8 Matches Found
According to the information written in the credit roll of "Seoul 7000," the film was filmed in Seoul in November 1976 with an 'Elmo 108' 8mm camera using Kodachrome 40 film. It was also stated that "it was filmed frame by frame, and the shooting speed was adjusted differently for each shot," and "the number 7000 in the title of this film represents the total number of frames in all parts except for the title."
This is a documentary that records the actions of the elderly who makes straw shoes. It was filmed in Bongcheon-dong for a day before the urban redevelopment that area. It sharply contrasts the primitive labor of agricultural society and the modern urban labor with bold close-ups and cross editing. Against the backdrop of a poor hillside village in Seoul, it contains young filmmakers’ criticism on labor and society with an anthropological perspective. The film is the last one of the total seven short films made by director Kim Hongjun and Hwang Juho using a self-taught Super 8mm camera for a year from 1976 to 1977 before the founding of Yalasheng, a film society of Seoul National University. The film was selected at the 3rd SIFF.
North Korean propaganda film about orchards that yield bigger crops after Kim Il-sung visits. The films was presented as a gift to friendly-minded countries in the world. And expected by the North Korean Culture Ministry to be displayed publicly. Sweden was one of the countries honored by receiving a copy of "Gwasu-ui nara / Country of Orchards".
One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.
It shows Korea’s traditional colors and culture through the use of superimposing. It is an experimental film, which not only tries to show Korean traditional culture through the use of color, but also tries to show the modern history of Korea.
One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)
shows visual and metaphorical representation using rope as a motif through various rope images and meanings.
Kim's first moving-image work, made between 1971 and 1973 with an 8mm movie camera.