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Inside a socio-educational detention unit, five youths in conflict with the law plan their own film as a way to find meaning in their time behind bars. Through a hybrid process that blends documentary and fiction, TWENTY TWENTY FOUR dissolves the reality of juvenile crime and confinement into a sensory experience—exploring rebellion, boredom, and traces of tenderness within a space defined by abandonment.

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

Miguel tells Joana about his previous night.

Short-film based in facts. How cinema became this big cultural phenomenon.

How do we read the sky—and who taught us? This beautiful exploration of ancestral Indigenous astronomy in Brazil weaves lectures, conversations and community memory into a poetic meditation on knowledge, loss and the many ways humans understand the cosmos.

Lázaro spends a lot of time at the gym, but the expected results never come… until one day he signs up for the premium plan

On the eve of her 65th birthday, Dolores has a premonition: her life is about to change. She will own a successful casino. However, her gambling addiction of the past may work against her. Deborah, her only daughter, waits for her boyfriend's release from prison to start a new life, whilst her granddaughter Duda clings to a chance of working in the United States. All three women will strive to make their dreams of a better life a reality, going for it all or nothing.

In 2095, amidst a future ravaged by the effects of climate change and excessive resource exploitation, Estela, a Afro-Indigenous heroine is plagued by flashbacks of a past which refuses to fade away. In her pursuit of justice, she senses that some ancient and mysterious force seeks to communicate with her.

An unemployed hero on the verge of an emotional and financial collapse, searches with all his strength for a purpose in life. When he receives an offer to work at the Public Security Secretariat, he feels relieved and thinks that he will finally be able to put his life back together, but the hero quickly discovers that the job is far from what he expected.

In a school marked by silences and veiled prejudices, a group of Black students finds in the Black Well-Being Circle a space for listening, acceptance, and sharing. Through personal stories, pain, and dreams, they learn to transform experiences of exclusion into collective strength. When the time comes to speak in front of the whole school, Nala realizes that her voice represents not only herself, but an entire generation that insists on affirming: they belong.

Yara gazes at a floating rock. She walks towards it and examines it from every angle – a surreal encounter. As an actress in exile in Brazil, on the day of her performance in Brasília, memory and performance as well as the past and the present become blurred. This fills her with a longing for her distant homeland in Syria.

Peri works as a debt collector for a loan shark in downtown Rio de Janeiro. One day, after making a serious mistake at work, he is sent out of Brazil. It is during his journey to his new country, Portugal, that he meets Abgail, a woman who helps him calm down. In Lisbon, Peri starts working for “The Tailcoat Collector”, a curious debt collection company whose job is to follow debtors dressed in tailcoats, intimidating them into paying their debts. Peri is always very successful until the moment he is called to collect from Abgail, the woman he met on the plane and with whom he will fall madly in love.

Two young Brazilian filmmakers navigate doubt, intimacy, and the harsh realities of the film industry while trying to make their next movie — without losing each other in the process.

A ceramist is in her humble atelier surrounded by her creations. Outside, a world in flames. Inside, dark inner worlds take shape.

A traveler and a narrator in the post-apocalypse; they narrate an abandoned city as we arrive at a destroyed landscape and understand what happened to this small city.

Three men from the past cross into the present to reveal the invisible marks of Brazilian history. Between memory, fantasy, and poetry, The Secret Life of My Three Men proposes a reckoning with the violence that shaped us and the possibility of another future.

The project Joelma - Isso é Calypso Tour Brasil: Ao Vivo em Brasília was a DVD recorded at Granja do Torto on October 18, 2025. The high-level recording featured a 58-meter stage and guest appearances by Wanderley Andrade and Vingadores do Brega, with the audiovisual release scheduled for March 2026.

A simple farmer, attached to the memories of his father, struggles to stay with his family on their small farm, despite the difficulties imposed by the flooding of the Amazon rivers.

Ten years after the passing of David Bowie, Brazilian artist Seu Jorge revisits the repertoire that shaped a defining chapter of his career. His Portuguese interpretations were first created for The Life Aquatic with Steve Zissou, directed by Wes Anderson, sparking a deep artistic connection with Bowie's work. After years of touring worldwide — and a final performance without a live audience during the 2020 pandemic — he returns to these songs in a special coastal live stream in São Paulo. Now, an edited version of that performance stands as a tribute to Bowie's enduring legacy.

Two child preachers search for a better life through the power of faith. 17-year-old Daniel, was once Brazil’s most renowned child preacher; today, as he nears adulthood, he grapples with the weight of an uncertain future. Meanwhile, 12-year-old João Vitor is at the height of his fame, reaching millions through his followers. Amidst livestreams and smartphones, he preaches to the masses. The film uncovers the childhoods concealed behind these public personas, reflecting a country in transition — a place where politics and religion frequently intertwine. As one cycle closes and another opens, they navigate a Brazil that has been forever changed.

In a small town in the pampas of Rio Grande do Sul, Brazil, economic and agrarian changes are directly affecting the lives of small farmers. Nepomuceno, a man who has worked all his life raising cattle, suddenly finds himself threatened by a large soy producer who is interested in his land. The conflict becomes more intense when it affects members of his family and old Nepo has to defend his land and his family at all costs.

For around fifteen years, I have been filming a forest of imburana de cambão trees that has been progressively disappearing, located on the border between the states of Bahia and Pernambuco. The visual saturation created through image overlaps and the division of the screen into three parts fosters the emergence of a particular rhythm, in which pulsating texts impose other forms of escape.The gradual disappearance of this forest echoes texts evoking the consequences of climate change, while also inscribing fire and logging as human acts contributing to this impoverishment.The basis of this film was the installation of the same name presented as part of an exhibition at the Frans Krajcberg Space in 2025. The film is denser. The imburanas de cambão burst into flames as the sertão turns into desert.

From the streets of Budapest to the fields of Poland to the beaches of the Mediterranean, women in love grapple with their affections, desires and dreams in these five exciting, moving and sexy short films from up and coming directors.

in this short film, the camera gets distracted by various textures and observes its bedroom while anxiously waiting for the power to return so it can watch a movie.

Digital signal cubist light music. Partly based on Bruno Corra's futurist essay "Abstract Cinema: Chromatic Music".

A film director. A protest against the 6x1 work schedule. And there is always this guiding, meditative voice that controls the impulse to revolt, that isolates, atomizes the being. In this confusion, it's necessary to choose a side - or at least be aware of the side chosen. There is no not choosing.

Forms of the universe, rocky landscapes, and a green and lush human-made city. It originates from a dream I had; it is both mine and from a traveler aboard a spaceship. The dream and traveler belong within the universe of my film Fractais Tropicais. Here, the hopeful and utopian human-centric imaginary of space travel and the future, filled with surveillance, control, and illusions, all fleeting like the images a dream can contain.