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A special retrospective of the two franchises, with segments making comparisons between the different characters, their weapons, powers and so forth. The final segment of the special is the short film "Super Battle: Ultraman vs Kamen Rider" The main characters, Ultraman and Kamen Rider 1 appear on the scene separately, each fighting an original kaijin and kaiju. When the two monsters are nearly defeated, they merge into a more powerful kaiju. Ultraman experiences trouble and calls for Kamen Rider 1's help. Kamen Rider 1 is then able to grow to enormous size to fight alongside Ultraman.

Hideaki Anno's documentary about the making of Shusuke Kaneko's Gamera 3: Revenge of Iris. From concept to film, the documentary is a video diary of the film's production.

In Japanese theater, women's roles are traditionally played by men. The man playing the woman's role, the Onnagata, does not imitate the woman, as in the West, but tries to capture her significance. He need not stick close to his model, but draws far more from his own identity - a shift of value takes place, which is nonetheless not a step beyond. THE WRITTEN FACE is an attempt to offer an insight into the Japanese Kabuki star Tamasaburo Bando, one of the last defenders of this ancient and disappearing performing tradition.

A promotional video for the film “Death and Rebirth.” Released on January 25, 1997, it contains an overview of the series’ plot, cast interviews, a music video for “Soul’s Refrain,” and several trailers for the film.

Some artists have put on a spectacular performance, while others have put on an infamous one; Ben Folds Five managed to do both in one show.

Idol VHS tape Ryoko Hirosue released in 1997.

This 150-minute documentary, directed by Nobuhiko Ôbayashi on the set of Akira Kurosawa's Dreams, features behind-the-scenes footage and interviews with cast and crew.

After producing several experimental video art pieces, Tsuchiya first came to prominence with A New God, a personal documentary shot on video about his relationship with a right-wing, neo-nationalist punk rock band. Even though Tsuchiya is on the left, he ended up marrying the singer for that band, Karin Amamiya, who has since emerged as a spokesperson for disaffected Japanese youth in the media. The New God won an award at the 1999 Yamagata International Documentary Film Festival.

This film is a record of the first Yamagata International Documentary Film Festival. It reflects the various ways the festival was given shape by nascent global changes embodied by Perestroika, the Tiananmen Square massacre, and many other contemporaneous events.

School slapstick drama.

A documentary film starring Hayao Miyazaki as he follows in the footsteps of Antoine de Saint-Exupéry.

Terror ! Wounds that led to death. The dead feel no pain. Pain! Heat! Agony! Corpses evoking the moment of death. I don't want to die like this... Why must death be so cruel... It's as if you can hear the corpses' lament... Can you endure these images reeking of death ?!

A tribute to the legendary Japanese film director featuring the reflections of filmmakers Lindsay Anderson, Claire Denis, Hou Hsiao-hsien, Aki Kaurismäki, Stanley Kwan, Paul Schrader, and Wim Wenders

Nagisa Oshima interviews Akira Kurosawa, leading him to share his thoughts about filmmaking, his life and works, and numerous anecdotes relating to his films and his various film activities.

An hour-long conversation between Akira Kurosawa and Hayao Miyazaki which took place in Kurosawa's home near Mt. Fuji.

"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito

This horror documentary thoroughly covers various psychic phenomena together with a psychic. The film follows the ship Oite, which lies at the bottom of the Truk Island's atoll, and an esoteric Buddhist monk takes on the case of the slaughter of a beautiful mother and daughter in Sasebo, and helps the soul of a 60 year old man who died in an unforeseen accident in Thailand. An interview with the cameraman is also included as an extra in the new version.

Toyohiko Kagawa was a great religious leader, thinker, novelist, scientist, social activist, and the founding father of agricultural cooperatives, consumer cooperatives, and medical cooperatives. His life was filled with indescribable turmoil, befitting a world-renowned figure born in Japan. This work depicts his extraordinary life.

Kazuo Ohno, Father of the Butoh Dance, first appeared on stage at the age of 43. He left the stage only at the age of one hundred, three years before he died. This short, dialogue-less film presents the exceptional range of expressions that this Japanese dancer could achieve, both with makeup and costumes and without.

Standing almost alone in the great Southern Ocean, South Georgia island plays host to some of the largest concentrations of animals anywhere on Earth during the spring and summer months. This is the story of these vast animal cities, and of the order that lies beneath their seeming chaos.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

Garo cartoonists Dynamite Crazy Party. A live concert centered around Garo cartoonists

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

Making of "20th Century Nostalgia"

A docudrama about the boxer Jôichirô Tatsuyoshi. The documentary part follows Tatsuyohi for 18 months, from his comeback from an eye injury to his match against Yasuei Yakushiji in 1994. A fictional part follows a restaurant owner, fan of Tatsuyohi, waiting for the match with his friends and family.

A making of documentary on the Studio Ghibli film Only Yesterday

Two shorts about the making of Hideaki Anno's movie "Love & Pop", one from the perspective of a bumbling assistant, and one from the perspective of a AV director filming a documentary about Anno but narrated by a worker from a bread factory

A documentary film following Isao Takahata to Canada to meet Frédéric Back.

A behind-the-scenes look at the creative process behind Juzo Itami's "Minbo no Onna" a.k.a. "Minbo: the Gentle Art of Japanese Extortion".

From the 1980s to the 1990s, New Taiwanese Cinema gained international attention for adopting a completely different approach to that of the commercial films which had preceded it. This piece contrasts Hou Hsiao-hsien and Edward Yang, two rivals who were the driving force behind New Taiwanese Cinema. The closing of a cinema invites us to reflect on society and the passage of history.

This non-narrative film depicts the routines of a girls' basketball team in a junior high school near Tokyo. Shot with a stationary camera, it consists of six ten-minute segments, some of which show the girls' routine exercises, others of which are choreographed.

A contemporary look at the creation and evolution of Studio Ghibli, from ‘The Great Adventure of Horus, Prince of the Sun’ (1968) to ‘Princess Mononoke’ (1997).

An experimental music film showcasing the filming locations of "Twin Peaks" using silent footage and eleven tracks from the original score composed by Angelo Badalamenti. It was released only on LaserDisc in Japan, and includes liner notes with lyrics to three songs performed by Julee Cruise.

A documentary which follows director Wim Wenders and Sean Naughton, the high-definition-video designer on UNTIL THE END OF THE WORLD, in Tokyo, and details the creation of the film’s groundbreaking high-definition sequences.

Sequel to MAD Video and Cell's Death Women

The documentary of director Katsuyuki Hirano and adult film actress Yumika Hayashi's 41-day biking trip.

A weird and perverted documentary on Japanese “Bastydolls” (read—busty dolls), that are finely sculpted anime looking beauties with super mega tits and big round butts. Witness how they are made, plus “glamour shots” and various hentai-style still shots of hot big breasted beauties forced to enjoy perverted sex acts!

A documentary made to commemorate the 10th anniversary of Satsuo Yamamoto's death.

The production of Gamera: Guardian of the Universe. Includes interviews with director Shusuke Kaneko, screenwriter Kazunori Ito and lead actress Ayako Fujitani. Also includes behind the scenes footage from special effects director Shinji Higuchi and interviews with suit actors Jun Suzuki and Yumi Kameyama.

Documents the events surrounding the making of 'Kikujiro no natsu'.

Documentary directed by Norio Tsuruta and Yukio Miyajima.

Different cast and crew members discuss 'Perfect Blue'.

1992 VHS of Kuroyuri Shimai

Nagaremono zukan is a documentary video, release from V&R Planning (AV). "Flower Picture Book" is the second work in the bicycle trilogy after Yumika. A very private sexual movie with Tomoko Matsunashi, right after Hirano broke up with Yumika. The violence of the camera is clearly increasing. If Yumika was the light, Nagaremono zukan is the shadow. There are two version of Nagaremono zukan, the censored one and the original hardcore one, with additional scenes, better quality and longer runtime.

Two years after the film "Yumika", Katsuyuki Hirano and Yumika Hayashi go out on a bicycle trip again. Included in the "Yumika" 1997 DVD.

A behind-the-scenes look at the creative process behind Juzo Itami's "Daibyonin" a.k.a. "The Last Dance".

Making-of documentary for Swallowtail Butterfly

Story of Kyoto: its history, culture, as well as the role it has played in the director's life and the life of his mother.

Released in 1994, this documentary tells the story of the life of Robbie Robertson, a central figure in the band that established an era of American rock music, through various images and interviews. The film covers Robbie's encounter with Southern music, the origin of his music, his time with the Hawks, his collaboration with Bob Dylan, and his performance at the legendary Woodstock. The Last Waltz, from the breakup to becoming a solo artist, and working with director Martin Scorsese. Robbie himself talks about his career as a solo artist and his induction into the Rock and Roll Hall of Fame in 1994. Also featured are 'Lost Performance' film segments from the Band's appearance at Woodstock, as well as unreleased clips of Robbie and the Band backing up Bob Dylan on the infamous 'Eat the Document' tour.

The last piece of Naomi Kawase's Grandmother Trilogy, following Katatsumori (1994) and See Heaven (1995), filming her grandma and herself. Her gazes and insights are cast on the lovable beings in front of her eyes.

Video documentary by Shinji Aoyama.

A documentary about cinematographer Gabriel Veyre's adventures introducing cinema to Japan and South America. Veyre was a traveling cameraman for the Lumiere Co. He declared cinema dead only 2 years after its inception after he saw a villager jerk a woman's head to face the camera when he was filming a small group of them.

A detective, a mysterious beauty Ekin and other characters appear in the film. It creates a mysterious visual world that takes us one step further into the world of Ekin. This is the second art documentary film produced by the Museum of Art, Kochi, following Hiroyuki Oki's HEAVEN-6-BOX. This time, the stage performances of butoh greats Maro Akaji and Dairakudakan were documented by Hayashi Kaizo.

Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.

Hirata Yukata became the first man in Japan to publicly acknowledge that he had contracted HIV through gay sex. Filmed over a series of months, the documentary contrasts his public life as an outspoken figure on the lecture circuit with his personal descent into illness and death.

A "documentary" that explores the myth of the Human-Faced Dog. The legend of the Human-Faced Dog goes all the way to Tokugawa era Japan. In stories, the Human-Faced Dog is initially mistaken for a normal, mangy dog, but as the unlucky passerby gets closer the human features become apparent. Sightings are always at night, and the dog, if approached, will morosely tell people, “Leave me alone”. The Human-Faced Dog took on a new life in more recent times, its peak of popularity in the late 80s and early 90s, where it was claimed to have been seen on highways, chasing cars at enormous speeds and causing car crashes.

On November 8, 1998, Osaka City Chuo Dohall. A live record of performance by Yasusho Morimura and Masami Tada.

Back in India, Sawaki reaches Varanasi and returns to Delhi, then begins the long bus journey west. A chance companion and a mistaken-arrest scare in Pakistan derail him.