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In 2014, Tsai Ming-Liang was invited to make a film for the MarseilleFID, Marseille International Film Festival. Since he was not familiar with Marseille, he decided to make a film as tourist, capturing the beautiful Mediterranean sunshine in the late summer of that year. He also invited famous French actor, Denis Lavant, to appear alongside Lee Kang-Sheng playing Xuanzang. "Journey to the West" was invited to be the opening short film at the Berlin International Film Festival the same year.

In 2013, the Golden Horse Film Festival celebrated its 50th anniversary. The ministry of Culture commissioned director Yang Li-chou to make a documentary about the history of Golden Horse. What is unique to this film is that it's not an ode to celebrities but about the role cinema plays in ordinary people's lives. It's a love letter to cinema, filmmakers and audiences.

In 2015, Tsai Ming-Liang was once again invited by the Hong Kong International Film Festival to make the opening short film. This time, he selected Shibuya station in Tokyo as his main filming location and invited the famous Japanese actor Masanobu Ando to appear alongside Lee Kang-Sheng. They sleep separately at a capsule hotel and cleanse themselves at a public bath. Their fatigued bodies yearn for sleep but restless minds keep them for falling asleep. "No No Sleep" won the Best Director Award at the Taipei Film Festival.

Lush jungle and a building in ruins are the ideal stage for a film-confession that defies storytelling and goes beyond conversation on cinema. Tsai Ming-Liang and his actor Lee Kang-sheng confess and put on stage a pièce in which attention and slowness are in tune with the rhythm of memory. The unveiling of Tsai Ming-liang’s filmmaking: from Stray Dogs to the most intimate notes of the director-actor relationship.

It has been eight years since Typhoon Morakot, the deadliest typhoon to impact Taiwan in recorded history, swept through Siaolin Village. It left 462 inhabitants dead, including Mr WENG Jui-chi's beloved family. Like the other 46 survivors, WENG struggled to face the recurrent nightmare after losing his family, tackling the regret and guilt of being left alone.

Jackie Chan and Arthur Huang are on a mission to test the Trashpresso, the world's first fully mobile plastics recycling machine, in the harshest environment of the Tibetan Plateau.

With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.

This is a touching documentary film about some elderly people who suffer from dementia, and their families.

In 2011, Tsai Ming-Liang staged a play, "Only You", for Taiwan's National Theater and Concert Hall. In it, there was a powerfully moving scene where monk Xuanzang walked at an extremely slow pace for half an hour. Lamenting the transient nature of theater, Tsai decided to make a movie out of this slow-walking performance, "No Form", the first of his "Walker Films" series.

In 2012, Taiwanese architects Michael Lin and Liao Wei-li invited Tsai Ming-Liang to create moving visuals for their exhibit at the Venise Architecture Biennale. Using the space at their preview exhibition in Taiwan, Tsai Ming-Liang made two short films, "Sleepwalk" and "Diamond Sutra", using the "Walker" concept. "Diamond Sutra" was later selected to be the opening short film for the Venise Film Festival. Tsai-Ming Liang said that gazing at the steam rising from a rice cooker reminded him of his mother's face as she laid dying, exhaling her final breath.

Seven years. Eight married couples. They are open and honest, reflecting on why they married each other in the first place, why they have lost the passion, and why they are tired of the other person's problems with the mother-in-law; they talk about sex, having children, and the fact that they can't stand each other any longer...

Composed of a series of portrait shots of mostly anonymous individuals, filmmaker Tsai Ming-liang's digital experiment turns the human face into a subject of dramatic intrigue.

To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.

“What were you doing last year, when I took this photo from a train passing by your house?”

A continuation of Tsai Ming-Liang's Walker series, featuring Lee Kang-Sheng as a barefoot monk who walks very slowly.

One rainy afternoon, the sound of a vendor calling out "Fix your screen windows, screen doors - Install new glass!" summoned this daydream. I traveled with the repairman to Toad Mountain in search of the maiden he so vividly described. But the houses here had long crumbled into ruin.

In 2012, the Hong Kong International Film Festival invited Tsai Ming-Ling to make the opening short film. Having grown up with Hong Kong's popular culture, Tsai Ming-Liang decided to pay homage by making a "Walker" film, contrasting the Walker's slowness with the frenzied pace of Hong Kong's cosmopolitan life. The film ends with a song by Hong Kong actor and singer Samuel Hui, who was Tsai Ming-Liang's idol during his youth. The film was invited to be the closing short film for the Cannes Film Festival in 2012.

In 2018, Tsai Ming-Liang was invited by the Northeast and Yilan Coast National Scenic Area Administration to make this film, his eighth in the "Walker" series. In the constant passage of time, the Zen-like footsteps of the Walker has finally allowed us to see the Pacific Ocean, the open sky, the seagulls, the black sand, an eel catching settlement that arose in the cold winter rain, the twisting branches of the lintou trees, flotsam piled up like mountains, and a newly constructed cement house, which seems to offer a temporary place of rest for the Walker. "Sand" premiered together with the opening of the Zhuangwei Dune Visitor Center.

Poetry, literature, painting and old film clips converge in this lyrical, unusually designed film essay about Le Moulin, the Taiwanese poets’ collective which protested in the 1930s against the cultural superiority of the Japanese occupier and the domination of realism in poetry.

Midi Z visits his oncle who works as a jade miner.

In 2015, the Museum of Anthropology at National Taiwan University (NTU) held a traditional wedding for an ancestral post collected from the Kaviyangan village of Paiwan. This documentary is based on the archive from the wedding ceremony, combine the image we shoot after two years, to compare the situation of village before and after the ceremony.

Martial law was lifted in Taiwan in 1987. Since then, all kinds of reform and democratization were raised. However, in May 1991, four young people were arrested by the Bureau of Investigation (MJIB). This had generated the fear in society and led to the so-called “White Terror.”

For her debut feature Finding Sayun (不一樣的月光), Atayal director Chen Chieh-yao (陳潔瑤) returns to her home village to unearth the legend of Sayun (sometimes spelled Sayion), an Atayal girl who fell to her death in a turbulent stream while carrying a Japanese teacher’s belongings at the end of World War II. The movie begins when the tale of Sayun draws a television crew to the Atayal hamlet of Tyohemg (金岳) in Nanao Township (南澳), Yilan County. Yukan (Tsao Shih-hui, 曹世輝), a high-school boy and a young hunter, does not understand the crew members’ interest in the story. But his grandfather’s (Chang Chin-chen, 張金振) memories of Sayun, whom he went to school with, revives his interest in the old tribal village, which the villagers had been forced to desert 50 years prior.

A minibus carrying a theater troupe moves slowly along a winding mountain road. They are heading for the Namasia tribe who live deep in the mountainous region, to perform specially for the children. As evening comes, the children gather after school at the temporary camp in the village square, waiting for the performance to start. However, a boy discreetly shows up at the back of the stage bringing an unexpected twist to the planned event.

An impressive bottle of fine Scotch is in your hand. From barley to barrel, who made it and how did they do it?

Hanzi is a documentary exploring international design, visual culture, and identity through the lens of modern Chinese typography. The film covers a variety of topics such as how languages shape identity, and what role handwriting plays in the digital age.

Raye’s devastating documentary follows the plight of some 450 dogs brought through a single animal shelter during the winter of 2013. Policy dictates that any animal not adopted within 12 nights will be destroyed. Only around 10% of residents will be so lucky as to survive. As they wait, their time in the shelter is fraught with anguish, disease, and only the slimmest possibility of a better life. Executive produced by novelist and filmmaker Giddens Ko (You Are The Apple Of My Eye).

From New York City to the farmlands of the Midwest, there are 50,000 Chinese restaurants in the U.S., yet one dish in particular has conquered the American culinary landscape with a force befitting its military moniker—“General Tso’s Chicken.” But who was General Tso and how did this dish become so ubiquitous? Ian Cheney’s delightfully insightful documentary charts the history of Chinese Americans through the surprising origins of this sticky, sweet, just-spicy-enough dish that we’ve adopted as our own.

A documentary on the history of film studios in Taiwan.

"What the axe forgets, the trees remember." The Tree Remembers presents the current situation in Malaysia where the racial policy is still practiced and the victims are forced to remain silent. This film re-examines the origin of racism in Malaysia and the taboo of racial riot in 1969.

After four decades, a group of veteran singers gather together again. The songs they wrote when they were young had once changed the fate of the island. However, time took away their youth and changed the island's soul. Not only a new national identity has formed but so many new music genres have emerged since then. Can the innocent songs they sang back in the old days still be related to the new era?

'Wansei' refers to those Japanese who were born in Taiwan during the colonial period. After WWII, they were repatriated to Japan. It took the director 12 years to conduct the interviews and five years to shoot. It tells the stories of not only Wansei themselves but their friendships, family ties and bravery when facing the harsh adversity.

"The very first Taipei Golden Horse Film Festival was held here at Zhongshan Hall. During my university days, I volunteered as a ticket seller in order to watch films for free. Many years later, I received the top award at the Taipei Film Festival in an award ceremony held here as well. I have also run a coffeehouse here and often held small screenings of classic films during that time. Last year, I shot my film, Your Face, inside Guangfu Auditorium. The film was composed of thirteen big close-ups. Each of those thirteen faces was filled with the passage of time. Now, I am given a chance to film Zhongshan Hall again. I switched off all the lights and allowed the warm winter sun to shine on her face."

In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.

This documentary focuses on the love story between Dr. Tian and Mrs. Tian. And how fought for democratization of Taiwan.

For hundreds of years, Taiwan has been under different colonial rules. From the Dutch, the Spanish, the Japanese, and nowadays Republic of China, each regime left their footprints on this island. Only the indigenous people of this island experienced of the process. They were given different names during different periods of colonisation and their cultures have been changed. Through the life of a Truku elder, we see the history of aboriginal recertification movement.

Wang Shin-hong is suffering from insomnia. A fortune teller advises the Mandalay businessman, whose car and bulging wallet suggest that business is going pretty well, to spend 14 days in a monastery, living life as a monk and eating an apple a day. Such a thing is possible in Burma today. Wang Shin-hong arrives at the rural monastery, has his head shaved and dons a red robe, in which he instantly becomes an authority. During the welcome procession, the village women, their poverty clear from their clothing and the huts in the background, put more than they have in his alms bowl. During his fleeting role as their advisor, Wang Shin-hong soon learns of the villagers’ attempts to survive and make a living as legal or illegal migrants in China, Thailand or Malaysia. He also finds out how the other monks try to generate profit and additional income.

On weekends or holidays, the Zhongli train station in Taiwan is always filled with migrant workers who moved to seek out better economic or living conditions. In 1949, millions of Chinese soldiers and civilians migrated to Taiwan; they are regarded as ‘displaced persons’. Yuan’s father was one of these immigrants, a refugee of the civil war, a stranger away from home. For The Strangers, Yuan uses a high-speed camera and a high-lumen spotlight to shoot from the moving passenger car through the window. As the camera captures the face of each person standing on the platform, these strangers transform into sculptures, frozen in time.

Is it possible that a group of people share our culture and fate, but are drifting in another part of the ocean? Taiwanese aboriginal musicians, Suming and Baobu, are invited to New Caledonia for a month of musical exchange. They lived with local Kanak musicians, playing music and sometimes composing together. In the end, they all found that the secret to innovation and globalization is to re-discover one’s own cultural roots.

Tsunma, an honorific term connoting “noble, delicate, and pure”, refers to the Tibetan Buddhist Nuns of the Himalayan Region who have been largely dismissed or forgotten by the traditions they follow and the societies they’ve served. Taiwanese photographer Lin Li-Fang undertook a solo journey up 4,270 meters into the Himalayan Plateau and lived for an entire summer with some of these nuns and recorded life in the unforgiving environment dubbed “The Roof of the World”. There, Li-fang captured a life devoted to hope and faith and a people possessing a unique kind of tolerance, humility, and perseverance. This is a story of the Nuns of the Himalayas, of seeing one’s life through theirs, that is, a life lived in faith and with the spark of a summer eternal.

Two girls in the bloom of youth meet at a vocational training program. Afterwards, their lives move in completely different directions.

In late 2004, 125 Philippines women migrant workers came to the Taiwan International Workers’ Association (TIWA) to file complaints for not receiving their salary. While filming there were sweet scenes of lesbian couples cuddling each other in front of the camera. This documentary of a labor struggle unexpectedly became love stories. These women courageously fight against the state policies while struggling for love!

The film documents the rise and fall of the Wufeng Lin family in Wufeng, Taiwan over the turbulent years of Taiwan under the administrations of the Qing dynasty, Japan, and Republic of China.

It's Mom's birthday today. Li Si-yong is completely blind. Taking Wu Wen-ru who is visually impaired and their unborn child, they wander the streets in the dark. They try to piece together the fragmented memories of their daily life and family, waiting to welcome the arrival of a new life.

Documenting Taiwan from an aerial perspective offering a glimpse of Taiwan's natural beauty as well as the effect of human activities and urbanization on our environment.

30 years after the Taiwanese New Wave first emerged, the veterans such as Hou Hsiao-hsien and Tsai Ming-liang remain active in their careers. Ten of Edward Yang's former assistants have become directors. The filmmakers of the younger generation are facing a Taiwanese audience hungry for films that link them with Taiwanese society, whether they are fictional or not.

H is a migrant worker from Indonesia like wandering around and he already ran away for over a year. He built a temporary hut on his ex-employer’s farmland. He took his friend R in the shelter who ran away from metal processing factory and almost got caught when working in a tea plantation. Because of that R rarely steps outside the hut. Tonight, H receives a phone call from his friend T. She said she runs away from fruit processing factory and will come over with her friend B who also ran away from the auto-parts factory. Later the night, run away housekeeper E and D who run away from screw factory appear in the hut. In the same night, the hut of H already becomes well-known.

I transcribe a relationship on film with what I find at home: the flower baby’s breath, love letters my father wrote and sun print papers my lover gave me. This film is a dedication to Shadow Film: A Woman with Two Heads (Nito-onna: Kage No Eiga) (1977) by Shuji Terayama - Erica Sheu

The film centres around three condemned prisoners who committed different crimes, with one still serving his sentence, one who has taken his own life in prison, and one already executed. Consisting of unembellished interviews and news footage, the film shows the director’s concern for the condemned prisoners and their families as human beings; moreover, it examines the contemporary history of capital punishment in Taiwan and questions the current judicial system.

'Peng! Snowman' is a feature length documentary about a farmer's son who became one of the worldwide best martial artists. Just forget what you know about martial arts master. Peng will redefine the term: He's a funny, crazy genius! At the age of 60, Peng Wu-Chi was willing to share his incredible story for the first and last time - before he disappeared.

The first and only Taiwanese player for the New York Yankees, Chien-Ming Wang held many titles: American League Wins Leader, World Series Champion, Olympian, Time 100 Most Influential, and The Pride of Taiwan. He had it all - until a 2008 injury forever altered the course of his career. Late Life: The Chien-Ming Wang Story - named after the late sinking action on his signature pitch - follows the rise and fall of the international icon as he fights his way back into the Major Leagues through endless rehab programs and lengthy stints away from home, carrying the weight of the world on his battered shoulder. A poignant and intimate account of Wang’s steadfast quest, Late Life tells the story of a man who is unwilling to give up and unable to let go.