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Shakespeare a Palermo

In the late 1990s, in a dilapidated theater in the heart of Palermo, Carlo Cecchi is working on a production of A Midsummer Night’s Dream, the second play in his Shakespearean trilogy, translated by the poet Patrizia Cavalli. Director Francesca Comencini – who sees Cecchi as the last representative of an Italy not subservient to the media and Berlusconi’s power – decides to follow him and is allowed to film the show’s rehearsals, on the condition that she does it all on her own and with discretion.

Shakespeare a Palermo

NR 1997
Boatman

In a series of small portraits, Gianfranco Rosi depicts life on and along the banks of the Ganges River. The director’s first film documents the boat trip he took along India’s sacred river with his helmsman, Gopal. They pass tourists and locals, witnessing them bathe, work, or meditate. The film captures the imagination of the endless circle of life and death, which is rooted in the lives of the Indian people, and is convincingly manifested in the way they bid farewell to the dead.

Boatman

6.8 1994
Marcello Mastroianni: I Remember

In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.

Marcello Mastroianni: I Remember

7.6 1997
Enzo, domani a Palermo!

Ciprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.

Enzo, domani a Palermo!

7.4 1999
Kafka

Against a set which has been designed in a Kafkaesque and claustrophobic way, Rybczynski has recreated a World of Kafka which corresponds well with Kafka's maze-like novels. It is an abstract and unpredictable world where Kafka himself moves between the scenes of his own stories, from America via The Castle to Metamorphosis, and The Trial is of course the frame story throughout. Rybczynski has chosen to portray Josef K as an alter ego. Other characters become members of his own family, which means that Rybczynski makes a kind of exemplary, depth psychological close reading of his work.

Kafka

10.0 1992
Nitrate Base

This documentary celebrates the 100th anniversary of the cinema birth. It is an historic running through the technical and artistic evolution of the 7th art. We move from mute to sound, from B&W to color, trough all the genders (musical, Lyric, politic...). Beside it we have a kind of resume of the historic contest in which cinema lived till now, events and movements (neo-realism, classical etc.). All the aspects are taken in consideration: fashion, star system till the end, the sad end, of cinema in the theaters.

Nitrate Base

5.8 1997
Return To Silence

Heinz Mariacher got closer to the mountains by climbing the most important peaks of the Dolomites. He then devoted himself to free climbing, before returning to classic mountaineering. On this route, he reunited with his partner Luisa Iovane. Immersing yourself in the images of the most beautiful walls of the Dolomites, you can follow the different thoughts that accompany the two climbers, different from each other, but united in life and in the rock by the same thought: "When you reach the summit, keep climbing."

Return To Silence

10.0 1992