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Ah Reum's Secret Seduction

In the second half of 2019, a newcomer to express a new generation of Korean adults has appeared. She has already received over 3 million views through YouTube and is receiving hot attention. She has a lot of fans because of her cute looks and her high level of conversation. Finally, she comes to you as a solo interview movie. From Ah Reum's imaginative imagination, the more she sees her, and the firmer her sexual orientation. All of her behind-the-scenes stories unfold to the ideal.

Ah Reum's Secret Seduction

NR 2020
Kim Il Sung's Children

From 1950 to 1953, one hundred thousand children were orphaned by the Korean War. With no resources to mend the wounds, the two sides, North and South, took different paths to find homes and families for the war orphans. While the children of South Korea were sent to Europe and the United States through ‘International Adoption’, the children of North Korea were distributed across Eastern Europe through a method called ‘Commissioned Education’. As a result, more than five thousand children from the North had to spend nearly a decade living in foreign lands across Eastern Europe. This story is a record of their lives, which used to be kept hidden from the rest of the world. There is a key to understanding how North Korea's closed political structure began and how the ‘Juche ideology’ was formed in this documentary movie. Understanding North Korea in the 1950s is an important way to understand North Korea at present.

Kim Il Sung's Children

NR 2020
Montmartre de Papa

The son can't stop wondering. What is dad going to do after retirement? So he starts filming him. Dad wants to have a shot at becoming a street artist in Montmartre, Paris, a longtime dream of his. To the mother, it sounds like just another absurd dream. Anyhow, 2 years later, the father puts his plan into action and sets off for France. Right until his departure, the mother doesn't know what to make of it. While dad spends one month as a street artist, the son and mother follow him to Paris...

Montmartre de Papa

NR 2020
Looking for the Wolf: East Asia Anti-Japan Armed Front

On August 30th, 1974,a time bomb set by the "Wolf" brigade of the East Asia Anti-Japan Armed Front destroyed the Tokyo Headquarters of Mitsubishi Heavy Industries. "Fangs of the Earth" and "Scorpion" soon followed with more bombings. Unlike other leftist groups at the time that sought to seize the Japanese state to build socialism, the EAAJAF were explicitly opposed to the Japanese nation-state, understanding it as an imperialist power in East Asia and a junior partner to American imperialism. Over 50 years have passed since the Mitsubishi bombing; some EAAJAF members have passed, others are still incarcerated, and some have been recently released. In the intervening years, a group of friends and family members stepped forward to support their incarcerated loved ones, answering questions about how to provide long-term prisoner support for people incarcerated by the state and condemned by society.

Looking for the Wolf: East Asia Anti-Japan Armed Front

3.0 2020
Buen Camino

A visually impaired woman in her 50s and an 18-year-old girl walk the Camino de Santiago. The older woman, Jae-han, is a masseuse who can only make out the dim outlines of things. She is accompanied by a girl named Da-hee. Jae-han dreams of presenting her own style of flamenco in front of the Cathedral of Santiago de Compostela after completing the pilgrimage. However, the journey, which began with a vague longing, turns out to be much more difficult than either had expected.

Buen Camino

NR 2020
Dear Kimsisters in 1959

During the Cold War, three Korean women left for the United States to succeed as a pop group. They show off their capabilities by absorbing all the images of Asia. The director connects the story of the Kimsisters and the director herself who is studying abroad, and reveals the voices of Asian women that were ignored by men and Western centered power. When the United States and Russia competed with each other to capture the back side of the moon, three Korean women left for the United States to succeed as a pop group. They show off their capabilities by absorbing all the images of Asia to succeed in the United States. The director discovers the history of other Asian women that took place in 1959, and connects the story of Kim Sisters and the director herself, who is studying abroad. She crosses language, power, history and culture, and reveals the voices of Asian women that were excluded from men and Western centered power, through archived images and collage images of the director.

Dear Kimsisters in 1959

NR 2020
Welcome to X-world

Three people live in Doosan Apartment in Guro-dong. Me, mom, and my grandfather. Even though it has been 12 years since dad died, we are still living under the same roof. I thought it was because of the financial situation that we could not move out of grandfather’s house. But when I found out that mom already had enough money to get a house, I became confused. Why didn’t mom move out from the “x-world” when she could? From a marriage that didn’t work out well, to a father-in-law with a temper. Why has she been enduring it, unchanging, for all the time I had witnessed her life to become a woman against marriage? One day when my anxiousness was at its peak, grandfather suggested that we live separately. Mom, reluctant to leave Guro-dong that she’d been living in for 20 years and her marriage life, will she be able to find herself and move out well?

Welcome to X-world

NR 2020
The Red Filter is Withdrawn.

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

The Red Filter is Withdrawn.

NR 2020
A Time for Dogs and Cats

This year is 2017 and South Koreans are baffled by news reports about growing numbers of stray dogs gathering in packs in the capital Seoul. Sightings of these packs have been reported in hillside areas. A film crew investigates, heading to Baeksa Village. The village is one of Seoul’s last remaining hillside communities. It had been earmarked for redevelopment, but plans stalled. The crew discovers a village full of mainly abandoned houses whose owners have long since moved away. In many cases, the crew finds, owners have left their cats and dogs behind to fend for themselves. The film-makers capture the lives of these strays – as well as the efforts of musicians who hope a thrilling concert will make a difference. What will become of these poor cats and dogs – and the people trying to help them?

A Time for Dogs and Cats

3.0 2020
Self-portrait 2020

Director Lee Dongwoo of No Money, No Future (2016), created his second film with the main character of a homeless man he met at Tapgol Park in Jongno. One morning, this homeless man is drunk and approaches director Lee for money. He is a doubtful character who is often in and out of the detention center and mentions Bresson, Ozu, and Ha Giljong. He claims to have been invited to the Venice International Film Festival and the Clermont-Ferrand Short Film Festival with his film Self-Portrait 2000. Self-Portrait 2020 is a record of strange friendships and a film of respect (homage) to a promising young film director of 20 years ago. Two directors, two films, and splendid credits.

Self-portrait 2020

NR 2020
‘How to riot’ tips and tactics

On the evening of November 16, 2019, they were accidentally trapped in a black wave of demonstrators around central Paris. In Korea in 2020, they rewrote the memory and rearranged the movements and sounds to organize other forms of protest. People begin to gather, and smoke rises. Sometimes it is necessary to sense the subjects of “the process of being someone else” rather than just us who are united. To recall beings, such as shadows and echoes, who were endowed with individuality even in the waves of the masses. The attempt itself was intended to be made into a video form again.

‘How to riot’ tips and tactics

NR 2020