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Safe In Recreation

The film emphasizes the importance of safety during recreational activities, both at home and in nature. It shares various scenarios involving children using power tools, chemicals, and playground equipment, highlighting risks such as improper use of electric cords, unsafe play habits, and the dangers of firearms. The film also provides safety tips for outdoor activities like hiking and camping, stressing the need for caution around potentially hazardous elements like poisonous plants and proper gun handling. The overarching message is to always prioritize safety to prevent accidents while enjoying recreation.

Safe In Recreation

NR 1974
Shoplifting is Stealing

This educational film "Shoplifting is Stealing" was produced by Charles Cahill and Associates in 1975. It discusses the issue of shoplifting and the various measures taken by retail stores to combat it. It highlights the significant financial losses due to shoplifting, which amount to over $3.5 billion annually in the U.S. Stores often mark up prices to cover these losses, which can be particularly challenging for small businesses. The film explains that many shoplifters are teenagers who steal for emotional reasons, peer pressure, or thrills rather than necessity. It emphasizes that shoplifting is a serious crime with legal consequences, including a police record. Various security measures are described, such as trained security staff, surveillance cameras, electronic tags, and packaging techniques that make it harder for shoplifters to steal items. The film also follows a scenario where security tracks and apprehends suspected shoplifters using surveillance and communication.

Shoplifting is Stealing

NR 1975
Faces of Death

What question has plagued mankind more than the mystery—and terror—of death? This forbidden pursuit has driven Dr. Frances B. Gröss to the brink of madness, but in his obsession, he has amassed a uniquely comprehensive collection of films that depict life in its final, grueling moments. From the savagery of cold-blooded murder to the perverse realities of war, tragic accidents, and the everyday lives of those who collect, dissect, and bury the dead, this descent into morbidity lays bare a truth that all of us will one day face.

Faces of Death

4.6 1978
Everest Unmasked

Record of the first ascent of Everest made without the use of oxygen equipment, made in May 1978 by Reinhold Messner and Peter Habeler. Could it be done? Would their blood vessels burst? Would they suffer brain damage leading to madness? Nobody was sure. Messner: 'I would never come here for trying Everest with oxygen. That is not a challenge for me.' A fascinating piece of history, well filmed by Leo Dickinson and Eric Jones (above the South Col Messner used a cine camera to continue the filming), featuring Messner and Habeler's thoughts. The film follows the usual sequence from Namche to Base Camp, through the Icefall, to Camps I, II and III. It also shows historical footage of the pioneering Mallory and Shipton expeditions.

Everest Unmasked

7.0 1979
Woodstock

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

Woodstock

7.5 1970
Protection In The Nuclear Age

An exploration of the reality of potential nuclear attacks on the United States with an emphasis that survival is possible. It outlines key strategies for protection during a nuclear emergency, including recognizing warning signals, taking immediate cover, and understanding the effects of a nuclear explosion. The film stresses the importance of preparation, including knowing evacuation routes and creating a family protection plan. It also highlights the significance of mass, distance, and time as defenses against radiation, and encourages citizens to stay informed and ready in the event of a crisis.

Protection In The Nuclear Age

NR 1978
Ty-Peupe

The ideal of youth is at the centre of this eloquent film, mixing documentary and fiction, art and experimentation. Demonstrating both formal and narrative freedom, Bélanger weaves a deliberately loose weave in which the initiatory journey of two young people, wandering through Montreal in search of a job, unfolds. But not just any job. The two idealists want a job that will satisfy their desire for freedom, peace and respect. Of course, even though the breath of renewal from Expo 67 still floats here and there, the world they encounter does not correspond - by far - to their aspirations. Strangers in this country that tells them nothing, they come across brutally, materialism, violence, and egocentrism.

Ty-Peupe

7.2 1971
Future Shock

“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)

Future Shock

4.7 1972