur and her friends go out looking for them. But, on the way, they wander into a labyrinth and have all kinds of trials and tribulations before getting out.

The story of two friends who met on the eve of their fiftieth birthday: musician Astor Piazzolla and architect José Pons. They never imagined that their friendship would change their lives forever.

The story of a family over fifty years, told without leaving the hall of their home.

Elena, a young pianist who loves music, meets someone who's about to change the score of her life. She gets a very original and beautiful present for her anniversary.

Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.

Documentary film about the Argentine artist and filmmaker Jorge Luis Acha as told by himself

A cheerful documentary about the daily life of a community of Franciscan sisters. “Hasta mañana, si Dios quiere” (See you tomorrow, God willing) is a film born from the desire to understand that mysterious feminine universe that gives up its life and leaves behind family, home, lovers, disobedience, and physical love.

In an old bookstore run by an old man, a girl immerses herself in the universe of a graphic novel, which deals with the last moments of the life of an old superhero.

Pedro Chaskel, director, editor and post-producer. Based on domestic memories, and accompanied by representative fragments,tries to reconstruct the most important works of his career and motivations.

In a village in Mexico, a family is destroyed by witchcraft.

The rock star Pau Donés has advanced cancer, but he is confronting the disease with humour and in a positive light so as not to overdramatise it.

After the military occupation of Western Sahara in 1976, Moroccan government attacked the civil population with hard repression, forcing hundreds of Saharan people to “disappear” in clandestine jails. An invisible and slow death was the only horizon. However, some prisoners were able to survive after suffering their own “extinction” for more tan 10 years, ripped from their families, suffering torture, in total isolation. When they finally were released, their known world had changed radically.

In a climate of tedium and loneliness, three sisters live together in a country house. The unexpected arrival of a stranger will alter the timeless universe in which they find themselves, awakening the pulsional instinct previously contained in a struggle manifest between body and gaze.

Aurora suffers from an obsessive disorder with cleanliness, which prevents him from touching people. Everything changes when he meets Manuel, who falls in love with the prolixity of his dress. Aurora must face her disorder to achieve a loving approach. Leaving behind his obsessions.

Documentary about Gijón through the eyes of acclaimed singer-songwriter Nacho Vegas

In the jurisdiction of the police chief Lombroso, mutilated and heartless corpses appear. The commissioner investigates an alleged gang that traffics in human organs.

A documentary about the opioid crisis with women in Kathmandu, Nepal.

Five nights will be enough for Bruno, Dani and Alvaro to recover the lost time for years. Adolescence has distanced them, and madness seems to shroud them with firmness.Their minds will arrive at an unknown place where dream and reality are confused.

The film humorously recounts the adventures of three young friends, now in full quarantine, who arrive in Valencia to fulfill the last wishes of a fourth friend, and older sister of one of them, who had died a year earlier. The trip, which seems directed from beyond by the dead woman, becomes a double adventure. A comic adventure, in which the ashes, first in an urn and then in a luxurious handbag, take center stage, and a dramatic adventure, that of the reunion of the friends with an old love of youth, their former coach of gymnastics, which will cause a decisive transformation in all of them. A reunion that will serve to close old wounds and overcome personal conflicts and to realize that after forty life has only just begun

Unaware of the zombie mayhem unleashed outside their tent, Pablo has a massive hangover and Ruth keeps a secret.

Opening with the testimony of a politically exiled Basque author reminiscing on a childhood where he was forced to “hide his language as something ugly”, Faire la parole then keeps apace with some young people from the French and Spanish Basque Country: Nora, who saw the newspaper where she worked closed by the Guardia Civil in 2003, then Aitor, Ana and Ortzi. The last three, still teenagers, lend a summery and easy-going tone to the film, which is magnificently framed by Eugène Green’s long-time cameraman, Raphael O’Byrne. The dialogue that settles in between the younger members and those in their thirties has a rare quality, as if the difference of language – which each has had to impose on their family or on their national entourage – had almost tacitly created a secret community. Starting with the political stakes (regional languages versus centralism), the story hikes over the mountains with these new friends brought together by the filmmaker.

A greedy young boy discovers that the Tooth Fairy is a stickler for the rules in this frightening permutation of the folk figure.

Carlos Saura, a living legend. Félix Viscarret, a director who wants to make a film portrait of the great master. He draws up a plan. He thinks it's brilliant. He will show the intimate side of Saura through conversations of the genius with his 7 children. Everyone accepts. But Saura does not like talking about the past.

The Spanish vessel ‘Ilha Brava’ arrives from the deep seas of the south Atlantic. 55 days at sea are interrupted by only five days docked in the port of Montevideo. The city exists as a hologram for the sailors, standing like a shadow behind the vessel that gives shelter. Men of diverse nationalities and religions, yet all share the same broken gaze, in which a dream of home absorbed through a screen is a haunting and entertaining presence during the long dead hours of waiting.

Mexican comic Alan Saldaña has fun with everything from the pressure of sitting in an exit row to maxing out his credit card in this stand-up special.

The story of a hard working latino in London, who is about to receive some bad news, in the worst time.