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La couleur de Réal

An ocean separates them, the Atlantic. A granddaughter sets out to trace her grandfather's footsteps. She saw him often, but they never really met. At 91, Réal Arsenault has a life worth telling. A painter who left his mark on the history of contemporary art in Quebec, he was also very active in politics, working alongside supporters of a free and independent Quebec. This film will pay tribute to his life and his art, but it will also question what we leave behind on Earth, the legacy we pass on to our children and grandchildren, and the importance of communication within a family.

La couleur de Réal

NR 2026
Six Neorealist Portraits

Robert Morin's camera roams through Rome, a phantom crossing borders, observing six individuals who migrated to the city from Africa. At night, television screens play Vittorio De Sica's Bicycle Thieves; by day, news broadcasts, comedians, and onlookers watch with an almost Orwellian detachment as human life struggles forward in its quest for dignity. Morin continues his numerology of the world in a film that draws on the history of cinema to confront a reality riddled with meaningless screens. A finale that shatters the mirror. And stitches it back together.

Six Neorealist Portraits

NR 2026
See – Judge – Act: The History of the JOC in Quebec

Through touching testimonials, previously unseen film and photographic archives from the BAnQ, and the perspectives of academics and activists, the documentary Voir – Juger – Agir : L’histoire de la JOC au Québec (See – Judge – Act: The History of the JOC in Quebec) traces nearly a century of collective engagement by the Jeunesse ouvrière catholique (Catholic Workers Youth Movement), or JOC. From church basements to labor struggles, from popular education circles to feminist mobilizations, this film traces the journey of a movement that gave voice to a generation often marginalized by the clerical, political, and business elite.

See – Judge – Act: The History of the JOC in Quebec

NR 2026
The Girl Inside The Photograph

During an investigation into the disappearance of her cat, lonely teenage Freya Lundstrum begins to uncover the gruesome history of her house. Each new piece of information points to one conclusion -inhuman precedence lurking within the walls of 230 Briar Rd. realizing that she cannot defeat the enemy alone, Freya seeks the help of two former occupants. But time is running out for Freya to save herself and her mother from becoming the house's latest victims.

The Girl Inside The Photograph

NR 2026
Fox & the Tiny Demon

Qaqsoss naka Wahantuhsis is an animated allegory about Qaqsoss, a fox who is haunted by Wahantuhsis, a tiny demon. Set in an enchanted forest, the film explores themes of mental illness, trauma, and generational pain through Qaqsoss' struggles with both her inner demons and the mischievous demon that follows her. As Qaqsoss faces her fears, she discovers resilience and growth. Ultimately, the story intertwines Indigenous culture and personal experience, showcasing the importance of self-healing and the understanding of others. The film, told in Wolastoqey, is a poignant exploration of survival and connection.

Fox & the Tiny Demon

NR 2026
I'm in Love with a Stripper

Alone on Christmas Eve, Michael makes a last-ditch effort to win back his ex-girlfriend. Although repelled by his sudden reappearance, the promise of $1000 buys ten minutes of Honey’s time as she reluctantly sits through his declaration of love. Michael’s dreams of a heartfelt reunion are shattered when he is promptly rejected by a stripper who refuses to participate in his fantasy, challenging toxic romantic comedy tropes normalized through contemporary media. Based on her semi-autobiographical stage play, Never Walk Alone, Julie Phan offers a desensationalized interpretation of sex work through an intimate representation of the person underneath the projection.

I'm in Love with a Stripper

NR 2026
Hansel and Gretel Get Kicked Out

A found-footage détournement of retail-theft surveillance, in which the criminalizing gaze of the surveillance footage is subverted by recasting capitalism as an abusive, carceral parent. Quotes transcribed from YouTube creators, who were kicked out of their homes as teens, are repurposed to ‘speak back’, buttressed by ‘poor’ low-resolution videos of stealing. Hansel and Gretel Get Kicked Out allegorizes capitalism as an abusive parent by reconfiguring dissociated internet clips into a unified chorus of forlorn rage. Music from Flowers of Romance by Michel Henritzi.

Hansel and Gretel Get Kicked Out

NR 2026