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A ritualistic mood piece with colour-rich images

Short fiction film from the "Toulmonde parle français" series, telling the amusing story of a man who gets caught at his own game after stealing hares from his neighbor.

Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.

This very short documentary from the Hinterland Who’s Who series introduces viewers to the trumpeter swan.

An acerbic and surreal comedy about marriage and married life.

An experimental drama following three main characters who embody different attitudes about consumerism. A window onto Quebec in the late 1960s, this protest film explores these characters' daily lives, their trials and aspirations. Regarded as an innovative and militant work, buoyed by hard-hitting film language that includes subtitles and intertitles, quotations, offscreen voices and songs and references to advertising.

Canadian documentary film directed by Paul Cowan about the 1978 Commonwealth Games.

This short fiction film about a young boy torn between conflicting loyalties is resolved with humour and wisdom. Sunday, 2 o'clock, is zero hour for Gaston. He must be in two places at once: performing at a music recital and playing hockey with his teammates. What is Gaston to do?

This very short documentary from the Hinterland Who's Who series introduces viewers the bison.

A widow must cope with her late husband's associates, crooked Japanese businessmen who want her shares of a rich Northern Quebec land and a Jewish con man who wants to get a hand of her mysterious synthetic fur coat.

An ordinary man wakes up in a world upside down! Illegible newspaper, people backing up, cars backing up: nothing is the same anymore, but everything seems to be going well.

This feature-length documentary offers an inside look into the workings of a travelling circus. Filmed in 1976, directors Tony Ianzelo and Torben Schioler followed the Royal Brothers' Circus as they set up their tents and put on their show. Fascinating to watch, the film captures the 24-hour-a-day brand of magic that the circus evokes while revealing the nature of the people who run it.

At twenty-six, Noel Starblanket was one of the youngest Indigenous chiefs in North America--twice elected chief of the Starblanket Reserve, and also elected vice-president of all-Saskatchewan Indigenous organization. His great-grandfather's advice was to "learn the wit and cunning of the White man." That he did. Here he is seen in action, a chief with a briefcase, working with government officials for grants, running for public office, talking down his opposition, and solving the domestic problems of his reserve.

Arthur Lipsett’s Strange Codes is the legendary found-footage filmmaker’s first and only independent film, made after his departure from the National Film Board of Canada. In a rented house in Toronto, Lipsett stages a series of mysterious rituals, appearing onscreen in the guise of various characters, among them, an archeologist, a soldier, a scientist, a magician, and the Monkey King of the Peking opera. Dense with enigmatic gestures and private allusions, Strange Codes operates, in Lipsett’s words, “at the midway points between the primitive, ritualized world and the world of logic and science.”

While waiting in vain for a call from a producer, a young screenwriter sinks into a sort of paranoid delirium. Undoubtedly one of the most striking Quebec experimental films of the 1970s. This work with its expressionist aesthetic has been aptly described as Kafkaesque, the adjective emphasizing the ability of the two filmmakers to evoke anguish and madness, the feeling of confinement and withdrawal into oneself. Important detail: the screenplay written by the character is called The Basement, which is also the title of another Cholakian film made in 1974. (Marcel Jean, Dictionnaire des films québécois)

A young orphan overhears a plot by thieves to smuggle diamonds out of Canada in the equipment of his favorite hockey team, the Montreal Canadiens.

An animation film about a clarinet and a trumpet that meet, clash, compete, compromise and harmonize.

This experiment in point of view, narrative structure, and time attempts to reproduce cinematically Gertude Stein's notion of a "continuous present." In four rhyming shots/scenes, it suggests the development of a relationship over many years. Based on biographical details from the lives of Gertrude Stein and Alice B. Toklas, with improvised performances by Jackie Burroughs and Anne Anglin.

An animated film about one man's attempt to bring about changes in his community through participation with fellow citizens and the local government. A discussion-starter with a dual ending, for groups exploring methods of bringing about change.

The story of a teenage girl's attempts at independence.

In March, 1974, the Cree of the Mistassini area in northern Québec met to discuss their long-term future. After three hundred years of minimal contact with the white man, they had been offered 'compensation' by the government of Québec for the effects of the James Bay power project. But they decided that nothing, neither jobs nor money, meant more to them than their land. The film presents the issues under these headings: The Conflict, The Hunting Culture, The Schools, The Villages, The Fight for the Land.

Exploring the impact of the now defunct Steinberg supermarkets on the urban environment.

Developments in the Canadian forestry industry during the 1970s are shown being carried out both as lab experiments and in the field to protect and conserve the country's vast forests. These include turning a Newfoundland bog into woodland, fostering British Columbia seedlings that withstand mechanical planting, inoculating Ontario elms against the bark beetle, devising ways of controlling fire, and more.

Lesson of October 7, 1978 (class #10). Films discussed : Battleship Potemkin (Sergei Eisenstein, 1925), The Golden Age (Luis Buñuel and Salvador Dali, 1930), Mr. Deed Goes to Town (Frank Capra, 1936), La chinoise (Jean-Luc Godard, 1967). In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.

This short film studies the works of one of Canada's greatest contemporary etchers - Newfoundland-born David Blackwood. The artist himself guides viewers through a step-by-step explanation of the etching process. Scenes of his hometown, examples of his own work and vivid tales of an old mariner recall the tragic seal hunts and a way of life that has now vanished.

A concert pianist prepares to begin his practising for a major concert coming up. Unfortunately, he has this procrastination problem that prevents him from getting any serious time done, even when his frustration with it literally driving him into a frenzy.

Animated short film made in pixilation. The film tells the amusing story of an attempt at seduction that is certainly out of the ordinary.

The film is a portrait of various indigenous peoples around the world who still live traditional forest or jungle settings rather than westernized towns and cities, including groups from Cameroon, Brazil, Indonesia and Papua New Guinea.

When Charles Le Braque learns that his boss' 17 years old daughter is pregnant, he fears that his 16 years old nice Joel from France, who's spending her vacation with them in Canada, might fall into the same trap. So he and his wife decide to give her the lecture of plants and bees... but it turns out that she's already well informed, gives them a lecture about simultaneous orgasms. She inspires the sexually repressed couple to start experimenting with "modern" forms of sex.

In a very traditional and popular setting, this documentary follow Willie Lamothe who becomes a national icone aftera 25 years career. The film follows the stars through is retelling of his career, his private life and his shows. It also follows testimonies from his fans and friends. Finaly, it his full of Willie Lamothe's music.

This documentary describes the unfortunate legacy of the lone house on the prairie, an example of a dwelling entirely unsuited for the harsh winter or summer. We meet some builders and homeowners experimenting with more energy-efficient designs, such as the dome, the underground house and a ranch with wind, solar energy and methane gas from animal waste.

A lonely woodcarver longs for a son, so he builds a wooden puppet and names it Spinnolio

A vignette based on the story of John McIntosh, the Ontario developer of the McIntosh apple.

Strolling with his master through a constantly shifting landscape of corridors and stairs, a beret capped canine discusses life, philosophy and his master.

Colour cut-out animation inspired by the shape of snowflakes and touched with the airy magic of these fragile designs. While music tinkles invitingly, snowflakes roll and whirl, pulse and glitter, shining with the many hues of twinkling lights. Made without words, this is a joyous film to please the fancy and captivate eye and ear.

A married man and his family take in his brother, who is coming out from a religious order. They decide to realise the old family dream, migrate to Florida. But it won't be as easy as they think.

This film covers the transitional political period between the election of the Parti Québécois on November 15, 1976, and the Canadian federal election that brought Joe Clark to power. Featuring some of our most colourful politicians, historians, journalists, artists and citizens, this film highlights in parallel the convictions of each on the national political question, on the eve of the first Quebec referendum. Montage of newsreels shot between the election of the Parti Québécois on November 15, 1976, and the federal election of 1979.

Moira Mulholland narrates the history of (European) women's rights through images, interviews, and performances focusing in on the Women's Suffrage Movement in Canada.

After another cardiac arrest, Armand knows he doesn't have long left to live. But after more then 70 years in the same house, he doesn't want to die anywhere other than at home. His wife Rose has secretly decided she will die as she lived: with him.

A continuous zoom traverses the space of a breakfast table, serving as a grand metaphor for indigestion.

Quebec sex farce about a straitlaced young man who spends time in a commune, while a hippie takes his place as a French tutor for a rich family's daughter.

Two Foley artists provide live sound effects to an action scene.

Two friends are very close in college and in everyday life. During a pursuit between the car driven by one and the motorcycle of the other, an accident occurs; the motorcycle skids and its driver is killed. Karl, the survivor, begins to remember: their tennis games, their mutual friend, their games, their lessons, their holidays and their discussions. The film intersects all these memories to try to identify the deep friendship that bound the two teenagers and takes place in the present of Karl and the friend and in the past of memory. After having done everything to find his friend, even going so far as to dig him up in the cemetery in the middle of winter, Karl, appalled by his "murder", becomes more and more schizophrenic. He enters the hospital and stays there until the end of his days, fixated on this accident which turned his life upside down.

Four couples. They form a circle, are of different nationalities and live in the big metropolises of the world. They are beautiful--a famous painter, a fashion model, a song star. When their profession forces them to move to a city where one of the couples of the circle lives, they share not only their apartment, but also one or the other spouse, as the case may be. Every year, it's a ritual, they all meet for a two-to-three week holiday with one of the couples. This year, they meet in Quebec, in a villa in the Laurentians, near a lake, far from civilization.

A story from Victoria, British Columbia, of one young man who, despite a crippling malady, is determined to experience as many of life's offerings as possible. Brian Wilson is spastic, confined to a wheelchair, but he works at a job, looks after himself, and moves about from place to place on his own. Every day has its challenges and victories, and sometimes defeats. With this example of personal courage, the film provides insight into the private and daily struggle of the disabled.

This is a film made without a camera. The images are painted directly onto 16mm clear leader. Patton was particularly interested in the organic shapes that resulted from mixing chemically dissimilar spray paints.

An intriguing inside-out view of moving figures and images, made by using a color negative print. Figures and faces appear in a shimmering haze. These are shades of people and of movements, appearing, retreating, as in a mirage.

In the early 1970s, a group of young volunteers, the Free Youth Clinic of Winnipeg, operated a "crisis bus" to rescue young people experiencing bad drug trips, usually from LSD.

One of Lotte Reiniger's very last animated silhouette films, issued both in French and English versions.

This short documentary portrays the complex effects of incarceration on individuals. Prisons, the film shows, lock men within themselves, depriving their minds of normal life experiences, confiscating their humanity.

A seemingly idle guy and an unprincipled girl to whom everything seems to come easily will see their lives sealed in a brutal way.

Short film by Keith Lock and Jim Anderson