254 Matches Found
A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.
A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult.
Italian documentary film shot in several European towns (Berlin, Hamburg, London, Paris, Venice) as well as in Rome's De Paolis Studios. The movie features a series of strip-tease numbers intermixed with real-life scenes and interviews.
Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
Avantgarde short by Brass.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.
Several stories depicting the landscapes and fauna of India are mixed with documentary footage.
Documentary that analyzes sexuality during it's so-called "revolution", the late sixties. The film shows some sexual "oddities" brought on by the fall of sexual taboos: a German woman who founded an billion dollar industry by selling erotic material; young and beautiful girls who are rented by large complexes to entertain and "persuade" customers; women young and old going to school to learn the art of awakening the interest of their husbands; couples in unscrupulous act as models to abstract painters; single women looking for a mate for the weekend, taking advantage of the "pink train" set up by the German Federal Railways.
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
Italian mondo documentary
The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.
The film, set almost entirely in New York, tells of the life of some young people of the late Sixties: of the use they make of various drugs, including the terrible LSD, of their sex life and their freedom of costume and thought.
Witness devilish rituals from around the globe. Satanism! Voodoo! Majicks Black and White! Shocking Truths, etc.!
A short film containing a collection of clips from various Hollywood movies.
"In Search of Marcel Proust" is a 1962 literary documentary directed by the Italian poet Attilio Bertolucci. It serves as a biographical and critical journey into the world of Marcel Proust, blending readings from his masterpiece, In Search of Lost Time, with rare filmed testimonies from those who knew him personally, including his housekeeper Céleste Albaret and friends like Jean Cocteau and François Mauriac.
Life, career and death of the two protagonists of American life sixties, John and Robert Kennedy, from the days of their ascent to the White House, the first as president, the second as a minister of justice, to the death.
Bizarre situations from around the world are looked at in this Mondo film.
Artists and poets meet in a dreamlike space between walks and performances.
Mondo style documentary about European nightlife.
Documentary on a religious practice in the Puglia region of Italy whereby women assert that they have been bitten by a tarantula and dance until they are exorcised of the poison.
Two Italians, Sandro and Lorenzo, are traveling through the Soviet Union. Lorenzo has been to Russia before and now, accompanying his friend, gives him the necessary explanations. This peculiar technique allows us to see the USSR through the eyes of a progressively thinking Italian, to familiarize through Western countries with the grandiose transformations that were taking place at that time in the Soviet country, with the most essential features of the socialist reality, with the life of people, with the achievements of science, technology, culture and art.
The documentary shows in succession a ritual of male initiation in an African tribe, a lesson in sexual education in an European country; a travelling through the rooms of a museum of erotism in Germany, the window shopping of prostitutes in Amsterdams red district, a public bath for both sexes in an unhinibited Scandinavian country, the headquarters of an association that is against keeping ones virginity, a marriage ceremony of two homosexuals, and the effects of drugs on addict people.
This entertaining documentary of the World Cup Soccer tournament of 1966 follows the 15 countries competing for the sport's most coveted prize. Nigel Patrick narrates, with commentary provided by Brian Glanville. The executive producer spent $336,000 on the production and used 117 cameras to record nearly 48 hours worth of action. Four editors were employed to create the final 108-minute feature.
Events and athletes that characterized the 1960 Summer Olympics in Rome. From the absolute protagonist Wilma Rudolph, called the black gazelle, to Livio Berruti, the first white to win the 200 meters, to the deeds of Ethiopian marathon runner Abebe Bikila, who won the marathon racing barefoot.
Documentary about the making of Federico Fellini's film JULIET OF THE SPIRITS, with behind the scenes footage and interviews with the director.
A documentary that reviews the numerous contributions of African-Americans to the development of the United States. From the perspective of the turbulent late 1960s, the fact that their positive roles had not generally been taught as part of American history, coupled with the pervasiveness of derogatory stereotypes, was evidence of how Black people had long been victims of negative attitudes and ignorance.
Documentary composed of interviews with female partisans who survived the German invasion of Italy in World War II.
La Via del Petrolio is a three-part documentary Bernardo Bertolucci made for the Italian oil giant ENI that aired in 1967. The film was made following Bertolucci’s breakthrough second feature Before the Revolution, and the director has said that it’s a documentary made by a man who is desperate to direct another feature. The film was presented in three parts: "The Origins", "At Sea" and "In the Heart of Europe".
Documentary directed by Alessandro Blasetti.
In 1961 Turin celebrated the centenary of the Italian unity with a large exposition which lasted from May till October of that year. One of the most popular exhibits was the 28 minute documentary ITALIA ´61 IN CIRCARAMA which was produced by the Walt Disney company and sponsored by the Italian automobile manufacturer Fiat. The spectacular views of this Cinerama tour of Italy (filmed with nine cameras) impressed more than two million visitors during the entire duration of that Turin Expo.
Documentary directed by Alessandro Perrone.
In 1966, Bene presented The Pink and the Black, his successful theatrical adaptation of Matthew Gregory Lewis’ lurid Gothic novel from 1796. Experimental filmmaker Paolo Brunatto filmed some of the play’s rehearsals in a Rome apartment (also frequented also by the Living Theatre). Bene's artistry is encapsulated in one sentence: “One cannot continue to prostitute the idea of theatre, which stands only for a magical, brutal link with reality."
Mondo film in the style of Sweden: Heaven and Hell that addresses the issue of sexuality in different populations, in particular Scandinavian and Polynesian
Documentary compiled from archives and accompanied by a poet's commentary, shows the sweep of modern Italian history from 1911 to 1961, centering on the conditions leading to Fascism and the post-WWII reaction to the Fascist experience.
The film documents the trade union battle of the workers of the Apollon printing house in Rome, occupied for a few months after the management decided to fire all the personnel and sell the land on which the factory was standing. In the form of a docu-fiction, the events of the long occupation are reconstructed, which began on June 4, 1967 and ended in December 1968. The workers play themselves and various other roles, but they are also co-authors of the film, which is not a simple chronicle of events, but an analytical reading of the reality of the factory, the story of the conquest of instruments of struggle and democracy, with the indication of strategies of attack on the bosses' power. The narrative voice of Gian Maria Volonté gives continuity to the story and comments on the events.
Fata Morgana is the train that arrives in Milan coming from the south of Italy. It is the train of the “southern” migrants. They arrive with packages, luggage, wives, children, in the hope of the economic boom. But there is no place for them and the city pushes them to the periphery. Few manage to find work, but new men keep coming every day.
A mondo doc detailing the wild and weird world of women... around the world.
A unique 1960s documentary on the traditional dirge sung by women in Griko, an ancient dialect of Salento, so old that it originates from the ancient Greeks who once colonized that part of southern Italy.
A short film by Gianfranco Mingozzi.
Italian mondo movie.
"Mondo Inferno"- This shockumentary takes us on visits to a restaurant that serves up delicious dog meat dishes, mud-wrestling clubs, a chastity belt store. We get to see bizarre funeral rites, snake charmers, bloodsuckers and a hidden-camera expose into the local baby selling and slave markets!
Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.
A documentary about the trial of Philippe Pétain.
A documentary set in Paola, in Calabria, about the fight to occupy housing.
A documentary film: two generations reflect on World War II, twenty years after peace was declared in Europe.
Documentary directed by Lamberto Antonelli.
Milan, 1 May 1969. A propaganda film produced by the communist organization Servire il popolo.
Documentary showing perverse and aberrant behavior from around the globe, including such things as sex slavery, dwarf love, Asian brothels and lesbians.
A tour in colour and 'scope of cabarets and night-spots around the world.
A montage of cabaret and variety acts from around the world.
An elderly widower visits his wife at the cemetery. In his mind, a dialogue begins between the two, in which their son, who died prematurely, also becomes involved. The man realizes that he is living without a purpose and that perhaps death would be a liberation for him.
Scenes showing sexual rites and dances around the world are contrasted with cabaret shows at places like the Crazy Horse Saloon.
In a small town in Lazio every year a procession is held in honor of San Giovanni, to ask forgiveness for the sins committed, recalling an ancient legend.
A caustic and sharply ironic portrait of a woman consumed by a destructive ideology, the film explores the psychological profile of a protagonist who has so deeply internalized a masculine, fascist militarism that she ultimately dismantles the very fabric of her own family. The work uses a distinctly feminine lens to conduct a socio-political autopsy on the consequences of totalizing ideologies. Through the use of biting satire, Mann examines the intersection of personal identity and political extremism, offering a fierce critique of how the remnants of fascism can warp individual conduct and domestic life.