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Director Nikita Mikhalkov documents the history of Russia from 1980 to 1991 by annually asking his daughter Anna such questions as "What do you love the most?", "What scares you the most?", "What do you want above anything" and "What do you hate the most?"
Summer 1991. The last days of the Soviet Empire. Dark clouds gathered over Moscow as the Soviet government prepared to turn back the clock of history. While the world focused on the crashing Soviet Empire, this film focuses on the people who would've been among the first to suffer repression - the women and men who have broken sexual taboos in a consummate act of liberation against a rigid, crippled world. This is a view from their vantage point, unveiling the shadow-side of Soviet culture in the wake of the revolution, where the real provocative nudity is the nakedness of the soul.
Set to readings of Thomas Mann's 'The Magic Mountain', a collage of medical, art and found footage, exploring various medical cases, including reconstructing the damaged human body, the separation of Siamese twins, and Cold War era attempts to create superhumans.
About the artist and poet of the "silver age" Maximilian Voloshin.
The second film of Alexander Sokurov's documentary series "Petersburg Diary" is dedicated to the outstanding Soviet film director Grigory Kozintsev
Musical benefit of Lyudmila Gurchenko.
In 1991, the Communist Empire of the USSR was destroyed. And one of the main symbols of Soviet power — Lenin's Mausoleum and Lenin's Body itself were left without an owner. The film tells about Lenin's body, its contents, its protection and different opinions about the future of this body — to sell, to revive ..., to bury. "Lenin's Body" is a film about a society that survived the collapse of the Empire.
Documentary film about ethnic cleansing in the Prigorodny district in October-November 1992.
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
He became a legend in his own lifetime. A Symbolist poet, artist, photographer, art historian, translator, lecturer, and local historian — Maximilian Voloshin, known simply as Max. Everyone loved him, and he loved everyone. He embodied contradictions. He visited the Vatican, the Prado, and the Louvre, witnessed the first car rallies and flying machines, attended Silver Age poetry circles and Montmartre artist gatherings, and took part in literary hoaxes. But no matter where he went, he always returned to Feodosia.
The documentary film dedicated to the life of Nicholas II and his family was edited from chronicle of 1896-1916 from the funds of The Russian State Documentary Film & Photo Archive.
Nikita Mikhalkov introduces his favorite paintings by Russian painters of the XIX century. The viewer is presented with a qualified look at the artistic trends and preferences of that period. The series tells about the fate of artists and the heroes of their paintings, the history of creating masterpieces, the overall picture of Russian artistic culture. The text is read by Evgeny Steblov.
A glance across the border in northern Russia, where the small town of Montegorsk suffers under the heavy metal from industry. Nature is transformed into a poisonous desert: in long shots the camera probes the pale, skeleton-like branches of the dead trees. The small family, whose everyday life Helke and Suutari follow, lives in a state of waiting: waiting for the next German car, the next medical examination, the next holidays. White Sky exemplifies the artists‘ approach with currents of time flowing together: no one can say how long it will take for nature to regenerate itself here; yet people live here in their own time, with their own individual wishes and expectations.
What do you give the youth of Moscow for standing down the coup and ending the reign of Communism in Russia? 700,000 Watts of Head-banging Power. With Exclusive live performances and behind-the-scenes footage, FOR THOSE ABOUT TO ROCK captures five heavy metal bands and 500,000 fans in historic celebration of freedom at the concert that almost didn't happen.
The beginning of the 20th century. The recklessness of fanatics is pushing humanity towards the abyss. A revolution begins in Russia. Crazy Dr. Farkus induces an orgasm of inanimate matter. White Moroccan dwarfs are becoming active. A second Sun appears in the sky. In this difficult environment, captains selflessly confront the forces of chaos, maintaining the cosmic balance of history.
Biography of cinematographer Andrey Nikolaevich Moskvin.
Eisenstein shot 50 hours of footage on location in Mexico in 1931 and 32 for what would have become ¡Que viva México!, but was not able to finish the film. Following two wildly different reconstruction attempts in 1939 (Marie Seton's 'Time in the Sun') and 1979 (Grigori Alexandrov's '¡Que viva México!') Kovalov has here compiled another hypothetical version of what Eisenstein's film might have been.
A humorous New Year's TV show dedicated to the 70th anniversary of Eldar Ryazanov. The plot parodies the 1956 film Carnival Night. The role of Ogurtsov is being tried on by Ryazanov himself.
The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power with pain and anger, the author tries to uncover the reason of the country’s and nation’s tragedy.
This 1999 program, broadcast on the Russian television channel Kultura, features an introduction by filmmaker Elem Klimov and film critic Irina Rubanova to an interview with director Larisa Shepitko that was recorded just after the 1978 Berlin International Film Festival.
“Like the right and left hand Your soul is close to my soul We are sealed shut, blissfully and warmly, Like the right and left wing…” The life and art of Pavel Kogan and Lyudmila Stanukinas, two famous Leningrad documentary filmmakers, can best be expressed by the Tsvetaeva stanza cited above. They are the main characters of this film, which their student Viktor Kossakovsky shot during Pavel Kogan’s final months. For Lyudmila Stanukinas, Lyalya, as those close to her called her, her husband was her only reason for existence. She was with him until the end and held onto his extinguishing life as much as she could.
Sergei Govorukhin, son of well known Soviet and Russian film director Stanislav Govorukhin, was a Russian scriptwriter and war correspondent. This is his first and only documentary, dealing with his feelings about the first war he covered - the first Chechen war - as well as his very cynical view of Russian society during this time. These feelings and opinions were shared by many other war correspondents and cameramen at the time. The author used heavily contrasting footage and sound to illustrate his point of the indifference of 90's/early 2000's Russian society towards the conflicts it found itself in after the Second World War.
This half-hour film attempts to recreate the play "The Inspector General", one of the most perfect creations of the genius Vsevolod Meyerhold. Vidas Siliunas provides a captivating account of this production, interspersed with fantasies on the theme of Meyerhold's "The Inspector General", created by Valery Fokin and actors from the Oleg Tabakov Theatre, as well as short video clips miraculously preserved from the original 1926 production.
During the Second World War, Leningrad was besieged by German troops. A merciless struggle for survival erupted. People were starving and afraid, yet they did not give up but kept on fighting, refusing to surrender.
Victor Kossakovsky searched obsessively for inhabitants of St. Petersburg who were born on Wednesday 19 July 1961, his own birthday, in former Leningrad. Fifty-one women and fifty men fitted the profile. In the course of time a few of these 101 people had died, others had moved to another community or abroad. But in 1995 Kossakovsky managed to capture on film all seventy remaining residents, in the street, at work or simply at home. While doing so he spent time with doctors and patients, entertainers and businessmen, construction workers and homeless people. In his unorthodox style Kossakovsky has produced a beautiful profile of people in their thirties in St. Petersburg.
The story of the boy Vanya Proshkin, our contemporary, in whom, after being exposed to a thunderstorm, his analytical abilities, unusual for his age, opened up.
Documentary and dramatization of Tarkovsky's time in Siberia hunting for diamonds with a secret scientific expedition, which led to his desire to become a filmmaker. Includes an adaptation of his unpublished film script "The Concentrate".
On April 8, 1894, a young princess from the Duchy of Hesse-Darmstadt, to the great joy of the heir to the Russian throne, Nicholas, finally agrees to convert to Orthodoxy and become his wife. So begins the story of the family of the last Russian emperor. Their letters, diary entries, drawings, photographs and documentary films of the pre-revolutionary years create a kind of family chronicle.
The long flights of spacecraft have been in the past, as well as the chronicle of accomplishments. Snatches of memory bring to us the fragments of those memories that are confused and do not leave a coherent and consistent trace. All in the past. But was it really ?!
A documentary biography of Russia's greatest filmmaker.
The portrait of the creator of the Kino group, consisting of the thoughts and memories of people who loved him, appears before the audience as a musical prophecy of a talented artist about his own life.
"Oh, ballet, how I hate you!" - the film begins here and ends with burning confession of love for ballet. They say that to go from hatred to love takes just one step. In fact - thousands of daily steps. And 52 minutes of film.
The mute documentary-experimental film "Ten Minutes of Silence" is a film expression of the trends embodied in the painting "Black Square" by Malevich and J. Cage in music.
The action takes place against the backdrop of the meager life of a decaying Russian village, where several women and an elderly alcoholic man remain. Two old women live here, the youngest of whom, Praskovya, devoted her whole life to her older sister Maria, who stopped growing in her early childhood. The only young woman in the village is expecting a child: everyone believes that from an angel.
Eldar Ryazanov in conversation with Boris Yeltsin.
Hitler's professional look-alike from Uzbekistan arrives to Moscow to earn money.
An intimate portrait of Andrei Tarkovsky by his son.
It was filmed in rural Russia, near the city of Smolensk. It shows a small village, where all young people are gone and only older people are left.
A Humble Life is certainly true to its title, a documentary study of the day-to-day world of Umeno Mathuyoshi, an old woman who lives in an isolated mountain house in the Nara prefecture in Japan.
In 1994, Alexander Sokurov accompanied Russian troops assigned to a frontier military post at the Tajikistan/Afghanistan border to film their experiences. While unnamed tribal forces occasionally engaged the troops in skirmishes, Sokurov’s haunting documentary chronicles the downtime between activity.
Everyone went crazy: Verónica Castro, who played Mariana in the cult TV series The Rich Also Cry, arrived in Moscow. Banquets, receptions, motorcades, handshakes, star-studded kisses, and the adoration of the crowd…
Depicts a community of pensioners living in near isolation outside of St. Petersberg as it enacts the weekly ritual of bringing a delivery of bread—left at a rail junction two hours away—into the village for distribution.
The Russian entry in the BFI’s Century of Cinema series of documentaries
When the ambitious dream of a guy from the province about an acting career collides with a cruel reality, most often there is a drama or tragedy. The plot of the film is based on the traditional conflict for the Russian provincial theater: everyone dreams of the role of Hamlet. But if a person is a comedian by nature? What kind of play will the dramaturgy of life push him into? In the credits, the film is designated as "a tragicomedy from the life of artists."
A documentary about the tragic fate of Nestor Ivanovich Makhno. The film combines TV reports with historical chronicles, actors ' monologues with documentary interviews, everyday sketches with poems and songs. One of the main participants in this story is the rector of the Transfiguration Church in the village of Kuzhenkino, Father Vladimir.
A saxophonist musician falls in love with an aerialist from the circus. For her sake, he gives up music, to which he has been devoted all his life. In order to be together with the woman he loves all the time, he becomes an aerialist and does a joint circus act with her. The number is gaining international recognition. But it was the joint work in the circus that was the beginning of the destruction of their family. At a time when the greatest desire of the heroes - to be together - has been achieved, another woman appears in their life…
Alexander Birgukov shot and killed his two commanding officers. He was sentenced to death but when it was alleged that one of his victims had sexually harassed him, his sentence was commuted to life in prison. Tenderly revealing two lives lived in limbo, this film bears witness to the first and final visit of his mother, Lubyov.
This documentary was created for the 130th anniversary of the birth of Nicholas II and the 80th anniversary of the execution of the royal family.
The film is a unique tribute of the director to his master. The space is empty, in the sense, there are no people there, but the items live their peculiar life until the rooster cries out. And that is be the rooster Parajanov made, God knows of what kind of improvised material at hand. It feels like the wind is a night walker here and it turns over the pages of the books. Glass breaking can be heard. The good thing is there are enough collages made of phials and luxurious tableware set fragments. The dolls sit on the frames, letting their legs hang, just like they do in daytime, but something mystical, something fateful appears in them. And Parajanov is close, built-into some other life, in epaulets or even with the people of past epochs. The lamps are switched on, even the oil stoves – everything is the way Parajanov liked. But then it is daybreak already, the rooms are filled with sunlight, and everything changes.
A documentary film about the Russian director Sergei Kosintsev.
Documentary about the abuse of psychiatry for political purposes in the former Soviet Union. Hanna Michailenko, an Ukrainian schoolteacher from Odessa was locked up in a psychiatric ward from 1980 until 1988 for refusing to work for the Soviet Secret Service, the KGB.
A Soviet collage in which the evolution of the fascist's image in Soviet cinema is analyzed.
A free film adaptation of the director's memoirs. In form, this is the "stream of consciousness" that attracted Sergei Eisenstein after getting acquainted with the experiments of James Joyce. The outer outline of the film is a long foreign trip of the director, which began in 1929, during which he recalls his past life and considers creative ideas. The film is constructed as a free alternation of reality, dreams, and fantasies. The material for it is fragments from the films of Sergei Eisenstein and his fellow contemporaries, documentary footage depicting the director and his time. The wide coverage of the faces and events reflected in the film shows the special role of Sergei Eisenstein in the culture of the twentieth century…
About the mythological roots and the search for the invisible "City of Kitezh" under the surface of Lake Svetloyar in the Nizhny Novgorod region.
This movie is about one day on the construction site.
A dazzling film version of three favourite ballets from the Diaghilev Ballets Russes seasons in Paris.
The "Good News" is a film dedicated to one of the main holidays of Orthodox Christians: the Annunciation of the Most Holy Theotokos. The main idea of this holiday is the beginning of the liberation of the human race from sins and eternal death, the joyful news about the upcoming birth of Jesus Christ. The film shows how people living in the remote Russian village are preparing for the Annunciation, marking the turning point of winter and the beginning of field work. Everyday details of the parish community life help to feel Russian Orthodox customs that have been formed for centuries.