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The Unshakeable Destiny

This playful, expansive trilogy explores the artist’s evolving relationship with Hong Kong as the city undergoes its own upheavals. Reworking the visual language of Asian futurism, some scenes are shot on lush 16mm, immersing viewers in swoony Cantopop and late-night neon; other scenes move away from the nostalgic, stylised world of Wong Kar Wai. Working with actor Ching Ching Ho, Lam deconstructs the fictions of Hong Kong’s screen archive and her own attempts to capture memories of a disappearing homeland. This moving reflection on artmaking in the diaspora draws on collective memories to imagine possible futures.

The Unshakeable Destiny

NR 2025
Hauntation

This film uses the data of digital photographs of the site of the Brownlie Towers in Bentley, Western Australia. This data was first captured digitally via a camera on-site and then the data of those files was projected onto analogue film which was then in turn returned to the digital space via a scanner. The scanner itself became a sight for further experimentation as the film was pulled through and moved at varying speeds. Similarly the audio was created from the data of the same photos.

Hauntation

NR 2025
My Blood Flows Like Acid

An abstract, surreal and experimental anthology consisting of five sequences exploring the themes of identity, the nature of existence and the human condition. Part I tells the story of a postapocalyptic world where a Man feeds the ocean his blood in order for the water to continue moving, Part II is an abstract interrogation of several concepts including love and loneliness - Part III sees several ordinary people interviewed and asked various existential questions, and Part IV and V further expand upon the surreal filmic techniques present in Part II, whilst continuing the delve into existentialism.

My Blood Flows Like Acid

NR 2025