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"Dispenser", the first Italian documentary entirely dedicated to bouldering, brings together some of the protagonists of the Italian scene, who have resurrected from the past an activity that remained silent for a long time. The director, climber Marzio Nardi, here brings to life one of his obsessions: bouldering, in all the ways in which we can experience it: in competition, while traveling, at the gym, during an ordinary day spent among the rocks, or through the gestures of a climber. The early competitions, gatherings and personalities that brought bouldering to life influenced the growth of climbing as we know it today.

Looking for Sophia is a documentary about Loren's remarkable life and career, featuring rare newsreel footage, highlights from her films, and insights from her friends and colleagues.

Short documentary on the 1972 Italo-crime classic Caliber 9

Twenty-five films from twenty-five European countries by twenty-five European directors.

These Encounters Of Theirs divides 10 non-professional actors into couples, then has them take turns in declaiming the Dialogues With Leuco, Cesare Pavese's abstract, philosophical work.

This 2006 documentary was filmed on the occasion of director Dino Risi's ninetieth birthday. It features interviews with his collaborators, friends, and family, as well as Risi himself, who talks candidly about his personal successes and the obstacles he has faced.

Interviews with Franco Nero and Vittorio Storaro about the film The Fifth Cord.

A Donatello award nominated documentary following nine Italian survivors of the Auschwitz concentration camp.

Interviews with actress Mariangela Giordano and cinematographer Franco Villa about their work on Andrea Bianchi's "Malabimba"

Up the hills between Liguria and France, a car goes up towards the Pre-Alps. Paolo Masieri, one of the most innovative of the great Italian chefs, has his vegetable garden, his country house, his herbs. Luca Guadagnino's camera follows him, moving among the fronds with the step of a weasel, sniffing the moss and the dried leaves of the chestnut trees, becoming nature among nature.

Documentary about Italian film screenwriter Cesare Zavattini

In-Depth interview with writer/actor George Eastman on his collaborations with director Michele Soavi and director Joe D'Amato.

In a country where bella figura is a national pastime, Prime Minister Silvio Berlusconi is the maestro of media manipulation. Having risen to political primacy with the aid of his Mediaset empire, he now controls 90% of the bel paese’s television channels including the state-run RAI network. Quantity, it seems, does not equal quality. Fed on a diet of semi-naked dancing girls, inane competitions and rickety reality shows built around the most ridiculous of premises, is it any wonder that Italians are becoming a nation of fame-hungry wannabes?

Documentary about the making of Mario Bava's A BAY OF BLOOD.

A documentary featuring archival footage of Pasolini discussing his views on language, film, and modern society.

A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.

Italian director Enzo Milioni reminisces about his career and his 1978 giallo "The Sister of Ursula".

Biggest Hollywood stars in Italy from 1950 to 1970 through Cinecittà Luce's archives.

"A Species Odyssey" portrays the origins of Mankind from the moment the first primate stood up on their hind legs and set off to conquer the African Savanna, to modern Man, setting off to conquer space. 7 million years of triumph fraught with difficulties and extraordinary events that make Man what he is today.

Documentary by Franco Piavoli based on the correspondence between Italian poets Alessandro Parronchi and Umberto Bellintani.

By means of a chronological arrangement of historical video material from the Istituto Luce archives, it tells the story of Fascist Italy's ambitions in Africa and the role they played in shaping fascist ideology and the stance of the fascist regime in the Western world at the height of the age of colonialism and aggressive European expansionism.

Viva Zapatero! is a 2005 documentary by Sabina Guzzanti telling her side of the story regarding the conflict with Silvio Berlusconi over a late-night TV political satire show broadcast on RAI-3. The show, RAIot (a play on the name of the Italian state public TV: RAI, and the English word riot), lampooned prime minister Berlusconi. Since it wasn't considered a satirical show, but a political one, it was cancelled after the first episode.

In February, 1945, Primo Levi (1919-1987) and other Auschwitz survivors set off for home. The journey took more then eight months. Sixty years later, a film crew retraces Levi's steps. Levi's words, mainly from "The Truce" (1963), tell us what he experienced. In turn, we see Poland's hollow post-war factories, nationalism in the Ukraine, Soviet-style Communism in Belarus, the abandoned town of Prypiat (Chernobyl), poverty and emigration from Moldavia, Italian factories in Romania, and on across Hungary and Slovakia to Munich where Levi's rage found no listeners. Then home to Turin. An aged Mario Rigoni Stern remembers his friend. What has changed? Some issues of the war remain unsettled.

In the panorama of Kurdish music, Koma Berxwedan (Group Resistance) is one of the most interesting, innovative, experimental groups. To a deep love for music research the group has always associated a strong political commitment. Some of its members have joined the PKK guerrillas in the mountains of Kurdistan. Three of them died in combat. Some have been forced to live in exile and others continued to challenge the Turkish authorities by carrying out their work in Kurdistan.

Behind-the-scenes documentary about the making of Klaus Kinski's "Paganini".

Close to Greenaway takes us behind the scenes of the first part of the trilogy The Tulse Luper's Suitcases in Barcelona and Almeria. In this film, for the first time we get close to the unique vision of the controversial Welsh director Peter Greenaway. The intense rehearsals with the actors, his meticulous method of shooting and his thirst for the new audiovisual and technologies are revealed in this documentary.

A documentary on the director’s career, featuring interviews with friends, collaborators, and filmmakers.

In this video diary, director and producer Gil Rossellini—the son of Roberto—recounts (with the help of his sister Isabella) the ordeal of the illness that struck him on November 19, 2004, confining him to a wheelchair after some twenty surgeries and more than eight months of rehabilitation. Gil passed away in October 2008.

"City of Baseball" is a documentary that explores both the past and the present of the Italian baseball league in the seaside resort of Nettuno near Rome. Through league pioneers, current players, fans, and local historians, "City of Baseball" captures the story of how the 1944 Allied invasion of Nettuno brought the American pastime to a town which embraced the sport with a passion that continues today.

Documentary about the making of Ferdinando Baldi's rape-and-revenge thriller "Terror Express".

In this short documentary, Michelangelo Antonioni enters the church of San Pietro in Vincoli in Rome to contemplate Michelangelo Buonarroti’s statue of Moses. The film consists of Antonioni’s silent observation of the sculpture and the surrounding space, recorded during a visit following the restoration of the monument.

A portrait of the famous italian actor and political activist Gian Maria Volonté.

Totò, the mythical comedian of Italian stage and screen, was the illegitimate child of a noble man in one of Naples's poorest neighborhoods. As a child, he enlisted in the army simply to eat three square meals a day. Later, his dizzying success in show business brought him riches he had never dreamed of, plus stories of love and jealousy, the most important being with 16 year old Diana who eventually became his wife, only to leave him and inspire the Italian classic torch song Malafemmina, meaning bad woman.

The filmmaker's diary of the making of "Il caimano" and the political events that led up to it.

"At the end of filming Umiliati, Straub and Huillet gave thanks to the cast and crew in a graceful way: by inviting Dolando Bernardini to sing several stanzas from Torquato Tasso’s 16th-century epic poem Jerusalem Delivered." - MoMA

We are on the set of "Salò or the 120 days of Sodom". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary interview/conversation. The interview turns into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.

At the Hotel Majestic in Cannes, Tilda Swinton talks to director Luca Guadagnino about cinema, loneliness and love.

A man wearing shorts leaves his house to go jogging with his dog. All around him, Rome struggles awake at dawn. A lengthy marathon from St. Peter's to the Appian Way, a single shot crammed with centuries of history, freak encounters, and a wacky, vivid sincerity.

An interview with film producer Goffredo Lombardo, whose Titanus Films was bankrupted by Luchino Visconti's extravagant spending on "The Leopard."

For years, the Stardust has been a pub symbolizing romanity. From behind its counter, a young parisian girl has discovered Italy while living the final blows of a century coming to an end. With her Hi8 camrecorder she filmed her life as an expat and captured a glimpse of the Trastevere nightlife.

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

There is no shortage of words to define the actress, screenwriter and director Monica Vitti: Intense, beautiful, sensual, eclectic, intelligent, muse... She was a shining star during the golden age of Italian cinema. She is a legendary figure who served as example for generations of young filmmakers. Monica Vitti’s story is the story of Italian cinema; her life is inextricably linked to the medium. This documentary shows the sheer physicality of her acting; her visceral style which demanded that everything, personality defects included, was integrated into her unique performances.

A documentary about the three Woodstock music festivals.

Francesca, Morgana, Edo and Antonio. Four of today’s youngsters. Four inadvertent representatives of today’s generation of 20-year-olds who “do whatever I want”.By chance they find that they’re spending a week in Catania together, the Baroque city perched on the slopes of a volcano, the continual rumbling of which seems to reflect their restlessness…

Documentary on Italian genre cinema.

The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.

A builder from the province of Potenza tries to set up a large sausage factory to create employment and well-being in a predominantly agricultural town. But the company fails due to bad checks and unobtained loans, in the vain search to find valid partners or political protection. Mileo is thus forced to look for work, with little success, in various cities in Italy to be able to pay his debts.

Upon his release from prison, an ex-convict returns to his beloved city of Genoa, and to his lover.

A Donatello award nominated documentary looking at the last centenary of the CGIL - the largest trade union in Italy.

In relation to some of Pasolini's visits to Palermo for this last film, in 2000 Ciprì and Maresco shot Arruso, which begins with a phrase by Pasolini ("I banished the word hope from my vocabulary") and consists of imaginary interviews with some local characters who are presumed to have had homosexual relationships with the director. The two record the testimonies, sometimes affectionate others less, of those who had the opportunity to meet him and know the trends on the occasion of that trip.