An interview with five renowned artists from various fields, focusing on their beliefs, identity, working methods, and life journey—from the beginning of their careers to their eventual success in their respective disciplines.
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An interview with five renowned artists from various fields, focusing on their beliefs, identity, working methods, and life journey—from the beginning of their careers to their eventual success in their respective disciplines.
Flooded McDonald's is a new film work in which a convincing life-size replica of the interior of a McDonald's burger bar, without any customers or staff present, gradually floods with water.
Thunska Pansittivorakol's documentary covers three disparatae topics: Gay life & sex, the 2004 Tak Bai incident, & the 2005 execution of two Iranian teenagers.
A recreation of an event to commemorate the presence of the dead and the decayed memories of the living, of filmmaking
Over 2,500 years ago, one man showed the world a way to enlightenment. This beautifully produced Buddhist film by the BBC meticulously reveals the fascinating story of Prince Siddhartha and the spiritual transformation that turned him into the Buddha.
A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story.
Six directors, six independent films, six visions on the state of the world. Each carrying a unique and personal interpretation of a specific experience, their crossover creates new space for a dynamic and radical inquisitive reflection.
June, a Thai woman working in Bangkok, converted from Buddhism to Islam when she married Ake, a Muslim man living in southern Thailand. Leaving behind her urban life, she begins life with her husband, while learning the teachings of Islam and the deeply rooted customs of her new home.
There are only 320 Mlabri people left on this planet. They came out of the jungle in Northern Thailand on the border to Laos one generation ago. The Mlabri people used to be hunters and gatherers. Today they scrape out a meagre existence at the bottom of society working as day labourers for the Hmong farmers, and living in shacks on the outskirts of larger Hmong villages. The Mlabri people are currently going through a transformation process, which has taken many other people thousands of years. Now the young people are faced with the choice of staying with their families in the village or adapting to the Thai society. How do they experience the meeting between their own culture and the local, regional and national majority cultures? In this film young Mlabri tell about their past, present and future as they see it; all expressed in their unique and expressive Mlabri language.
Raquela is a transsexual, or lady boy, from the Philippines, who dreams of escaping the streets of Cebu City for a fairy tale life in Paris. In order to make her dreams come true, she turns from prostitution toward the more lucrative business of Internet porn. Her success as a porn star brings new friends, including Valerie, a lady boy in Iceland, and Michael, the owner of the website Raquela works for. Valerie helps Raquela get as far as Iceland. From there, Michael offers her a rendezvous in Paris. Will Paris be everything she dreamed of? And will Michael turn out to be her Prince Charming?
Facing seizure of their own lands, two families found themselves farming together on the same field, hoping to get through just another rice-farming season like every year. But no matter how much the world is evolving, how much the country is going through economic, political and social changes, they still cannot grasp that ideology of happiness.
One of the ingrained rituals in Thai society is the blessing automatically given before certain ceremonies and events such as the playing of the Royal Anthem in movie theaters before feature presentations. This short presents a "Cinema Anthem" which comically praises and blesses the feature to come.
Crying Tiger is a documentary film presented in the format. reality show Follow up with filming stories about the lives of 5 provincial people who had to leave their hometowns to become local laborers in Bangkok.
Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.
Terrorism proves to be the symptom, and not the cause in this documentary focusing on the Islamic insurgency in Thailand, a country already feeling the effects of a dangerously unstable democracy. The situation is seen from the perspective of outspoken Thai human-rights activist Kraisak Choonhavan, who, while making the journey southward, reveals an unseen side of the Muslim community. After living alongside Buddhists peacefully for generations, a large number of the Muslim population seems to have suddenly become violent. Over the course of just two years, over fifty Buddhists teachers have been killed. But why? As the Muslim separatist attacks become increasingly intense and Prime Minister Thaksin Shinawatra responds with growing force from military and government, a mutual mistrust on both sides paves he path towards violence and tragedy.
3 Friends is an experimental fiction/documentary film conceived and directed by 3 friends.
This 21-minute documentary marks the directorial debut of acclaimed Thai filmmaker Pen-Ek Ratanaruang in the documentary format. Though modest in scale, it is a charming work infused with his distinctive style and signature sensibility. Commissioned with support from Nike (Thailand) Co., Ltd., the project explores a passion for football by taking viewers into the lives of amateur players who gather on a concrete pitch beneath the Din Daeng Expressway. Pen-Ek himself was a regular participant in this football community, lending the film a personal and intimate perspective. The documentary serves as a reflection of urban dreamers struggling to find space to play the game they love, capturing their aspirations with a blend of humor, melancholy, and the uniquely ironic touch that characterizes Pen-Ek’s filmmaking.
A joyful shot recorded by Weerasethakul himself and two young men who become acquainted by filming each other in the back of a moving pickup truck. Though seemingly playful, the short film is a subtle portrait of migrant workers in the north of Thailand.
In this documentary, four boys spend their senior year of high school studying for college-entrance exams that only one in five students will pass.
Teem Nov 20, 9:53 min. Teem Nov 21, 22:38 min. Teem Nov 22, 27:31 min. Each projection in this work is a daily morning portrait of Teem, the artist’s partner. As winter approached in late 2007, Teem informed Weerasethakul that he would hibernate until February 2008. As a result, he slept a lot during this time while Weerasethakul observed and sometimes disrupted his partner’s mission with his mobile phone.
Issara has 2 highest dreams in his life, making his own movie and being in love with someone (he is gay and never had a boyfriend), then he brings both of his dreams leading him to join the documentary project of BIOSCOPE film magazine, his project My First Boyfriend was selected. So he went to the internet to announce someone who is going to date him in this movie (he said this is a director-actor relationship) Issara's rule is he will use the camera to record this date but his face will never be shown, so the audience will see only the actor's face and will know the director by hearing his voice.
A man's feelings during his travel along Ayuthaya.
A documentary film tells the true story of the locals in southern of Thailand through the life of 4 families that live in different provinces, but hand and share their kindness to one another. The reality of their life is arranged into the story disclosing beautiful sides of the southern of Thailand and changing the point of view about the violence that's been happened in the area.
To infinity and Beyond combines documented footage with fictional narratives. The film consists of two parts made up of the same footage but narrated from two different, yet related, perspectives. The footage captures the activities of villagers in a Thai ceremonial tradition called 'Boon Bung Fai'. The objective of the ceremony, though quite forgotten, is to worship the sky and beg for the rain. The film explores juxtaposition between documentary and fiction; silence and sound; folk tale and modern-day news reporting, as well as relationships between man and nature, earth and sky, dream and reality, east and west, and most importantly, the past and the present that will lead us to the future.
VOODOO GIRLS challenges Thailand's social taboos as filmmaker THUNSKA PANSITTIVORAKUL and his circle of college friends, talk openly about sex, gossiping and teasing each other as they discuss their past and present partners. Loaded with sexual innuendo, random objects and gestures assume new meaning, rendering even an artist's wooden mannequin a playful sexual energy. Roger Garcia Documentary in a form of home video, telling a story of the lives of 3 girl friends through a personal point of view.
In the mountains of Northern Thailand lies a boarding school. The students come from different tribes in the area and live together with their Thai teacher, grow their own crops and cook their own meals while continuing their education. The biggest question on their mind, having spent all their lives in the mountainside, is where the rivers running down the hills end. If they pass the final exams their reward is a trip to the end of the river, to the ocean itself. The children are poor, some orphans, and most of them only speak their tribe's language, but all try their best to pass the exams to be able to take the long-awaited trip. This trip is not only a journey from the children's villages to the ocean but also a journey that symbolizes the change from childhood to adulthood.
Eight pastoral vignettes make up this leisurely and benevolent stroll through Thailand’s rural north country, where time slows down and the changing seasons dictate the day’s chores from dawn to dead of night.
In the capital of Thailand, the music-underground is exploding right now. That is what two German film makers found out during a two-month stay in Bangkok in 2003. The film portrays bands (Beargarden, Apartment Khun Ba, Som etc.) and labels (Smallroom, Bama, Panda, Hualampong Riddim) from the indie-scene, visits festivals and shows (Pattaya, NoisePop) and meets media (Fat Radio, Channel V), who support the Bangkok music scene. In interviews the highly creative protagonists of the local scene express their outlook on music, their conditions and what their work is about in their own words. The intention of making this film is to show to Western people what is going on in Thailand on the cultural side.
Happy Berry is the name of a Bangkok boutique run by a group of trendy Thai youths, and is the nerve centre of this fly-on-the-wall documentary (the second in a trilogy entitled "Life and Love"). The camera catches the subjects indulging in all the (post) modern lifestyle trends: drugs, kinky sex, hip-hop, fashion, exhibitionism, narcissism. They are uninhibited, the kind of youth who break down barriers in a supposedly traditional and religious society, but perhaps that's just on the surface. Behind the upbeat tone is a probing examination of values and attitudes in modern youth relationships. Happiness may be deceptive but there's certainly a lot of fun in the Happy Berry.
When the director want to reveal the most secret in life to close friends and mother, what will be the moment these people know the truth? The film conveys the feelings of a person who has had to lie all his life. By when the movie is finished, the director said "Doing this documentary saved my life."
The film maker is a photographer and wonders how memories are passed on through photos in a village in Thailand. And how they are given back.
Those images flow from track to crack the sea. This memory is lost. Or is the memory, which invented new. They said to each other Buzz to give daytime and night vision can listen. They are a girl who becomes a kite. And the men who tear the island on the glass. The girl, who later became Mangpor. Become lost memories become memories fabricated on. In a city that became birds. Stoles back into the infinite ocean. The mold may not recognize the language. Pictures without a source A set of memories that still existed in the dim fuzzy. If you are in the clear. The image will leave forever gone.